Category Archives: Entertainment

Comedy CD Review: Words, Words, Words [2010]

 
Comedian: Bo Burnham
Release: October 19, 2010
Label: Comedy Central Records

Comments: Bo Burnham was just a suburban kid at one time. He did the average 16 year old thing: starred in school plays, earned high marks, and made YouTube videos. He did the YouTube thing quite well. His videos were (and still are) hilarious, entertaining, and offending. Bo, now a sophomore at New York University, proves that the road from YouTube celebrity to accomplished touring, record-deal holding comedian isn’t one well-traveled. On Words, Words, Words, there’s a fine mix of studio and live material; the latter was recorded during a one night stand at Carolines on Broadway in New York City. Bo starts the record off by mocking modern pop music on the first two tracks. Bo sings on “Words, Words, Words,” “I hate catchy choruses and I’m a hyppocrite” after rapping about Oedipus being the first mother fucker. Touche. “Oh Bo” is full of hooks and modern “pop” structural techniques — autotune, cheesy choruses, break-downs, triumphant bridges, and the like. The breakdown on that tune is particularly effective. Bo mouths, “My success is your success! I know you may be thinking ‘hey if you really believe that, why don’t you use some of your money to help rebuild the neighborhood instead of putting spinning rims on a gold jet ski?'” but before Bo can answer them back, he jumps back into the silly chorus! “What’s Funny” features some of Bo’s best verses. “Fuck my life. I don’t fuck my wife. So fuck my wife and fuck my life…the radical feminists made my wife a man!” He humors himself with word play and advanced connections amongst people, places, and things and this brilliance alone make him one of the best in the game of musical comedy. “Men & Women” has Burnham comparing the two genders and coming up with some of the greatest shit you’ve never come up with! “Women can fake orgasms, but men can fake love!” “Men are like Nazis because they both caused the Holocaust.” “Men and women. It’s black and white with an area of gray for hermaphrodites.” For prime examples of irony, check out the aptly titled “Ironic.” “I got my girlfriend pregnant on my sterile uncle’s pull out couch!” is just one of the many. “Rant” is Bo’s diatribe on the subject matter of the Catholic Church. He runs through a description of the mass from the point of view of somebody listening to their iPod in the back pew before envisioning a church in which ” you can be a benedict if you’ve been a dick under benedict but you can’t have benedicts because there’s only one pope and only one dick.” Like statistics? “Theoretical Dick Jokes” is your track. “The average penis is 5.5 inches. And finally, the average penis length of a man who Googles “average penis length” is 3.5 inches.” Bo weighs in on being an artist on “Art is Dead”: ‘This show has got a budget/And all the poor people way more deserving /Of the money won’t budget. Cause I wanted my name in lights/When I could have fed a family of four/For forty fucking fortnights.” Finally, Bo proves he can do traditional stand-up as well! “What do you call a kid with no arms and an eyepatch? Names.” Everyone has to hear Bo. Look him up on YouTube or go out and buy this CD. The kid’s the man.

Grade: A/A+

Classic Film Review: Nice Dreams

Full Title: Cheech and Chong’s Nice Dreams
Director: Tommy Chong
Year: 1981
Comments: WARNING: YOU MUST BE AT LEAST EIGHT BEERS DEEP, EXTREMELY HIGH AS A KITE AND IN LOVE WITH EVERYTHING IN ORDER TO VIEW THIS FILM. Otherwise you will probably detest it out of sheer boredom. I can’t imagine watching this sober. Yeesh. Naturally, after the original Cheech and Chong flick Up In Smoke (1978) the series started to plummet. But, all is well if you are twizsted, at least for me. I loved how fucked up and overtly aimless this stoner essential could be. With naked ladies, crazy coke snorting, and hilarious cameos from the likes of Timothy Leary and Paul Reubens (Pee Wee!) I can safely say this was not a waste of my time, in fact it felt like I had been watching it for days.

Grade: N/A- this would be an F for obvious reasons, but given the fact that I (and hopefully everyone) do not take this at all seriously, a grade is unecessary. KLYAM Recommended? Yeah sure, if you’re really baked!

Y’all know I love this scene.

7″ Review: LSD Saves b/w Mood Ring [2010]

Band: Harlem
Release: 5/2010
Label: Matador

1. “LSD Saves” – A
2. “Mood Ring” – A-

Comments: How did I not hear about this one? I don’t know! “LSD Saves” is a psychedelic (shocking for Harlem, I know!) rock and roller that sounds quite like a Brit invasion oldie or something. It’s quick and fun.. as driving fast on acid while getting your wing-wang squeezed. “Mood Ring” isn’t quite on the same level of “LSD,” but it’s vintage Harlem. You know? It’s cool.

Grade: A- (93)

King Khan & The Shrines H & E

Hopes: In my own little weird way I hope Khan does something like the above portrait or something equally (or more) outrageous. But, more importantly I wish to see an even greater performance, spectacle, if you will than I saw previously (which was one of my all time favorite concerts). I hope Gentlemen rock out even harder than the last two times I have seen them, playing all my favorites like “All I Need Tonight (Is You),” “Butterfingers,” “I Get So Excited,” and others. Lastly, I envision Red Mass to join my plethora of kick ass artists I have seen live and possibly become favorite of mine.

Expectations: This show is just as good, if not slightly better, than the last show, but lacks some of the intimacy of the Paradise setting. They put on a fun and/or entertaining show, but aren’t as “crazy” as they have been, which is more than ok as that’s not why I am going to see them (music clearly comes first). Gentlemen are just as good as last time, but don’t play all of my faves. And finally I expect Red Mass to be good, but probably not on the road to favoritism (a new word I coined).

In any case, I can’t wait!

Memory #2: Classic Concert Review: Shrines @ Paradise

Bands: The Homosexuals, Mark Sultan, King Khan
Venue: Paradise Rock Club

Act One
: The Homosexuals

Glen: The Homosexuals, or in this concert’s case Bruno Wizard and two members from the noise rock band Fiasco, started things off. Wizard, who has an affinity for saying ‘fuck’ and acting crazy as ‘fuck,’ didn’t fail at moving about the stage like an asshole. Wizard’s most notable song was “Hearts in Exile,” a lengthy and repetitive proto-punk jam that got the crowd semi-excited. He finally sang “Don’t Touch My Hair,” an obnoxious rhyme that was undoubtedly written while Wizard was under some form of narcotic. I give a lot of credit to Julian (drums) and Jon (guitar) for playing excellent music.

Chris: Well, the singer was a bit obnoxious and got really old rather quickly. Speaking of being old, he was middle aged, but tried to act like a buzz cock. Perhaps a bit more cock than buzz. His vocals and the songs themselves were average. He repeated one particular line at least 50 times. Ridonculous. With that being said, I appreciated his high energy, albeit a cliched, poor man’s Mick Jagger. Also, the guitarist and drummer had the musical chops and I suggest they find a new front man or create an entirely different group. [Editors Note: They are a part of Fiasco, which has a different lead singer. They were just filling in, bud.]

Act Two: Mark Sultan

Glen: Mark Sultan, or as the guy standing next to me said “the man they call B-B-Q” was very impressive. Complete with a makeshift drum kit and an old-school electric guitar, Sultan provided the audience with vintage rock n’ roll sounds. For me, Sultan’s highlight was “Waddlin’ Around.” The crowd really got into this song in particular. It was too bad Sultan only played for 30 minutes. That wasn’t the last of him though…

Chris: Mark Sultan or BBQ- Impressive. That’s the first word that comes to my mind when I think of his performance. For all ye musicians out there that merely play 1 instrument (I play none!), the BBQ has you beat! Simultaneously Sultan commands the microphone, plays the chords, and bangs the drums with the assistance of some handy dandy foot pedals. Sultan gave the audience a nice, little balance between slow, doo-wop echoing, love numbers and kick ass rockers you could rock your head and bop around to. A notable set to say the least.

Act Three: King Khan and the Shrines

Glen: I witnessed the soulful Supreme Genius! I actually noticed King Khan an hour before the show. I yelled “King!” and he stopped and gave Chris and I handshakes. Seriously, though, he puts on an amazing show. It couldn’t be done, though, without the help of the eight other members of the band. The cheerleader — unnecessary, yet unbelievably necessary — sprinkled glitter all over us in the pit. Her fine dancing was a great adjunct. The saxophone players don’t get as much credit as they deserve. They were instrumental (literally). The guitarists were fun, often interacting with the crowd (by jumping off stage). BUT it was the King who got everyone going. The minute he walked onto the stage, everyone just smiled, clapped, and knew that one hell of a show was in store. King’s swagger on stage is unprecedented. His gimmicks are vast and varied. Lying on the ground, sticking his head out to the front row, dancing over the cheerleader, whatever, you name it. His energy simply never relented. God bless him. He performed classics such as “I Wanna Be Your Girl,” “Welfare Bread,” and “Shivers Down My Spine,” before delving into a Gospel track — a brand-new 5+ minute epic that involved intensive crowd participation. King Khan came back on stage (thanks in large part to a certain energetic Shrines percussionist) after saying “this is our last song” and performed my personal favorite “Took My Lady To Dinner” followed by a few others, including a never-been-done-live-before song with Mark Sultan. Unfortunately, the experience had to come to an end. The keyboardist was doing crazy shit with his keyboard and having one hell of a time as he tackled it (which probably rendered it unusable). After slightly more than fifty minutes of moshing, sweating, and smacking King Khan’s helmet (yes, I got the privilege), the King, his underwear and animal teeth necklace, and his Shrines walked off the stage. The lights in the club turned on. We bounced.

Chris: I did not truly comprehend just how supreme the genius of King Khan and the Shrines was until Thursday night. Rarely have I ever seen such a build up to a band arriving on the stage. The Shrines, all in their black Shrine uniforms, began playing their various instruments, increasing the overwhelming anticipation of King Khan and his lady. Finally, our hero, accompanied by his ever-grinning cheerleader (pom poms and all!), hit the stage all decked out in his white suit and ready to go!. The crowd immediately danced into the “Land of the Freak,” which the Paradise Rock Club had transformed into by this point. The sensational opener was followed by even more notorious numbers including “How Do I Keep You (Outta Harm’s Way),” “Sweet Tooth,” “Shivers Down My Spine,” “Welfare Bread” (one of my favorite moments during the concert; the cheerleader sprinkled glitter all over herself and us!), “I Wanna Be A Girl” (I’d say the tune earned the biggest crowd response, at least from me anyway), “No Regrets,” “Took My Lady to Dinner,” and “Live Fast Die Strong.” The last 3 were performed as the encore in which the King appeared in his traditional golden cape, mask, and nothing but underwear!

Final Comments:

Glen: King Khan and the Shrines probably put on the best show that I’ve seen yet. It wasn’t quite a religious experience, but it was a genius experience. I’ve never gotten the privilege to see eight amazing musicians (plus one cheerleader) perform so amazingly together. I didn’t really listen to King Khan too much before the show, but now I’m absolutely hooked. But seriously this show has to be in its own category because of that. With the Black Lips and No Age, I pretty much recognized all their live music and that made seeing them so great. Bottom line: I absolutely can’t wait to see King Khan and the Shrines again!

Chris: Grade: A. Stage diving, crowd surfing, pogoing, and heartfelt singing insured one of my top 3 greatest concert experiences.

Damn, the anticipation…..

Shrines Memory #1: Poetry

This was a poem I wrote for my Creative Writing class describing the Shrines show I saw on 6/7/09.

How Do I Keep You Outta Harm’s Way? (King Khan)

Soulful Supreme Genius spread in the air
The King came decked out in his white suit and slicked back hair
Accompanied by his lady, an ever-grinning cheerleader
And eight Sensational Shrines in their black Shrine Uniforms
The King ordered his minions to give him
A Loud and Proud response
They Roared
Unsatisfied, he Demanded again
This time the King was blown away
He and His Shrines exploded right into “Land of the Freak”
An apropos title for this setting
The fanatics hopped up and down
Side to Side
On the Stage
Off the Stage
The blissful cheerleader sprinkled glitter into the pit
As a cute little complement to the soulful music and funky dancing
As soon as the performance ended
Excessive crowd response ensued
Just when you think it’s over…
ENCORE!

Mini Classic Film Reviews: Almost Famous…



Full Title
: Almost Famous
Director: Cameron Crowe
Year: 2000
Comments: Almost Famous is perhaps the greatest portrayl of Rock and Roll ever to hit the silver screen. What I really dig about this flick is that it takes place in 1973 as the era of Great Rock and Roll was gasping for air. We see these last precious moments of rebellion through the eyes of William Miller (Patrick Fugit) a fifteen year old journalist and a devout fan, experiencing this transition from music of the people to “industry of cool,” as real life Rock Critic, Lestor Bangs (Phillip Seymour Hoffman) puts it. With great performances from Kate Hudson, Frances McDormand, Jason Lee, Billy Crudup, (a young) Zooey Deschanel, amongst others, this is a Must See for Rock fans and non fans (but who cares about them?!) alike.

Grade: A/A+

Full Title: One Flew Over the Cuckoo’s Nest
Director: Milos Forman
Year: 1975
Comments: This has been a favorite of mine for about six or seven years now and I can’t imagine anyone walking through life and not seeing this at least once. Granted, the novel is better and I can understand why those who love the book would detest this. With that being said, I prefer the adaptation so much more because the brilliant performances of Jack Nicholson and crew truly bring all of these colorful characters to life in ways that for me personally are not as effective in the written form. The classic ending is so triumphant and beautiful that I have rarely seen another film top it; easily one of the greatest final shots in the history of cinema. Funny, passionate, disturbing, and inspiring- what else can you ask for? It should also be noted that after thirty-five years this movie has not dated at all; I watched it in one of my Psychology classes and nearly all of the class appreciated and/or loved it. How a film stands the test of time is to me a major factor of quality and Cuckoo’s Nest appears to be timeless.

Grade: A+ (in my top ten)

Full Title: Do the Right Thing
Director: Spike Lee
Year: 1989
Comments: So, it was after 1 A.M. on a Monday night, a school night, junior year of high school, and I’m lying in my bed, watching this Spike Lee joint (bad idea for any first time viewing of a film) struggling to stay awake. Then all of a sudden, as the film is reaching its climax, I rose and walked toward my TV set and stood there for the remainder of the film (a good 15-20 minutes) just glued to the screen. This has never happened to me before. I couldn’t sleep after what I had just seen; my brain was overloaded with numerous thoughts, questions, impressions, etc. The next morning in my Algebra class, I put forth a valiant effort to focus on whatever it was we were covering in the Math world, but my mind was just fixed on DTRT, particularly the ending (one of the greatest I’d wager). If you haven’t surmised already, this is an extremly thought provoking film and unleashes the most heated of debates, even amongst its participants (disagreements have risen between Lee and some of the actors). To spare the suspense, the movie depicts the lives of those in a Brooklyn neighborhood on the hottest day of the Summer and like the heat, the racial tension between blacks, whites, hispanics, and asians is driving everyone crazy. Though, this a black film, Lee does not shy away from portraying black characters with many flaws (there are also several black characters that fight prejudice and are quite respectable) as well as both racist and non racist characters of other ethnicities. Lee’s perspective as black director is essential to this film as it distinguishes itself from other race related films such as American History X (1998) and Crash (2004), which have less of a point of view, in this respect. I could go on all day about all the various, super factors that make this a terrific film, but in short, it’s the little things that Lee incorporates that makes this joint Spike Lee’s distinctive piece- from Rosie Perez (ready to go with her boxing gloves) dancing to Public Enemy’s “Fight the Power” (1989) over the opening credits to DJ Mister Senor Love Daddy (Samuel L. Jackson) listing off the roll call of the radio station’s many, essential, black artists “that make the day just a little brighter.” Suffice to say this film makes you think.

Grade
: A+

Three great dramedies (though they are more than that) to check out!

Next: A Full Review of I Am Legend (2007) or a Mini Classic Review of Born On the Fourth of July (1989) and others