Category Archives: Entertainment

CD Review: Big Echo

Band: The Morning Benders
Release: 3/2010
Label: Rough Trade

1. “Excuses” – B+
2. “Promises” – B+
3. “Wet Cement” – B-
4. “Cold War” – B
5. “Pleasure Sighs” – B
6. “Hand Me Downs” – B-
7. “Mason Jar” – C
8. “All Day Day Light” – B
9. “Stitches” – A-
10. “Sleepin’ In” – B

Comments: Let’s get some shit straight: bands from California are pretty fun. I’ve said it a bunch of times, but it’s refreshing for a kid in Boston to hear some warm weather music. Don’t get me wrong though, The Morning Benders put together just an okay record. My favorite is “Stitches” so try checking that one out.

Grade: B- (83)

Concert Review: The Growlers, The Married Men, Forest Fire @ T.T. The Bears (2/16/10)

Bands: Forest Fire, The Married Men, The Growlers
Venue: TT The Bears (Cambridge, MA)
Date: February 16, 2010

Act One – Forest Fire – Unlike most of the bands that we see, the singer actually had an amazing voice to back up an amazing band. He also did a few song solo acoustic set which was pretty sweet. Campfire folk songs mainly, both of the depressing and uplifting variety.

Act Two – The Married MenPicture like five dudes and one lone female who just got of work, but really didn’t. Dressed up for the junior prom or some shit like that and ready to kick some ass, they banged out a lengthy six song set that admittedly had some decent points, particularly the instrumentals. The music was a bit drawn out and stuff. The only thing they seemed excited about was their CD coming out that day.

Act Three – The Growlers – Oh shit The Growlers!!! The second Brooks Nielsen made it on stage, I could tell we were in for an experience. He was a genuinely funny man during set up, asking for one of his mics to be “wet as hell” and jokingly requesting if one of the guitarists could get some piss in his monitors, because he really had to go to pee. At any rate, the band performed two songs under your average white lights: “Sea Lion Goth Blues” and “Acid Rain.” These songs were among my pre-show favorites and it was just great to see them performed. Brooks then said “I know why people aren’t getting into us. It’s because of the lights. Turn them to fucking red or something.” And just like that Brooks was “stoked” and so wasn’t the rest of the audience and groupies/band members (hard to tell because they outnumbered the hoi polloi). Their fifty minute set had a bunch of other fun psychedelic numbers that entranced us all quite easily like “Stranger’s Road” and “Something Someone Junior.” The cross-dressing percussionist is a pretty damn random member, but he gets the job done well.

Final Grade: B+ – In terms of performance, persona, stage antics, and attitude, The Growlers definitely will long be remembered. I had an enjoyable time and I’m glad I found out about them so if they ever do come back (this was their first time in Boston) I’ll definitely attend.

Really Classic Album Review: The Village Green…

Artist: The Kinks
Full Title: The Kinks Are the Village Green Preservation Society
Year: 1968
Label: Reprise
Grade: A
Tracks:
1) The Vilage Green Preservation Society- 8
2) Do You Remember Walter?- 10, Best Track!
3) Picture Book– 9
4) Johnny Thunder- 8
5) Last of the Steam-Powered Trains- 8
6) Big Sky– 9/10
7) Sitting By the Riverside– 9
8) Animal Farm– 9
9) Village Green– 10
10) Starstruck– 9
11) Phenominal Cat- 8
12) All of My Friends Were There– 9
13) Wicked Annabella- 8
14) Monica- 8
15) People Take Pictures of Each Other- 8/9

Comments: Everyone knows at least a few Kinks songs. Believe me, for you buzzcocks out there, maybe you do not know who the Kinks are or were, but I am positive you have heard the classics, “You Really Got Me,” “All Day and All Night, ” “Lola,” and so forth. Of course these are praiseworthy, but sadly the general public merely focuses on the aforementioned Kinks tunes and eshews their LPs, which are truly masterpieces of Pop and Rock and Roll music. When Village Green hit the stores it sold poorly in both the UK and the US, but especially in the states. This is due in part to the heavy use of British themes and the fact that the Kinks were banned in America; yeah they were badasses! But, clearly there was/is more to the lack of enthusiasm amongst music listeners than the above reasons. This begs a question I often ponder: What am I hearing in certain “pop” artists that seems so beautiful and catchy, that others are not hearing? Or what are they hearing that sounds so unappealing or atrocious to them? Perhaps, I have just developed taste, rather then simply looking to the mainstream for answers. But, seriously, it’s like why don’t or won’t people enjoy such diverse pop artists as Jay Reatard, Ween, or the Jesus and Mary Chain? Well…. early JAMC is pretty noisy lol. Anyway, I’ve leapt off into a wild tangent for too long. Back to the record, which by the way, is probably far more commercially successful then other critics and I will lead you to believe, when you compare the album’s sales to the likes of the Strange Boys and most of the other obscure artists chronicled on this blog. On the other hand, it is peculiar that such a mega rock act like the Kinks can have an album that is critically well receved and yet commerically flops. Other bands of the era like The Beatles and The Rolling Stones did not suffer from this syndrome, if you call it suffering. Ok, I am really done with that stuff for now! Sonically, this is a pop masterpiece, if I haven’t made that as clear as day, by this point. The music is cheery and upbeat, often matching with the colorful lyrics/themes displayed on this record. We have phenominal cats, big skies, stars, villages, plenty of pictures, riversides, and an animal farm. A recurring motif is the loss of childhood, suburban innocence (“Do You Remember Walter?” and “Village Green”) in exchange for superficial fame and glory, which turns sour (“Big Sky” and “Starstuck.”). In terms of the music, it’s farily soft, for the early practicioners of Hard Rock, but one can still jive to the group’s grooves. I don’t even know exactly what that means… With this record, the band expanded their seminal pop dynamics and displayed far more musical prowess and creativity, without abandoning their hooks. Overall, I can see why this is the Brits’ most critically acclaimed album; I highly recommend it to anyone and it is now amongst my favorite albums of all times. Top 50, yeah it’s that exqusite!

Chris

Classic Album Review: Lifted…

Artist: Bright Eyes
Full Title: Lifted Or The Story Is In the Soil, Keep Your Ear to the Ground
Year: 2002
Label: Saddle Creek
Comments: Ok, so this review will be a la Glen. For the past two years I have adored Bright Eyes’ I’m Wide Awake It’s Morning; it’s in my top ten favorite albums of all times. Now, I’ve heard some songs from various BE records, but I have not heard another album in its entirety, until now. And I must say after experiencing another BE LP, I am not as moved, sonically or spiritually. I tried my darnedest to get into this record, but it just wasn’t happening. I gave it 4/5 listens and it just never sent me flying off my rocker like IWAIM did. I’m suffering from classicalbumism, where you hear one album by an artist and you want everything else to sound like that gem. Well, don’t misconstrue me here, ‘Lifted’ is a sound recording and certainly worthy of at least a few listens. In fact, many of the styles later employed on IWAIM are displayed here, perhaps in a less accesible manner. The opening track, “The Big Picture,” however, drags on for far too long and would benefit from some trimming. On a positive note, I think Conor Oberst’s trademark, minor caterwoul and humorous declaritive language serves as a highly memorable way to close the LP in “Let’s Not Shit Ourselves (To Love and Be Loved).” Haha, great title! So, I have decided to leave this ungraded for now; time will tell how I feel about it. Who knows, in a few months, years, possibly, it may appear on my list of favorite albums. It has happened before.

Chris

Summer 2009 Blockbuster Comparison

The following essay was for my Cultural Studies class, therefore it’s not of the same quality as my other material. Read it anyway lol.

Inglourious Transformers
I see a few newly released films each year and sadly most are of average quality. Last Summer, I saw two movies in particular that stood out; one was quite exceptional and the other was pure garbage with some mild entertainment. The former was Quentin Tarantino’s war film, Inglourious Basterds and the latter was Michael Bay’s Science Fiction film, Transformers: The Revenge of the Fallen. Both pictures are similar in some ways and at the same time, there is a world of difference between them. In terms of culture, Inglourious Basterds is of much higher art than it’s counterpart, Transformers because director Quentin Tarantino has far more “cultural capital” than his rival, Michael Bay.
Both Inglourious Basterds and Transformers are action films in their own unique ways, but Basterds does not rely solely on special effects and fun filled mayhem to dazzle it’s audience. There are various similarities between the two movies and it should be noted that each obtained well beyond it’s fair share of box office/commercial success. Both had gun shots, explosions, “good guys, “bad guys,” gorgeous females in leading roles, and a healthy chunk of humor. Without seeing both features, a cultural theorist may rush to rule both films as equally “mass art,” merely manufactured products to be gobbled up by millions of dumb Americans as Matthew Arnold would contend. Of course major corporations financed both films and as I previously mentioned each profited quite well at the box office, but it seems clear that there is much more to IB than simply “action” that makes up most of Transformers. IB focuses on World War II and particularly the fall of the Third Reich at the hands of the “Basterds,” a band of Jewish American soldiers. Of course this is not historically accurate at all, but it still gives the film more depth than a light hearted flick about robots. IB also features various references to older, spaghetti western films and obscure war films as well as other aspects of both American and European culture. Tarantino’s cultural capital certainly adds to the “higher quality” of the film.
As I previously explained, both movies can fall under the action genre, but the styles of action displayed in each film makes one high art/culture and the other low art/culture. In Inglourious Basterds, scenes are built up with suspense and clever dialogue. This suspense then erupts into bloody battles and shoot outs and so on. In contrast, in Transformers, the action is not stylized and is mostly non-stop, relying on special effects and very little suspense. The film utilizes most of the conventional techniques Hollywood blockbuster/popcorn movies usually employ, but no substance to balance out the mindless mess. The old phrase, ” a spoon full of sugar makes the medicine go down” comes to mind. In this case, there is no medicine and moviegoers are being inundated with pounds and pounds of sugar, mentally consuming as much junk as they purchase in movie snacks. Clearly, if Arnold was alive today he would use Transformers as a chief example of low/mass art.
In short, although both films, Inglourious Basterds and Transformers: Revenge of the Fallen can be seen as action movies and worthy of commercial success, Basterds definitely is of higher art/culture than Transformers. Writer/Director, Quentin Tarantino effectively used his cultural capital of historical and cinematic knowledge to make a greater film. The action was entertaining, but carefully balanced with extraordinary acting, memorable dialogue, and superb character development. Michael Bay, on the other hand, merely made a big special effects movie, he knew people would rush to the theaters to see, enjoy, and never ponder over anything meaningful to the human experience.

Chris

Classic CD Review: Jamboree

Band: Beat Happening
Release:
1988
Label:
K/Rough Trade

Comments: Beat Happening is very much a garage pop band. That might sound a little messed up, but what really makes that statement somewhat valid are the simple “punk” drum beats and the feedback heavy guitars. As far as vocals, that’s where Beat Happening is classically “twee” as Calvin and Heather both sound pretty indifferent and “outsider” in their singing. This album is extremely influential for me. There a bunch of songs that I just discovered that are really awesome on here.

Grade: A/A+