Category Archives: Beatles

A KLYAM Cyber Monday Special: Post War Science

“Every Monday should have a nickname. Sure, there’s Cyber Monday, but what about the Monday after that?”

Hunter Burgan innocuously pondered this question aloud after I referenced the Cyber Monday launch-day of Post War Science, a screen printing company run by Burgan and Ted Veralrud. The term “company” is, however, an oversimplification. Indeed, Post War Science is more like a glimpse into the world of two best friends. Friends who, relevantly, share a passion for art and other fine things that life has to offer (like coffee and donuts, for starters).

After spending nearly two decades manufacturing various two-of-a-kind screen printed shirts, Burgan and Veralrud have officially unveiled some of their original designs to the public. Additionally, they’ve made said designs available for purchase. But there’s a catch. Each unique design will have a limited quantity available for purchase, and once they are sold, they will never be sold again. The exclusivity, while strict, invites individuals who appreciate similar qualities in apparel design to dive into the PWS world of purely applicative self-expression.

Once “Oatmeal Monday” had been declared a potential nickname for the Monday after Cyber Monday, Burgan and Veralrud spent some time with Kids Like You And Me to discuss their humble beginnings, company goals, and the fact that they’d eventually like to screen print on anything, even Jerry Garcia ties.

Kids Like You and Me: From the moment Post War Science thinks of a design, to the actual manufacturing of shirts, what are the basic steps that go into the process of obtaining a PWS shirt?

Ted Veralrud: First, we come up with a design for a shirt that we would want to wear. The design will then be available (in limited quantities) to the public. If someone wants a shirt with the design, they can go to our site, purchase one, and Hunter and I will get together and print the image onto the shirt.

So, we’ll be doing things the way we’ve always done them, but now, other people can wear our designs as well.

Hunter Burgan: The manufacturing duties are split. The whole company is based on our friendship, and is an extension of our friendship. We work together behind every step of the process.

KLYAM: What made you guys decide to share your personal designs with the public now?

TV: I think we decided to share them with the public 13 years ago…

In the past, we didn’t really have an outlet for it. We’ve worked with the idea and have taken it pretty far, but things didn’t work out the way we wanted them to. Now, anyone can put up a web page and sell anything they want. So we can do that too. Now is the time.

HB: Yeah, the Internet finally came around to us.

TV: Right. I’m sure we could have done it this way quite a few years ago…

KLYAM: Do you guys have any background knowledge in visual design other than Ivan’s class in high school?

HB: We took another screen printing class together in college, but we dropped out of it.

TV: Did we drop out? I think we accrued a whole year of credit. We just never went.

HB: Yeah, I think we got a passing grade just by registering for the class.

TV:  We were in the cafeteria a lot. They had burritos… and pinball, I think.

That class was a step backwards from what we had already learned in Ivan’s class. After learning the basics, we eventually bought screens and got started in somebody’s garage.

HB: We made shirts for all of the bands we were in, plus patches and t-shirts for friends. As far as designs go, we also made zines in high school that had our own designs. I went on to design shirts for AFI and other bands I’ve been in.

We’ve had a lot of experience with these types of things, even if we didn’t learn it all in school.

KLYAM: How would you describe PWS designs from a stylistic point of view?

TV: When you think of a design, there are few popular topics you’ll want to cover, like coffee, burritos, donuts…Then we’ll approach the design, but not with a specific style in mind. We just do whatever we want.

HB: The only true requirement we have is that our designs are something that we would want to wear. Something we would like to look at. We’re doing something we think is cool, designs that we know each other would appreciate.

TV: We’ve made shirts before that were basically inside jokes. I don’t know if we’ll ever put those up, because then we’d have to explain what they meant. So we’re doing whatever we want, but, if a shirt doesn’t make sense we can’t put it on our site.

HB: Well, we’ll just do two of those. Or three.

TV: Okay, because there are a few that I want to do. Hunter would appreciate them, but nobody else would! They’ll probably show up though. We’ll narrow it down to three.

KLYAM: Why is the PWS policy, which basically states “Once sold out, the design is never coming back, EVER AGAIN,” so strict?

TV: That’s just the way it has always been. Once we print the shirts, that’s it! Well…one shirt came back.

HB: One shirt did come back, but it was a little bit different. But that’s the deal. That specific design, in the specific way that you see it, will never be done again.

Maybe, maybe years from now, something about the design will be changed. The colors may be different, the head may be cut off, you know.

KLYAM: So even if your Grandma came up to you and really wanted a duplicate of an old design, you would say no?

HB: If my Grandma came back from the dead and asked for a shirt, I might dig into my own personal collection and just give her one of mine.

KLYAM: So you’re saying there ARE exceptions to this strict rule, but only for dead Grandma?

HB: Yes. Well, zombie. Zombie Grandma.

KLYAM: Are designs that were created in the past still accessible? Will customers ever see variations of those designs?

HB: We’re gonna leave some of those designs in the past. Some of them would probably land us with a lawsuit if we attempted to sell them. But a lot of the designs that we plan on using have some sort of inspiration from past designs.

TV: There are some older ones that we were originally going to use, but never printed. Those might show up.

Before you screen print, you have to get a transparency of your image to expose the screen with. I think I have every single one we’ve ever used. So if we did want to go back to an older shirt, I have everything. I’ve never thrown a transparency away.

HB: That’s pretty good!

TV: They’re all stored together in a massive rat’s nest…

KLYAM: That still counts!

TV: Definitely.

KLYAM: Will Post War Science ever take requests for designs, or are the designs completely at your own uninfluenced discretion? For example, if I asked you to design an octopus shirt, would Ted then put his own flair to it, draw the octopus eating a donut, and sell it to the public?

TV: If I’m going to design an octopus eating donuts, he’s going to be eating 8 donuts.

HB: And drinking a cup of coffee.

TV: Oh yeah, right.

HB: You know, that’s a great question because in asking the question, you just answered the question. I don’t think we would consider just any old suggestion. But certainly, somebody could say something that would inspire us. Legally, we can’t consider people’s suggestions.

TV: Yeah, if we start doing that, people will start saying “You stole my idea!” Not unlike the octopus eating 7 donuts and drinking a cup of coffee. That was all our idea.

KLYAM: No you’re right. That octopus idea was all you guys.

TV: Oh yeah, totally.

HB: Exactly. If people want to make suggestions to help remind us of ideas that we’ve already thought of years before, that’s fine. But legally speaking we can’t take suggestions.

KLYAM: Will you ever create designs for bands other than your own band(s)?

HB: I don’t think that’s legal either…

TV: We might come up with some cool fake band names and make those. Which is something I totally thought about doing yesterday, but I didn’t have time.

KLYAM: So that’s legally prohibited even if an artist or musician approaches you to design for them?

HB: You mean like if the Beatles approached us to make a design for their band?

KLYAM: Exactly.

HB: Then we would consider it, maybe. But we’d have to work out a deal. A profits sharing deal.

But really, we’re not mass producing anything. It wouldn’t benefit any band if we made shirts for them. A band’s goal is to sell as many shirts as they can, and that’s not our goal.

TV: But if Pearl Jam wanted 20 shirts, we’d probably do it.

KLYAM: Will you guys ever expand the product line to things like hoodies, or…things like Jerry Garcia ties?

TV: We’re gonna start with t-shirts and small posters for now. We have a lot of ideas for future products that we want to introduce. As far as hoodies, I’d say definitely, but we’ll probably refer to them as hooded sweatshirts.

HB: Yeah, definitely hooded sweatshirts. I don’t know about Jerry Garcia ties. I don’t think we’ll ever do those, but we might just do a different TYPE of tie.

KLYAM: You know what Hunter? I specifically said like Jerry Garcia ties…

TV: If I found a Jerry Garcia tie, I’d probably print on it. And a Rush Limbaugh tie, I’d print on one of those too.

KLYAM: Will PWS be selling designs in-store, or just online?

HB: Right now we’re mostly focused on online sales. We’d have to work it out with a given retailer to do in-store sales. Having said that, if any retailers are reading this and want to approach us with a plan, right on.

TV: In-store sales might be kind of tricky, because we would have to manufacture those shirts in various random sizes. Unless of course someone comes up with an all-sizes-fits-all shirt. That said, if there is anyone reading this who is working on such a shirt, let us know.

KLYAM: Will any other designers/artists contribute to PWS products?

TV: It’s pretty much going to be just us, but we have had contributions from other people before. It just depends. I mean, if we run into Dave Hillis…

He was a dude in Ivan’s class. He was not the greatest artist, but we loved his drawings.

HB: It’s going to be us no matter what, but we might make a special exception. It would have to be a very special exception.

KLYAM: What avenues has PWS considered to spread the word about the company? 

HB: Text to…keyboard? What’s the online version of “word of mouth”?

TV: Um… key to screen?

HB: Right, key to screen. For now we’re using digital means. I mean, we’re using word of mouth too. I’m going to go hit the streets later today and start whispering in people’s ears…but most of the promotion will be online.

TV: We’re not necessarily going to run advertisement. We’re starting small. Still, we take the whole process seriously.

HB: Starting small is important. Everything successful that I’ve done in my life has started off small, and as a labor of love. It grew over time and built up to be something that was better and better every year. PWS is no exception to that. We’re starting at this exact point for now. Hopefully, we will build a catalogue of good designs, and a loyal customer base of people who are on the same wavelength as Ted and I. We’ll continue to grow, and take it from there.

17 Year Old Chris’s Favorite Bands/Songs

I was shuffling through some boxes of old books and I found two lists I made in what I can only imagine is roughly the Summer of 2007. Here they are:

101 Favorite Artists

1) The Beatles
2) Pink Floyd
3) Nirvana
4) Ramones
5) Rage Against the Machine
6) Tool
7) System of a Down
8) GlassJaw
9) Johnny Cash
10) Led Zeppelin
11) The Who
12) The Pixies
13) Minor Threat
14) Bad Brains
15) Frank Zappa
16) The Doors
17) Velvet Underground
18) Radiohead
19) Sonic Youth
20) Deftones
21) Against Me!
22) Descendents
23) Black Flag
24) Fugazi
25) The Clash
26) Sex Pistols
27) Iggy Pop/The Stooges
28) Lou Reed
29) Incubus
30) Black Sabbath
31) Simon & Garfunkel
32) Alice in Chains
33) David Bowie
34) N.W.A.
35) The Smiths
36) The Replacements
37) Bjork
38) Dead Kennedys
39) Anti-Flag
40) Misfits
41) Metallica
42) Pantera
43) Slayer
44) X
45) Fall of Troy
46) Daphen Loves Derby
47) Page France
48) Animmal Collective
49) Elliott Smith
50) Arctic Monkeys
51) Beach Boys
52) The Kinks
53) Beastie Boys
54) Smashing Pumpkins
55) Nine Inch Nails
56) Wu-Tang Clan
57) Cypress Hill
58) Talking Heads
59) Primus
60) Roy Orbison
61) R.E.M.
62) Bob Marley
63) Jimi Hendrix
64) Bob Dylan
65) Chuck Berry
66) Nick Drake
67) Marvin Gaye
68) Sly and the Family Stone
69) Run-DMC
70) Public Enemy
71) Grateful Dead
72) Queen
73) Neil Young
74) Credence Clearwater Revivial
75) Husker Du
76) Joy Divison
77) New York Dolls
78) The Cure
79) The Jam
80) The Buzzcocks
81) Dinosaur Jr
82) Eric B. and Rakim
83) Otis Redding
84) Helemt
85) Pavement
86) Parliament/Funkadelic
87) Grandmaster Flash
88) Janes Addiction
89) Faith No More
90) Jesus and Mary Chain
91) Mudhoney
92) Foo Fighters
93) Germs
94) Beck
95) The Strokes
96) Stone Temple Pilots
97) 40 Below Summer
98) Messhugah
99) Norma Jean
100) Chimaira
101) Psychedelic Furs

101 Favorite Songs (except there is only 41 listed)

1) Simon & Garfunkel-Mrs. Robinson
2) Beatles- In My Life
3) Lou Reed- Perfect Day
4) Talking Heads (Nothing But) Flowers
5) Kinks- Waterloo Sunset
6) Doors- The End
7) Jefferson Airplane- White Rabbit
8) Blondie- Heart of Glass
9) Tool- Aenema
10) Pink Floyd- Comfortably Numb
11) Rage Against the Machine- Killing In the Name
12) GlassJaw- Lovebites and Razorlines
13) Against Me!- Baby, I’m an Anarchist!
14) Roy Orbison- Crying
15) Johnny Cash- Hurt
16) Terry Jacks- Seasons in the Sun
17) Radiohead- No Surprises
18) Bob Dylan- Mr. Tambourine Man
19) Bob Marley- Redemption Song
20) Sex Pistols- Anarchy In the U.K.
21) Ramones- KKK Took My Baby Away
22) Fatlip- What’s Up Fatlip
23) Lynyrd Skynyrd- Tuesday’s Gone
24) Led Zeppelin- Tangerine
25) The Who- I’m A Boy
26) The Jam- That’s Entertainment
27) Buzzcocks- Ever Fallin In Love?
28) Pixies- UMass
29) The Smiths- Shoplifters of the World Unite
30) The Cure- Boys Don’t Cry
31) New Order- Temptaion
32) Grandmaster Flash/Mellie Mel- White Lines
33) Janes Addiction- Ocean Size
34) Descendents- I’m Not a Loser (live)
35) Nirvana- Drain You
36) Black Sabbath- Iron Man
37) Elliott Smith- 2:45 A.M.
38) Grateful Dead- Truckin’
39) Tapes n’ Tapes- Mainitoba
40 Sonic Youth- 100%
41) Pantera- Walk

If I made similar lists today they would be dramatically different than seventeen year old Chris’s lists. But, at the same time with the exception of maybe one or two artists all enumerated here can be found on my ipod and I still enjoy listening to them very much.

Top Ten Albums of All Time: Andrew

I figured with the new year it would be the perfect time to take a look back at the best (at least in my opinion) of the greatest albums of all time.

10. Oasis: (What’s the Story) Morning Glory? (October 1995)

The most recent album on my list and in my opinion the strongest album to come out in the last 20 years.  Once upon a time Oasis was the biggest band in the world thanks to this album which included hits like “Wonderwall” and “Don’t Look Back in Anger”.  Sadly while coming out with a solid body of work, they never quite lived up to the promise (and the pressure) of their second album.  Still it is an amazing album both timely and timeless, one that can be listened to 16 years later and still have impact.

9.  Led Zeppelin: Led Zeppelin IV (November 1971)

Not much to say about this choice, honestly I don’t think Zeppelin really pushed the boundaries with album continuity, but from beginning to end every song is for lack of a better term a masterpiece.  I can’t find a single flaw in any song from “Black Dog” to “When the Levee Breaks”.  Plus it’s Zeppelin doing what they do best, which is better than 99.9% of any other bands in rock history.

8. The Beatles: Let it Be (May 1970)

I might catch a little heat for this choice, after all even the Beatles weren’t happy with the first version, but the final Beatles album (although some will even debate me on that) spawned a solid motion picture and some great hits “Let it Be” and “The Long and Winding Road”.  As an added bonus the final version was created by musical genius and psychopath Phil Spector, so you have some of the greatest minds in music on this album and I think it shows.

7. The Cure: Disintegration (May 1989)

A return to the goth roots for the original goth band, Disintegration is a great album by a band that built a reputation on making great albums.  From  songs to “Lullaby” to “Love Song” this launched the Cure into the world-wide phenomenon that they are today.  It also influenced countless bands to follow, but no one did it better than the Cure.   

6.  Bob Dylan: Blonde on Blonde (May 1966)

Defiantly my favorite Dylan album and for me is Dylan at his finest hour.  It also has the distinction of being the first important double album.   “Visions of Johanna” is right up in my to 5 all time favorite songs, and was an important step in Dylan’s musical evolution.

5. David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders from Mars (June 1972)

A concept album by the chameleon, David Bowie rose to new heights of fame with his Ziggy Stardust persona, which were both embodied and laid to rest in the Ziggy Stardust album.  Playing both showman and musician David Bowie would later abounded the “Ziggy sound” (a common theme in his career) but there is no denying that Ziggy Stardust was a product of on of the great true artist of our times.  

4. The Beatles: The White Album (November 1968)

Another classic Beatles album and also the Beatles at their most experimental (“Revolution 9” anyone), but as far-reaching as it is, it’s still pretty concise.  They know what they are doing and they execute it flawlessly.  Plus it gave us gems like “Blackbird” and “While my Guitar Gently Weeps”.

3. The Clash: London Calling (December 1979)

For me this is the one of the most important albums in the history of modern music hands downs.  Including a variety of musical elements such as ska, jazz, and soul, this is the definitive punk album and led the way for a musical revolution.  Nobody has incorporated as many musical elements into one album as successfully as the Clash did with London Calling.

2. The Rolling Stones: Exile on Main Street (May 1972)

In my opinion this is the Stones finest work, released as a double LP Exile on Main Street this was a creative high for the Stones.  A rock and blues album more than anything, the Stones goes into uncharted territory for them and it pays of big time for them and helps to establish them as one of the greatest and long-lasting acts in rock and roll. 

1. The Beatles: Sgt. Pepper’s Lonely Hearts Club Band (June 1967)

What more can you say about this album that hasn’t already be said, the greatest rock band in history took a gamble and it paid off and they created the greatest album ever made.  Also “A Day in the Life” is perhaps the perfect ending for any album ever.

Looking back the list probably could have used some Soul, R&B, maybe even some PoP.  Perhaps Marvin Gaye, Stevie Wonder, Prince, maybe even Michael Jackson.  Then of course they are the rock greats I am missing, no Clapton, Lennon (solo), Springsteen.  So tell me what do you think?  Miss anything major?

Who Did it Better? ‘While My Guitar Gently Weeps’

9 years after the death of the forgotten genius of the Beatles, George Harrison, I figured for the next edition of “Who Did it Better?” we would look at, in my view, Harrison’s greatest single musical contribution to the Beatles, the song ‘While My Guitar Gently Weeps’ (this is up for debate I know but just go with the premise on this one). This time we have the original and two covers done, by arguably two men who rank in the top ten guitarist category of all times.

First up, the original:

http://www.youtube.com/watch?v=F3RYvO2X0Oo

Next up, we got Carlos Santana featuring Indie.Arie & Yo-Yo Ma

Lastly Eric Clapton & Paul McCartney

http://www.youtube.com/watch?v=w9kUphljI2o&feature=related

I am going with the original, but I gotta say Clapton is feeling it during his performance.

Who Did it Better? Happiness is a Warm Gun

In honor of The Beatles finally going on Itunes I figured I would try to see if anyone comes close to matching them, this time I have two good covers, but first up the original:

Next up is a Breeders cover:

Finally a very weird U2 cover:


My heart is defiantly with the original on this one, although I dig The Breeders cover, personally I think U2 missed the point of the song completely, but tell us what you think!