Category Archives: Art

KLYAMer Shuffle: Chris

Neil Young– Like a Hurricane (1977)- not one of my favorites from NY, but still a great tune.

The Beatles– All You Need Is Love (1967)- The title says it all, pretty much sums up their message.

The Pogues– Everyman Is a King (1989)- I play this every Fourth of July.

The Shaggs– My Pal Foot Foot (1969)- Classic outisder art.

The King Khan & BBQ Show (2004)- Get Down- A fine track from this KLYAM favorite’s debut record.

Johnny Cash– Flushed From the Bathroom of Your Heart (live at Folsom) (1968)- Badass Cash! Folsom is the perefect setting for this song/album.

Alice in Chains– Would? (1992)- I’m glad we still hear kickass bands like Alice on the mainstream radio, since most of the time they (the radio stations) play absolute rubbish! Layne’s vocals are powerful here.

Frank Zappa– Are You Hung Up? (1968)- A bizarre opener to a bizarre album from a bizarre man.

Anti-Flag– Turncoat (2003)- Admittedly, a little bit too punk poppish for my taste at times, but still a decent tune.

Rage Against the Machine– War Withing a Breath (1999)- “Every official that comes in, cripples us, leaves us maimed, silent and tamed, and with our flesh and bones he builds his homes.” I often think of these words when a new official is elected to office, like Obama.

The Replacements– Careless (1981)- Old School, wild rowdy, Mats!

Film Review: The Fighter

Full Title: The Fighter
Year: 2010
Director: Davd O. Russell
Comments: From the very first shot of Marky Mark (“Irish” Micky Ward) and Christian Bale (Dicky Eklund) in a private, documentary, interview I had a feeling I was in for something special. Which, in retrospect seems retarded, but I just had the feeling and it turns out my gut was right. Since the film was set in Lowell it was nice being able to recognize the scenery and really makes the city a character. Overall, I enjoyed this film very much, much more than most movies I see, for two main reasons: 1) It’s heart. It sounds cliched, a boxing movie with heart, but the emotion here is real. It feels real. When Dicky reaches his worst bouts as a crackhead it’s more than painful to watch. I don’t want to give away too much, but in one particular scene we watch Dicky and his family as they watch a documentary about Dicky on what it is like to truly be addicted to crack. This is easily the most chilling part of the film. Which goes into my second point. 2) The flawless acting of Christian Bale. Bale is not himself. He is 100% Dicky, it’s scary how well he plays the part. In many ways he is the film, or at least its backbone, but considering this is supposed to be a biopic on Micky Ward, Walhberg’s character that takes this flick down a few notches. Walhberg and the crew do a decent job, but they pale next to Bale; his performance criticizes everyone else’s acting. I’d be suprised if he didn’t win the acamedy award for Best Supporting Actor or at least the nomination. With that being said, it’s just not the Dicky situation lol, it’s also the film’s structure itself. It tries too hard to do too many things. In other words, it should stick to emulating Raging Bull (1980) or emulating Rocky (1976), neither of which it comes close to. At some points it seems like they are tossing a love story at us, but this storyline is never quite pursued. And most significantly, the character of Micky isn’t developed enough for me to really care as much about him as say Dicky, whom I’m far more concerned with. Considering this is the main character in the film this should be noted. With all of these shortcomings one might think The Fighter
is a bad film… no way! Far from it. This movie is better and more entertaining than most flicks you will see at the show and I’d go as far as to say this is probably one of the better films of twenty ten, certainly amongst the best I’ve seen. So, in spite of it’s somewhat shambling screenplay, I really enjoyed this film and I highly recommend it. All in all, not an “excellent” film, but an above average film filled with some moments/scenes of excellence. I’ve heard some reviewers say the film should have been about Dicky instead of Micky, after reflecting on the movie myself, I share the same sentiment.

Grade: 8/10

Here is the link for High On Crack Street: Lost Lives in Lowell, the actual documentary on Dicky Eklund and crack addiction in Lowell, MA. http://www.snagfilms.com/films/title/high_on_crack_street_lost_lives_in_lowell/

NEW HUNX LP! “Too Young to Be in Love”

On March 29, KLYAM Fave Hunx and His Punx will be releasing their studio deubt Too Young to Be in Love on Hardly Art records. With the exception of the upcoming Black Lips LP, this record is the next big thing for me, I really can’t wait to hear it when it’s all ready to go. I’ve been a big fan of about half of the tracks based on their demos, so it should be a goodie. Speaking of which, here is the tracklist:

1) Lovers Lane
2) He’s Coming Back
3) Keep Away From Johnny
4) The Curse of Being Young
5) Too Young to Be in Love
6) If You’re Not Here (I Don’t Know Where You Are)
7) Bad Boy
8) Tonite Tonite
9) Can We Get Together?
10) Blow Me Away

Who Did It Better?: You Really Got Me

First up: The original
The Kinks:

Next: The cover
Van Halen:

I’m definitely going with the original, The Kinks were probably the most rockin band when they unleashed this slimy single on the world, a major precursor for heavier bands. The song in many ways invented (bothy lyrically and musically) a new kind of pop/love song for music. With that being said, Van Halen deliver a mean cover in the rowdy spirit of the original and beef it up a little bit more. Both are classics are in their own right.

What do y’all think?

Who Did It Better?: Take Up Thy Stephoscope and Walk

Hey all, every now and then I get inspired by Andrew’s segments and I throw in my own “Who Did It Better?” This time it’s a trippy one! Here we have two versions of the crazed, psychedelic tune “Take Up Thy Stephoscope and Walk.”

First up: The Original
Pink Floyd

Next: The Cover
At the Drive-In

You know up until a few weeks ago I would have gone Floyd all the way, but I think ADI simply expand on the original’s zaniness; they stay true to its acidy, early Floyd/Syd Barret, anarchic character, but make it even crazier and heavier! My one gripe, it’s a tad bit longer than it needs to be. So, what do y’all think? Who did it better?

New Glassjaw EP!!!

Release: January 1, 2011
Title: Our Color Green (The Singles)
Tracks:
1) All Good Junkies Go to Heaven
2) Jesus Glue
3) Natural Born Farmer
4) Stars
5) You Think You’re (John Fucking Lennon)

Label: No Fucking Label! Self-Released suckas!

For Glassjaw fans this is somewhat of a milestone. Their last major release was 2002’s Worship and Tribute, fans have been waiting for what feels like an eternity for the “new album.” Hopefully this is jus a precursor to a new LP. A review of this EP will be up soon.

Classic Film Review: Punch Drunk Love

Full Title: Punch Drunk Love
Director: Paul Thomas Anderson
Year: 2002
Comments: Ever since I was a little kid I have been a fan of Adam Sandler as a comedian, but after watching this film I have gained more respect/appreciation for him than ever before. For years people told me to see this film and I put it off for whatever reasons (now, I’m kicking myself in the teeth for waiting so long!). I have seen Sandler in “serious” roles in Reign Over Me (2007) and Funny People (2009), but neither of these films convinced me that Sandler was (or could be) a terrific actor. PDL has done just that for me and so much more. Firstly, the story tells the tale of Barry Egan (Sandler), a businessman that suffers from severe social issues and has yet to make any real connection with anyone in his life, particularly a romantic relationship, which he clearly desires. Soon, he finds his sister hooking him up with a sweet friend from her work, Lena (Emily Watson), whom oddly takes a liking to Barry (and vice versa) and attempts to understand his peculiar, little world. Now, it is time for the timid, introverted Barry to obliterate his defense mechanisms and for once actually live his life. All in all, this is a top notch flick, Paul Thomas Anderson is a master raconteur: the story is slow, but purposefully slow, if that makes any sense. It revels in its characters, letting them develop, so when they finally ACT it is all the more meaninful. Also, the music is incredible and nicely complements what is happening on screen. We hear a loud, pounding score that perfectly corresponds to the mayhem occuring in the paranoid, disturbed brain of Barry’s. Without a doubt, one of the finest films of the last decade. I plan on revisiting this in the future.

Grade: A- (9/10)