The global elites have made great strides to realizing their full agenda, including:
*** The creation and control of central banks around the world — including our own Federal Reserve — which manipulates money supplies, causes runaway inflation, and keeps the wealth in the hands of their chosen few while the middle class is destroyed;
*** Control of the United Nations, which uses its power to destroy U.S. sovereignty through claims on our lands, our tax dollars and radical environmental restrictions aimed at crippling our industries and trade;
*** Their North American Union scheme to economically and politically merge America with Canada and Mexico through illegal immigration and “trilateral agreements” to further erode our national sovereignty for the benefit of multinational corporations;
*** Instigating and fomenting conflicts around the world, stretching our national defenses to the breaking point, while demanding military action be followed with “nation building” to rebuild what our government just destroyed.
On Sunday, February 21, 2010, Trevor Hall will be returning to Harpers Ferry to play a show. Tickets are $12 and can be purchased here: http://www.venuevents.net/event/643.
Pete Doherty has said that he was in hospital on a life support machine in October when he had to cancel a series of Irish solo live dates. “If I hadn’t been on a life support machine I’d have been in Ireland,” he told NME.COM, speaking of his stay in Swindon’s Great Western Hospital. “But my heart stopped.”
“Their [doctors’] immediate thought was that it was to do with drugs but it wasn’t,” he said. “What happened? Well, I don’t know. I don’t remember. I was running into the walls, making steering wheel signs with my hands. And then I just… stopped. My body just stopped.”
The wisest choice is obviously to go ahead with the December tour that Babyshambles have scheduled that leave out London AND Brighton. “A tour’s just what the doctor ordered,” he said.
The PFYFH, my OMB formed in 2007, released two singles in January 2009: “Party Whip” and “Political Efficacy.” But just when you thought PFYFH was fading away, a new single surfaced. “JUU” or “Just Under Ugly” is the name of it. It features multiple tracks of recording: orchestral strings sounding guitars, a sporadic drum machine, No Age influenced noise, tape recordings, a CD cover repeatedly tapped by a pencil, a brief wah-wah, and animal noises. All recordings on the single were recorded and mastered in one take in just under one hour. That said, PFYFH is all but done. Thanks to all the fans have who supported the project throughout the past two years. I’ve decided to switch gears from experimental music to garage/punk revivalism. A new collaborative project in that area might be coming soon.
While you are at it, you might as well listen to Gangbang Gordon’s latest cover of Black Lips “Not A Problem.” Click here to visit the page where you can hear it and download it. That was another quickie that I put together using two different guitar parts and pots as drums.
I’ve noticed a concert trend at theaters, for me anyway. First show I saw at a Theatre (Orpheum) was Morrissey. Now, I had heard of Morrissey at the time (October 30, 2007) and knew a few of his songs. That turned out to be a good show. Then, I saw Editors in January 2008 at the Orpheum. I knew a few of Editors really good songs, but overall I wasn’t tremendously familiar with their set. The Orpheum mega-show on September 27, 2008 that featured Built to Spill, Dinosaur Jr., and Meat Puppets was the same deal for me: I knew a few songs from each band. Then on January 24, 2009, we caught Mission of Burma at the Somerville Theatre. Their set list was fairly unfamiliar to me as well. The bottom line is I expect tonight’s Sonic Youth/Feelies show to be quite similar to these prior theater performances. They’ve all been good or great, despite me not knowing most of the songs played.
I was in a college building…maybe a residence hall, maybe not. There was a concert going on in the main lobby area. I was moshing and happened to have shoved GG Allin. I suddenly became terribly frightened because GG himself was chasing after me. I hurried down the emergency exit stairs, but GG was following me. I then turned a corner after exiting the parking garage. I was about ten or fifteen paces ahead of GG and I hoped he would take a right instead of a left. I didn’t look behind me; I climbed a grassy mountain and then ran down it on the other side. I ended up in a neighborhood near Chute Falls, New Hampshire. The neighborhood was sort of rural, but nice. I walked past the waterfalls into a tavern. There were a bunch of old men with beards. There were many posters hanging on walls that advertised local folk acts. I was disappointed because I thought this place would have bands that I recognized. I asked where I was and they told me. I left that place and hurried into a random house, asking the people if I could stay over because somebody is chasing after me. I called home and asked to be picked up the next morning. That was a crazy night.
The review is coming up soon, but for now here is their set list from last night at the Wilbur Theatre:
Kids Like You & Me (KLYAM) 