All posts by G. Gordon Gritty

CD Review: Of the Blue Colour of the Sky (2010)

Band: OK Go
Release: 2010
Label: Capitol

1. “WTF?” – D
2. “This Too Shall Pass” – C-
3. “All Is Not Lost” – C-
4. “Needing/Getting” – D+
5. “Skyscrapers” – C-
6. “White Knuckles” – D
7. “I Want You So Bad” – C-
8. “End Love” – D
9. “Before The Earth Was Round” – F
10. “Last Leaf” – B-
11. “Back From Kathmandu” – C+
12. “While You Were Asleep” – C
13. “In The  Glass” – B

Comments: I don’t want to be one to hate on this band, a band which has received some degree of mainstream success for their Weezer-like ways. The vibe I get from this album is glossy safety. “This Too Shall Pass” has been done before and turns out to be just as shitty as when Weezer did it. Seriously, though, this is bad and way way too repetitive. Also, I would like to bring up a band that’s much much better at its craft than OK Go. The Lovely Feathers do the glam thing, but their expertise relies on a no-bullshit attitude. If you want a good piece of disaster check out “Before the Earth” which is so ridiculous, it’s already a candidate for worst song of the year. Don’t buy this album unless you want a joke. I guess the only track worth checking out would be album closer.

Final Grade: D+ (69)

CD Review: Minor Love (2010)

Band: Adam Green
Release: 2010
Label: Rough Trade

1. “Breaking Locks” – B
2. “Give Them A Token” – C+
3. “Buddy Bradley” – C-
4. “Goblin” – B-
5. “Bathing Birds” – B-
6. “What Makes Him Act So Bad” – A
7. “Stadium Soul” – A-
8. “Cigarette Burns Forever” – B+
9. “Boss Inside” – A-
10. “Castles and Tassels” – A-
11. “Oh Shucks” – B+
12. “Don’t Call Me Uncle” – B+
13. “Lockout” – B+
14. “You Blacken My State” – B

Comments: Like his former band, Moldy Peaches, Green is an acquired taste. For me personally, his vocals are elegantly boring. The backing instruments aren’t anything extravagant or worth thinking about. His form of sophisticated outsider music begs for Daniel Johnston comparisons, but unfortunately Green suffers from being less of an overall force (not shockingly) than the granddaddy of obscure folk music. Green shines best when he and his back-up band do their best Lou Reed/Velvet Underground impersonation in “What Makes.” The energy and style of that song carries over to the next and the next. Definitely, I’d listen to a great number of these songs again for Green’s exquisite story-telling, which is an art in itself. In the end, I’m split over whether I’m truly impressed by this album or if it is just another release that has a mix of great, good, and average tunes.

Final Grade: B (85)

Classic Album Review: Turn It Up Faggot

Band: Deerhunter
Release: 2005
Label: Stickfigure Records

1. “N. Animals” – A+
2. “Adorno” – A++
3. “Tech School” – A-
4. “Ponds” – A
5. “Language/Violence” – A
6. “Oceans” – A-
7. “Basement” – A-
8. “Young Layer” – B-
9. “Death Drag” – A-

Comments: I turned it up, but I’m not a faggot. This shit is pretty much dance-punk at its finest. Crazy dances that is. Don’t expect to grind or do the cha-cha slide, you gotta friggin’ blast this and just do the craziest shit you can conjure up. Like seriously LCD Soundsystem couldn’t even come up with this type of genius. I’m sort of surprised Bradford hates it, I mean there’s nothing to be ashamed of, except maybe a couple (tops) of tracks. It’s a complete volte-face from all of his other music, but still. Definitely, this is solid material for college radio stations. Yeah, a lot of the songs are based on the same ideas of noise and repetition, but it’s not facetious like Lightning Bolt.

Final Grade: A- (92)

Classic CD Review: Bows + Arrows

Band: The Walkmen
Label: Record Collection
Release: 2004

1. “What’s In It For Me?” – A+
2. “The Rat” – A++
3. “No Christmas While I’m Talking” – A-
4. “Little House of Savages” – A+
5. “My Old Man” – A
6. “138th Street” – A+
7. “The North Pole” – A
8. “Hang on, Siobhan” – A+
9. “New Year’s Eve” – A+
10. “Thinking of a Dream I Had” – A++
11. “Bows + Arrows” – A++

Comments: This is a seminal album for the Walkmen. Highly regarded as their best offering of the triple ’00s (perhaps a false statment, I really really dug 2008’s You and Me), it’s got a delicate mix of fast post-punk ditties (Rat, House of Savages, Thinking of a Dream) that come off as inspirational (perhaps to a band like Editors) and all the slow and sweet ones (which you know, damnit; I don’t need to list them). The first time I listened to portions of this record was a few years back. I thought it sounded incredibly antique, yet pretty easily accessible. It might just be Ham’s singing, coupled with Paul’s classy guitar play. This classy guitar play is exemplified on “138th Street,” which is about such a serious matter as a man starting anew from what seems to have been a troubled past. In general, this isn’t really light-hearted, but you can’t really expect that from this band. Their concert attire is typically business casual to formal…that tells you something about these gents. Perhaps my favorite of the low brow tunes is “Hang On, Siobhan,” presumably about a girl who wants more and more of the songwriter, but he’s a bit sick of her routine and wants her to slow things down. “New Years Eve” — I’m sure a lot of people can relate to this quick ditty, seeing as it’s over pretty damn fast…like a 12/31 one night stand. “Thinking of a Dream I Had” is just a too good to pass up track. It’s infectious and puts me in high spirits. I listened to it constantly in the winter of 2007/2008 while doing homework at 5:00 AM. Homework at that time is depressing, but this was an aural escape. The organ parts are just out of this world, dude. “Bows + Arrows” is an amazing closer. Ham really belts this out perfectly and is so convincing.

Final Grade: A (97)

CD Review: Contra (2010)

Band: Vampire Weekend
Label: XL
Release: 2010

1. “Horchata” – B+
2. “White Sky” – A-
3. “Holiday” – B
4. “California English” – B
5. “Taxi Cab” – A-
6. “Run” – B+
7. “Cousins” – B+
8. “Giving Up The Gun” – B+
9. “Diplomat’s Son” – A+
10. “I Think Ur A Contra” – B

Comments: Love it or hate it, Vampire Weekend is what Vampire Weekend is. “Horchata” is kind of annoying at first, but it sort of loses that disparaging label quickly and becomes standard VW. “White Sky” is an upper-echelon tune, embodying the best of what their self-titled offered. Not necessarily a song of the year by any stretch, it’s definitely awesome. “Holiday” sort of fails to deliver. “California English” means Ezra singing in a really fast, internationally welcoming (read, Afro-pop) style and tone. I was listening to “Taxi Cab” and I forgot what I was listening to. It’s a really chill song with a pretty kick-ass beat and flow. Okay, also, just a quick note: slow down a bit Vampire Weekend! Sometimes when parts get really awesome there is a crazy transition to something less intense or too intense. Ah! Whatever! “Cousins” is love-hate. It’s something I would love to hate, but at the end of the day it’s just your average above  average VW offering. Big fan of “Diplomat’s Son” right here. It reminds me of a certain song on VW. Bottom line: is this better than album #1? No, not really. Sorry. It’s definitely very notable, but it just doesn’t possess top to bottom greatness. 2010 will have to be a really rough year if this is going to land on my annual top 10 LPs list.

Grade: B+ (88)

Concert Ruined By Guy Enjoying Himself

CHICAGO—Brian Grant, 24, reported that a rock concert he attended at the Empty Bottle Saturday was ruined by 35-year-old music fan Daryl Froemer’s enthusiasm.

Froemer has a good time, to the dismay of concertgoers like Grant.

“I was trying to enjoy [New York-based rock group] Oneida, but it was totally impossible because [Froemer] was making a spectacle of himself,” Grant said. “I couldn’t even pay attention to the band. Halfway through the set, I had to leave.”

“I go out to a bar to have a good time, and I can’t because there’s some jackass racing around in circles and waving his beer bottle in the air,” Grant added. “I mean, he was even jumping up and down during the mid-tempo songs. Come on! It’s not the ’90s anymore. This isn’t grunge.”

In addition to dancing, Froemer reportedly pounded the stage “like it was on fire,” sang along when he knew the lyrics, yelled out the names of songs he wanted to hear, and repeatedly attempted to enter into a dialogue with the band.

“Every time the singer asked us a question, he was the first one to yell back,” Grant said. “I don’t mind the occasional ‘Yeah’ or ‘Woo,’ but this guy was shouting after every song, whistling, and asking them how their amps were. If he hadn’t been so annoying, I would have been embarrassed for him.”

“Did he even consider the fact that the singer might have wanted to know how the rest of us were doing?” Grant added.

Froemer’s attempts to engage other bar patrons in conversation did not sit well with Grant.

“He kept turning to me to say, ‘Isn’t this great?'” Grant said. “How many times can you ask someone, ‘Isn’t this great?’ and not get an answer before you realize he doesn’t care to give you his opinion?”

He added: “Oh, yeah. And he kept yelling ‘Rock ‘n’ roll!’ in my face. And once he screamed ‘Stooges!’ I had no idea at all why he did that.”

Grant said he has seen Froemer at shows before.

“I’ve seen him around, and he’s always enthusiastic,” Grant said. “But I’ve never seen him so wound up before.”

Grant reported that he lost his patience when Froemer almost spilled a drink.

“On the way back from, like, his 20th trip to the bar, he came this close to spilling a drink all over the floor,” Grant said. “If it had spilled, some of it could have gotten on me. At that point, I told my date, ‘All right, enough. We’re leaving.'”

This isn’t the first time a concert at the Empty Bottle has been ruined by an excited fan. On Sunday, an OKGO show was wrecked by two women who spent the evening jumping up and down directly in front of the stage, blocking the view for several patrons standing behind them.

“Sometimes it’s like that,” said Empty Bottle manager Bruce Finkleman. “Everyone at a show is standing there, arms folded, having a great time, and then someone decides to get crazy. It can kill an otherwise perfect night. Unfortunately, unless the enthusiastic fan breaks something, my hands are tied.”

Froemer, whose exuberance at most concerts is endured without incident, said he was sorry to hear that people were put off by his enjoyment of the show. Nevertheless, he said he did not plan to change his behavior at future shows.

“It’s too bad someone got mad,” Froemer said. “But when the band started playing ‘Sheets Of Easter,’ I went nuts. It’s 15 minutes, two notes, and it runs over you like a monster truck. I mean, shit—that band is seriously fucking awesome!”

So great I had to post the entire thing, but here’s the link if you would like.