Band: Mark Sultan Release: 4/2010 Label: Last Gang Records
1. “Icicles” – B 2. “Don’t Look Back” – B+ 3. “Ten of Hearts” – B+ 4. “Status” – B 5. “I Get Nothing From My Girl” – B+ 6. “Go Berserk” – A 7. “I Am the End” – A- 8. “Misery’s Upon Us” – A 9. “I’ll Be Lovin’ You” – A- 10. “Waiting For Me” – A+ 11. “Just to Hold You” – A- 12. “Catastrophe” – A- 13. “Nobody But You” – A
Comments: This is Sultan’s follow-up to his (wonderful) tastefully distorted 2007 garage pop album Sultantic Verses. “Icicles” begins with four minutes of distortion before Sultan’s fuzzy vocals enter, making the song sound more psychedelic and experimental than we are used to. “Don’t Look Back” is heavy on the drums and jangly on the guitar. It sounds like it’s primed for a Western. To give some mnstrmrs a sense of direction, it sounds a little like “Brian Eno” by MGMT. “Ten of Hearts” is the album’s first endeavor into the world of classic oldies. The production on this track is excellent packed with vintage recording techniques and structures like doo-wop harmonies, a light bass, and horns. “Status” was the first track that we got a sneak of back a couple of months ago. My initial thoughts was that it was chaotic and maybe too much so. The ending is a tad unnecessary in one man’s opinion. “I Get Nothing” is another golden gem with strong lyrics, but a rather done before musical tonality. “Go Berserk” is the funnest gem of the first six! Great guitar prowess! Sultan shows off his vocal range on “I Am the End” in a near superciliously fascinating way. Say what? Basically, Mark Sultan is one of the only men in rock and roll that can sing. Sing sing. “Misery’s Upon Us” is up there as well. This version of “I’ll Be Lovin’ You” is a bit more chaotic than the King Khan and BBQ Show version. It’s slightly sped up, for better or for worse. More guitars, more drums, more distortion and plus it features a slow break followed by a doo-wop arrangement to top things off. “Waiting For Me” is another one of my favorites off of this LP. “Catastrophe” is cool. Not the best, but cool. “Nobody But You” is a neat closer. It’s got some very cool effects on both vocals and guitar. Overall, I really like this album. At first, I wasn’t entirely convinced, but I know its got a handful of really listenable gems.
Vulgar libertarian apologists for capitalism use the term “free market” in an equivocal sense: they seem to have trouble remembering, from one moment to the next, whether they’re defending actually existing capitalism or free market principles. So we get the standard boilerplate article in The Freeman arguing that the rich can’t get rich at the expense of the poor, because “that’s not how the free market works”–implicitly assuming that this is a free market. When prodded, they’ll grudgingly admit that the present system is not a free market, and that it includes a lot of state intervention on behalf of the rich. But as soon as they think they can get away with it, they go right back to defending the wealth of existing corporations on the basis of “free market principles.
That was Kevin Carson, a free market anti-capitalist. He’s kind of an anarcho-capitalist meets libertarian socialist, which some might say is not possible. He’s an interesting fellow and I’m sure to do some more reading on the man.
Bands: Black Lips, Box Elders, Movers and Shakers Venue: Middle East Downstairs (Cambridge, MA) Date: Thursday, March 25, 2010
Pre-Show: Once a year or so the Black Lips come to town. For me, Chris, and all big fans of the best band in the world, a Black Lips show is always highly anticipated. 2 months away! 1 month away! 2 days away! The day! The excitement builds intensely and progressively as the day nears. This time around was special though; Box Elders, openers for Jay Reatard at Harpers Ferry in October and favorites among Chris and I, were opening for the Lips! So we arrived at our favorite venue, the Middle East Downstairs, way before doors opened to secure a cozy spot in front of what would be Jared Swilley’s stage monitor. Doors at 8. Show at 9:30. We’re used to that. I always thought that was kind of lame, but not on this night. Chris spotted what he thought were the Box Elders hanging around the merchandise table at back. He was right. First, we killed a good deal of time chatting with Clayton, the long blonde hair guitar player and singer. Clayton explained to us, amongst many things, the meaning of a couple of songs like “Ronald Dean” and “2012.” Chris pointed out his particular admiration for “Atlantis” calling it his favorite and Clayton agreed with him on that account. He also said that his mother was NOT the drummer for Box Elders in the early stages. All she did was sing. The internet is wrong! After a short little break from discourse, we spoke to another member of the Box Elders, drummer Dave Goldberg. Our conversation with Dave was another great one and included a short discussion about Our Band Could Be Your Life and the late great Jay Reatard.
Movers and Shakers: Pretty boring. Some pretty good songs, but still pretty boring.
Box Elders: They are one of our favorites because they play brief and incredibly catchy ditties. They don’t fuck around. If the drum beats aren’t good enough for you, then you are a sad sad person. Dave has incredible command of his set and his left side organ, which doesn’t sound as apparent as it does on record, but is definitely pretty damn obvious and fun. As I’ve said before, just watching Dave do his aerobics and drumstick biting is a joy. Listening to the songs themselves, I felt, at the moment, as if Box Elders were the main act. The crowd certainly got more into Box Elders than pretty much all other openers I’ve ever seen. Whether they actually knew the songs is a different story, but whatever! They played all my favorites, which is pretty much every song on Alice & Friends. The most memorable song for me was “Hole in My Head” for no particular reason. “Atlantis” and “Jackie Wood” were just as entertaining as well. I’m just eagerly anticipating the next Box Elders show! Hopefully it will come sometime this year.
Black Lips: Chris and I were having some discourse after the show about watching the Black Lips from a non-moshing/standing view. I looked yesterday and somebody put up a video of a recent Lips Canadian show and had in the description that the boys are getting sloppy. Accusations of their alleged musical sloppiness have been tossed around for years, be it from Raconteurs fans or sidelined cinematographers. Screw all that garbage. You haven’t seen a Black Lips show until you’ve been in the center of crowd craziness. Great tunes and fun times. As customary, the guys opened with “Sea of Blasphemy” which instantly started up the chaos amongst fans. After that they played two tracks off their most recent release 200 Million Thousand, “Drugs” and “Short Fuse.” That was it for 200 Million Thousand cuts and nobody really seemed to give a shit, considering they toured behind that last year and played more numbers from that release at that time. They made up for not playing “Take My Heart” or “Starting Over” by performing B-Side “Make It” along with “Raw Meat” (which will be off their forthcoming release). As far as their 2004 We Did Not Know The Forest Spirit Made The Flowers Grow LP is concerned, they played “Stranger,” which I did not expect. Of course, they ended their set off with usual classic “Juvenile.” More on that in a few sentences. Magic time, another staple in Black Lips live performances, began with the playing of “Hippie Hippie Hoorah” and never really ended to be honest. It was all magic at that point. The band loves re-hashing Let It Bloom/Los Valienteles Del Mundo Nuevo classics and this night was no different with “Not a Problem” (my favorite Lips song!), “Take Me Home (Back to Boone)”, “Fairy Stories,” “Dirty Hands,” and “Buried Alive” all played. As far as Good Bad Not Evil is concerned, we got to enjoy a few really great pieces like “O Katrina,” “I Saw a Ghost (Lean),” “Lock and Key,” “Cold Hands,” and the Lips most recognizable track in catalog: “Bad Kids.” By the time the first chords of “Juvenile” were struck, I was sad! The Black Lips were potentially playing their last song until next time. I had memories of last year when Ian handed beers to us, Jared crowd surfed, and the worst: security getting all uppity and dismantling all equipment on stage at the end of “Juvenile,” before the band could even come back. Normally one to just hang back and watch others climb on stage or do whatever, I decided mid-song to pull myself on stage and jump off. I was expecting this song to be the band’s last (if last year was any indication) so why not? Well, security got really pissed and got me down from people’s hands. He walked me over to the exit, but instead I made a little turn to the merch table where who else but Dave from Box Elders was sitting! Dave kindly explained to security that I was with his band and that it won’t happen again. After sitting the rest of the song out, I made my way to the front as the Lips were coming out of the back room to play the Encore. And what an encore! We got surprised with “Ghetto Cross,” a We Did Not track which one can only expect to be a live rarity, as well as a brand new ditty. That was it. Side note: this was definitely one of the most exhausting and rough concert experiences I’ve had. The crowd was as tightly packed as can be and there was a tremendous amount of contact amongst all of us. That’s fine, though. We’re troopers.
Post-Show: Fun stuff didn’t end there. Chris got to chat with Cole and Joe after the encore and I got to hang with Dave behind the merch table. He said that that night was the best of the tour, performance wise and merch sales wise. He also hooked me up with a customized Black Lips t-shirt, personally painted and presented to me by Lips very own guitarist and vocalist, Cole Alexander. Cole’s the man. Dave’s the man. I’m very grateful of their showing of kindness to a random fan.
Grade: A+ – I’m not going to lie. I don’t remember much of Black Lips set and only fragments of Box Elders set. Nevertheless, I knew I had fun. I had a lot of fun…pre, during, post. Best concert experience? Definitely. There weren’t as many song memories as in past shows, but based on everything else it’s the best I’ve had.
Chris– Yep, Glen pretty much covers my sentiments. It was absolutely the greatest concert experience! To me, concerts are measured musically, viscerally, visually, and as an overall experience. I’d say the viscreal is the key ingredient in the memorable concert dish. That’s the difference between most seated concerts and “crazy” shows like the Black Lips. It’s like an altered state of consciousness, for me at least, for others this is literally the case! Seemingly, time is suspended and everything is possible. You feel more alive than ever. An amazing feeling. If you have experienced viscreally, what I am speaking of, and if you attended last Thursday’s show and was amongst the fun, wild, bedlam, then you know what I’m saying. I’m making no exaggeration, when I say, you do not know what will happen next. That’s exactly the appeal, and yeah sometimes it’s a challenge, sometimes you get thrown back and forth and lose your spot, or sometimes you can rest your head on a smokin’ femme :) I can’t imagine it any other way. And what better a band then the Black Lips to experience this visceral abandoment with?! In short, the Black Lips are synonimous with Rock and Roll today. They are our Beatles.
P.S. Box Elders rocked as well and if I had only seen them it would still probably be amongst my top ten favorite shows.
*A review for this album was originally made back in October 2009, but to keep up with the times here is a more official review!
Band: Hunx and His Punx Release: 2/2010 Label: Matador
1. “You Don’t Like Rock ‘n’ Roll” – A 2. “Gimmie Gimmie Back Your Love” – A 3. “Hey Rocky” – A 4. “Movin’ On” – A- 5. “Cruising” – A 6. “Good Kisser” – A 7. “Don’t Cha Want Me Back” – B+ 8. “The Last Time” – A- 9. “Teardrops on My Telephone” – A 10. “I Won’t Get Under You” – A- 11. “You Better Tell That Girl” – A- 12. “Do the Make Up” – A+
Comments: As Chris said in a concert review from October 3, “If you think you have seen homocore or queercore, then look again. Hunx and His Punx is just about as gay as it gets and unabashedly so.” If you ignore the hilariously creepy/flamboyant lyrics, these are pretty damn awesome glam pop-punk songs. You know, basic chord structures playing underneath an effeminate voice. Let’s not ignore lyrics for one second. Take “Hey Rocky,” which is about a gay one night stand with said man. Lyrics alone could be offensive to many, but a plethora of popular hip-hop/pop songs today are just as disgusting/immoral as this. You can’t make the claim that these songs aren’t catchy. Musically, they are as fun as can be. “I’ve got so many fellas, I make all the ladies jealous. Just hope they’re playing on my team,” hollers Hunx on “Cruisin’.” A typical immediate reaction might be: “Oh my…gay!” And that was my reaction. Try watching 10 seconds of the music video. But..but…”Cruisin’” is easily one of the rhythmically catchiest songs on here. A lot of these songs pop into my head randomly during the day. “You like Morrissey, you like U2…what the fuck is wrong with you? Are you deaf or just plain dumb?” This definitely grew on me with 6+ months of listening, so maybe I’m a little biased in giving this a really good score compared to most albums that I listen to in a day or so.
It’s a risky business posting MP3s. This could be an MP3 site and you all would have some pretty damn good exposure to great music. I’ve thought about making play lists kind of like Bradford Cox does on his blog, but that’s not really my deal. I’m not encouraging y’all to buy the music, either. I’m not encouraging y’all to download it illegally, either. Just do what you want. YouTube videos are cool, but they only get so far in terms of quality.
Band: The Drums Release: 3/2010 Label: Moshi Moshi
1. “Best Friend” – A- 2. “Baby, That’s Not the Point” – C+ 3. “You’re the Only One Who Makes Me Happy” – B
Comments: Quirky post-punk/art rock comes from these Brooklyn jammers. With elements of surf, baroque pop, and electronica, “Best Friend” comes through as a success. The echo-laced vocals on “Baby” don’t really get my ears buzzing, to borrow a phrase from Hunx. “You’re” is a return to form with a very catchy bass sequence despite stale vocals.
1. “Stranger” – B 2. “Shadow People” – C+ 3. “Station” – D+
4. “Unbearable Rock” – B
5. “Where’d All The Time Go? – C+
6. “Later” – B+ 7. “I Only Wear Blue” – C 8. “Someday” – C- 9. “Mirror, Mirror” – C- 10. “Jackie Wants A Black Eye” – C- 11. “Shame, Shame” – D+
Comments: Dr. Dog sounds like one of the most pop-rock sensible independent rock bands that I’ve heard. Psychedelia is there too, but isn’t too obvious. The bad thing about this band and this record is that they/it are/is not really fun standing alone. It’s almost like “damn, this is probably really good, but I’m not feeling it.” So rather than criticize the band for what they aren’t (yes, I’m pointing to you Bitchfuck Media), I’ll give them props and critiques for what they are. Dr. Dog aren’t fun. Maybe for some people. Maybe live. I wouldn’t know. Apparently they wanted a more live feel for this album. What was sort of enjoyable in the beginning is downright sleep-inducing by the end.