All posts by G. Gordon Gritty

Nobunny Live @ The Conservatory OKC

Our dude Nobunny cranking through seven tunes in twelve minutes or so. Maybe his most expansive set to date. Amazing video footage.

PART ONEhttp://www.youtube.com/watch?v=Ns-ntKDoXKU&feature=mfu_in_order&list=UL
PART TWOhttp://www.youtube.com/watch?v=ElxTdexjP4Q&feature=mfu_in_order&list=UL
PART THREEhttp://www.youtube.com/watch?v=-HdB5x9_znI&feature=mfu_in_order&list=UL

Set-List
Monster Kiss
Mess Me Up
Blow Dumb
Boneyard
Give It To Me
Gone For Good
Do The Fuck Yourself
It’s True
Live It Up
Hippy Witch
I Am A Girlfriend
Not That Good
Motorhead With Me
Ain’t It A Shame
Chuck Berry Holiday
**ENCORE: Nobunny Loves You***

CD Review: The King of Limbs [2011]


Band:
Radiohead
Release: 2/2011
Label:
Self-Released

1. “Bloom – B+
2. “Morning Mr. Magpie” – B
3. “Little By Little” – A
4. “Feral” – C
5. “Lotus Flower” – B
6. “Codex” – B
7. “Give Up The Ghost” – B+
8. “Separator” – A

Comments:
A quick examination of message boards and the like will reveal that this album isn’t universally agreed upon as excellent or anything like that. Three years ago, I was quite convinced that In Rainbows was fantastic (and that everyone thought similar), but upon reading plenty of diverse views, a lot of people suggested it was one of the band’s worst efforts. So here we are. From the start, I was struck with a Kid A vibe, something industrial and electronic. The drum beat sounds like machinery running. The bass line is pretty much kind of dub — I’ve seen it ‘post-dubstep’ thrown around, but what? — but that doesn’t really matter. It’s an ethereal song, perhaps best appreciated for what it is, rather than what it isn’t. It improves with listens, as you’ll gain new perspectives on exactly what is going on. Maybe the first time you missed the left panned vocals that precede each line of the last verse. “Morning” continues the tradition of very structured drum and bass and galactic environment. There’s nothing that makes the song a real standout, but it acts a pretty solid follow-up to “Bloom,” instrumentally at least. The rock ‘n’ roll side of Radiohead, which as of late has been accompanied by, at the minimum, a tiny bit of electronica, comes on strong in “Little By Little.” This tune matches up along side the standard fare of In Rainbows…just catchy, bullshit-lacking pieces of work. It’s always humorous how people interpret songs. On Song Meanings, a few people say it’s about corporate evil and greed (this is what we’d expect from Radiohead) while another equates “the one that broke the seal” to a dude who has had a lot to drink and needs to take a piss every ten minutes. As far instrumental, throw-away tracks, “Feral” isn’t too bad. It’s bad in terms of necessity/placement, but in the context of this LP, it somewhat works. We’ll settle for average. “Lotus Flower” and “Codex” are good, but are pretty in-differentiable if I had to say so myself. “Separator” is classic Radiohead, just a beautifully written song. The best on here, for sure. So at the end of this review, I must say a great ending followed an effective (but not the most captivating) mix of seven tunes. Good Radiohead, just not the best.

Grade: B (86)

Space Cadets In The Sky

“Champion. I’m home. What’s cooking?”
“Egg sandwiches. Oh, and bacon, too.”
Okay, please hurry, it’s almost time for the Jay Reatard show.
It’s 7 AM in the fucking morning. Why is the show so early? It’s because the man is a provacateur. He took an ordinary task and decided to multiply that by at least twenty eight. His ability to merely craft a song so infectious and rebellious and unconforming to typical standards. That’s why. He was a living legend. Right a long with the likes of the man himself, Robert Marley. Do you hear those train keys? He said “just gotta push on through” while at the time the lightest, most graceful of keys kicked in. The duration is short, but the fact that everything is going to be all right is the real indication. Anyway, brush your teeth we’re heading out the door soon.

Interview W/ Ty Segall, The Next Jay Reatard

It’s an honor to be called that says Ty. I’ve been listening to him a lot lately and he really does have the songwriting/production chops to be mentioned along the lines of Reatard. Ty’s music is much more fuzzy than Jay’s was, but the similarity is in their ability to craft an addicting pop tune. I wouldn’t be surprised if within a year or two, Ty and his band surpass the threshold of popularity that Jay was able to attain in his short solo career.

Here’s the interview which was conducted by the Dallas Observer: http://blogs.dallasobserver.com/dc9/2011/02/qa_ty_segall_talks_his_favorit.php

Here’s a recent video of Ty Segall at a protest of KUSF:

New Gangbang Gordon EP: Lean Front

G Gangbang Gordon is on a mission to release 75 tracks in 2011. He’d also like to go into a studio so that his listening audience will better be able to realize his talents. You see, he has a lot of ideas, but the limits of home recording and computer room trickery have really held back Gordon. He hopes to play a few local shows in the coming months. He has some top secret ideas up his sleeve pertaining to his live show. Y’all will have to wait and see. Here is Lean Front, his first EP of many in 2011. “Neptune” is a twangy solo-guitar son of a gun about going to the planet without your jacket. “Red Syrup” is Gordon’s most expansive effort to date, playing up his Jay Reatard influence and incorporating a range of instruments. “The Earth Is Flat” is an 8 minute trip down random lane. If you have the patience, there are many a surprise embedded in the tune. “Freebase Crack” featuring the likes of a spoon as percussion and looped whistling is about a young drug dealer of the awfully redundant freebase crack.

Lean Front EP by TheKLYAM