All posts by Chris DeCarlo

Why Top 5?

1) Black Lips- Los Valientes Del Mundo Nuevo (2007, Vice)-
“This is going to be the best live record of all time!” I couldn’t agree more with you Jared. The album begins with the perennial shouting “ohhhh,” then we are held in suspicion as some Mexican dude is rapidly shouting something in Spanish, which culminates to him shrieking “THE BLACK LIPS!” Then we get strapped in for the roller coaster that is “MIA.” Next we float around like Boomerangs until we slide down the “Sea of Blasphemy.” More classics follow, including “Stranger,” “Not A Problem,” “Hippie, Hippie Hoorah,” and others. Particularly, for me the tracks “Fairy Stories” and “Dirty Hands” always get me going. FS is a great dancing number and is the closest the Lips get to a Beatles song. I love how lyrically this song is sooo menacing: “My daddy has a gun, it’s not a toy, but it’s loads of fun!” and yet musically, it’s completely joyous. DH is one of the best sing a longs ever, perfect for campfires. Lastly, the group finishes with their signature song (if they have one) “Juvenile.” Every track is a classic and this is the closest you get to the live experience on a Black Lips album. As with their shows, on this record there is never a dull moment.

2) Jay Reatard- Matador Singles ’08 (2008, Matador)-
This was the first Jay Reatard album I ever heard; prior to hearing this record, I knew very little of Jay’s music. I had seen some youtube videos, but that wasn’t enough. Even seeing him live, didn’t shake me. So, I tossed on this compilation and I was blown away at how catchy these songs were. I know most people will disagree with me, but this is seriously one of the greatest pop records of all times. These motherfuckers stick to your brain! The repetitious vocals, the simple guitars, memorable lyrics. it’s all here. Favorites include “See/ Saw,” “Screaming Hand,” “An Ugly Death,” “Always Wanting More,” “Trapped Here,” “I’m Watching You,” amongst others. Two tracks in particular should be noted: “No Time” and “You Were Sleeping.” These softies are incredible. Sure, they are probably the wimpiest diddies Reatard has ever had the courage to release to his garage punk aficionado fans, but that’s what makes this LP a classic.

3) The King Khan & BBQ Show- What’s For Dinner? (2006, In the Red)-
Baayyyy Beee Why Don’t You Lie like Rolling Stone magazine when they didn’t include this masterpiece amongst their bests of the decade lol. Seriously though, if you are looking for fun filled old school rock n roll, doo wop, garage punk numbers, this is your album. Unlike their garage rock revival counterparts, the Black Lips and Jay Reatard, the KKBBQS, both lyrically and musically is all about the good old times when kids were kids and danced their ass off with the Zombies at the hop. This LP includes numerous classics: you have the great doo woppy sensitive pop numbers in “I’ll Never Belong,” “Into the Snow,” and “Why Don’t You Lie?” Then you have your fast rockers with “Treat Me Like a Dog,” “Zombies,” and “Dock It#8.” And then there’s the in-betweens. Specifically, “Too Much In Love” is my favorite tune and is soo damn catchy. I could complain more about the severe lack of recognition this LP and this band in general does not receive, but then again , I DON’T GIVE A FUCK!

4) Jay Reatard- Blood Visions (2006, In the Red)-
So, you name your debut Blood Visions and the cover is you naked covered in (real) blood; does it get more badass than that? I hope not! You don’t even need to listen to this album to know what it is about. Just look at the cover. It’s a portrait of a man, who is giving you his internal emotions in his music, he’s not hiding anything from we, creeps. In this sense, there’s plenty of vulnerability in his music, but it never gets the best of him. To this day, his set lists comprise mostly (or at least a good chunk) of BV songs and it’s not hard to see why with such essential, vintage Reatard: “Blood Visions,” “It’s So Easy,” “My Shadow,” “Nightmares,” “Fading All Away,” “Waiting For Something,” and others. It’s a pop classic, it’s a punk classic, but it’s not pop punk lol. Great, unpolished, garagey production. Just the way I like it.

5) Jay Reatard- Singles ’06-’07 (2008, In the Red)-
Ok, I’ve sucked enough Reatard and Garage Rock dick like Rolling Stone gives Radio head. So, I’m going to make this short and sweet. More classic, essential singles and new acoustic, low fi versions of old favorites, as well as some of Jay’s best love/pop songs: “I Know A Place,” “Don’t Let Him Come Back,” “It’s So Useless,” “Let It All Go.”

Chris

Album Review: ALBUM!

Artist: Girls
Title: Album
Year: 2009
Label: True Panther Sounds

1) Lust For Life- 10: This song makes me, how should I say, a little crazy, totally mad, and perhaps fucked in the head lol. I remember when Glen first showed me this, it was one of those instantaneous pop hooks. You just want to jump up and start dancing and singing along even, if you’re 100% straight: “I wish I had a boyfriend, I wish I had a loving man in my life,’ are some of the finer lines. Singer, Christopher Owens does a great job with the lead vocals, but I really adore the doo da doo da backing vocals mixed with clapping and a groovin’ bass line. It’s a classic.

2) Laura- 9.4- Wearing it’s 50s-60s pop rock influence as Needle Dropper, Anthony Fantano cited; in this track the Girls boys (haha!) are bundled up in a catchy love number for the one and only Laura.

3) Ghostmouth- 9.7- Another classic, lonely love number, which seems to be a recurring theme in this LP. Owens likes the bad boys, but he has a girl, and “nothing compares to you.” Well, guy, girl, whoever “you” is referring to is causing our hero to go bananas, riding on a ghost train, hoping to reach Heaven If he arrives there, he can chill with my ears cause this is a killer track. Cheesy, I know lol.

4) Goddman- 9.1- Not as good as the previous tracks, but still exceptional. It clearly demonstrates the group’s ability to switch up their sound; here we have some fine bongo tapping.

5) Big Bad Mean Motherfucker- 9.2- Ahh, good old rock n roller. 50s greaser anthem. Reminds me of some of the songs off the Grease Soundtrack and specifically I’m getting a David Bowie Ziggy Stardust era feel.

6) Hellhole Ratrace- 9.9- I often play this song two, sometimes three times in a row. It’s just too exquisite for one listen. Simply, one of those tunes, you never want to end, and I often garner that feeling from a brief number, but this track is one second shy of seven minutes, so kudos to Girls! Very chill, sharp departure from Big Bad, which makes the album that much more fantastic.

7) Headache- 9.4- I love the low, soulful vocals here, which offer everything, but a headache! Lyrically, it’s pretty simple, but it works perfectly: “I only want to be with you all the taahhimee.”

8) Summertime- 9.5- High vocals, akin to the earlier track “Lust For Life.” It’s too damn bad that we’re in the dead of Winter, since this song obviously reminds me of the Summer and even when we reach that time of the year it just fucking rains! Anyway, enough for seasonal rants for now.

9) Lauren Marie- 9.6- Epic, to say the least. Great percussion, fabulous Elvis/Bowie like vocals, and simple guitar strumming. If I was Lauren Marie, I’d feel honored.

10) Curls- 9.6- For some reason, the guitar riff is etched in my brain. Echoes (no pun intended) to Darkside era Pink Floyd.

11) Darling- 9.4- Nice little closer. It’s not as far out there as some of the other tracks, so in other words it brings our melted brains back to the surface. This track also shares a memorable guitar riff.

Overall: For such comically generic LP/Band names, these guys (lol)are anything but; based on this debut, Girls have a promising future and are amongst my new favorite artists.

Chris

AT LEAST ONE POST A DAY!

I will make an effort to make at least one post a day, usually more though. I highly recommend other KIDS to do the same, but I’m not a fan of coercion, so no pressure fellas. Anything and everything is worthy and pictures always help (yeah, I know there’s no pic here!). Of course, the more in depth a post is the better, but it doesn’t have to be Shakespeare lol. Even just posting a picture, video, story, etc. you find funny, ironic, sexually arousing…ok you get my point… will do. Many of my posts are of this very nature. So, if you have anything in mind, by all means, post away. Now, to completely contradict myself, there will probably be days when I don’t make a post, so when that day comes, y’all can call me out. Peace.

Chris

Glen’s Edit: There is now a picture and a guarantee that Chris will not make a post every day. The end.

My Top Albums of the Decade

Just flipping through the latest issue of Rolling Stone (I rarely read the mag) and taking a gander at their bests of the decade lists, I can’t get over the massive discrepancies in our’s and their’s. RS overwhelmingly favors mostly mainstream/major label acts and a few independent acts with some degree of commercials success. So of course, our homeboys (Black Lips, Jay, King Khan, No Age, etc.) are virtually nonexistent because they’re not big enough! Wow, what a terrifically horrendous way to evaluate music… Anyway, case in point, their top 50 albums of the decade barely included 1/5 of independent music, whereas our lists are the complete opposite. Anyway, here’s their list: http://www.rollingstone.com/news/story/31248017/100_best_albums_of_the_decade/44 and here’s mine, the better one :)

1) Black Lips- Los Valientes Del Mundo Nuevo (2007, Vice)

2) Jay Reatard- Matador Singles ’08 (2008, Matador)

3) The King Khan & BBQ Show- What’s For Dinner? (2006, In the Red)

4) Jay Reatard- Blood Visions (2006, In The Red)

5) Jay Reatard- Singles ’06-’07 (2008, In the Red)

6) Bright Eyes- I’m Wide Awake, It’s Morning (2005, Saddle Creek)

7) The King Khan & BBQ Show- The King Khan & BBQ Show (2004, Goner)

8) Animal Collective- Strawberry Jam (2007, Domino)

9) No Age- Nouns (2008, Sub Pop)

10) King Khan & The Shrines- The Supreme Genius of King Khan & The Shrines (2008, Vice)

11) Arcade Fire- Neon Bible (2007, Merge)

12) Black Lips- 200 Million Thousand (2009, Vice)

13) Page France- Hello, Dear Wind (2005, Suicide Squeeze)

14) Box Elders- Alice and Friends (2009, Goner)

15) The Pains of Being Pure At Heart- The Pains of Being Pure At Heart (Slumberland Records, 2009)

16) Against Me!- Reinventing Axl Rose (2002, No Idea)

17) Girls- Album (2009, True Panther Sounds)

18) The Nightwatchman- One Man Revolution (2007, Epic)

19) Glassjaw- Everything You Ever Wanted to Know About Silence (Roadrunner, 2000)

20) Mark Sultan- The Sultanic Verses (2007, In the Red)

21) Arctic Monkeys- Whatever People Say I Am, That’s What I’m Not (2006, Domino)

22) Kimya Dawson- Remember That I love You (2006, K)

23) Black Lips- Good, Bad, Not Evil (2007, Vice)

24) The Almighty Defenders- The Almighty Defenders (2009, Vice)

25) The King Khan & BBQ Show- Invisible Girl (2009, In the Red)

26) System of A Down- Mesmerize/ Hypnotize ( 2005, American)

27) Deerhunter- Rainwater Cassette Exchange EP (2009, Kranky)

28) Head Automatica- Decadence (2004, Warner Brothers)

29) Deftones- White Pony (2000, Maverick)

30) System of A Down- Toxicity (2001, American)

31) Mabuses- Mabused (2007, Magpie)

32) Glassjaw- Worship and Tribute (2002, Warner Brothers)

33) Against Me!- As the Eternal Cowboy (2003, Fat Wreck Cords)

34) Black Lips- Black Lips (2003, Bomp!)

35) Black Lips- We Did Not Know the Spirit Made the Flowers Grow (2004, Bomp!)

36) Animal Collective- Feels (2005, Fat Cat)

37) Sonic Youth- The Eternal (2009, Matador)

38) Animal Collective- Merriweather Post Pavilion (2009, Domino)

39) Fugazi- The Argument (2001, Dischord)

40) Those Darlins- Those Darlins (2009, Oh Wow Dang)

41) The Strange Boys and Girls Club (2009, In the Red)

42) The Used- The Used (2001, Reprise)

43) Arctic Monkeys- Humbug (2009, Domino, Warner Brothers, EMI)

44) Editors- The Back Room (2005, Kitchenware, Fader)

45) Shellac- 1000 Hurts (2000, Touch And Go)

I’m leaving 5 slots open for possible last minute acceptances.

Chris

Random Thought Of the Day…


As we waltz our fat asses into another decade, I’m struck by the thought of how memorable or unmemorable not only this decade, but the previous decade has been. It’s a sad commentary when the first things that come to my mind are all classic mass hysteria: Columbine, 9/11, the Swine Flu Epidemic, etc. When we look back on the 90s and 00s I hope we are not simply remembering tragedies, facebook, and Kanye’s interruption at the Mtv awards. Fortunately, the underground (and to an extent the overground in the 90s) have given us some of the best Rock and Roll ever. But, still our generation seems to lack the cultural significance that previous generations championed. Just the other day, I was watching the Wedding Singer, which was released in 1997, but was set in 1985. I thought to myself, why hasn’t there been a movie released in this decade that takes place in the 90s? It’s really peculiar when you look at how quickly other decades got their due: American Graffiti was released in 1973 and set in 1962 (only 11 year difference) and Dazed and Confused was released in 1993 and takes place in 1976 (17 years). So, what does that say about our culture in the past 20 years or so? Is it so monotonous that it is not worthy of an era capturing film? Oh well, perhaps the next decade will be radical and/or there will be a feature film set in the 90s/00s as worthy as its nostalgic predecessors.

Chris