Hahahahah, well actually Harmony Korine has asked random folks to be in his flicks, but then again, considering how fucked up his movies are, maybe your kiddies are safer avoiding the situation.
All posts by Chris DeCarlo
Song of the Day
Getting Ready! I love how this version is so different from its studio counterpart.
Hicks Vid of the Day
“YOU ARE FREE TO DO AS WE TELL YOU!”
Chris On…

The Work of Harmony Korine : Recently I have had a growing fascination for the work of writer, director, producer, actor, etc, Harmony Korine. I’ll be up front right now, I have only seen one of his feature films: Gummo (1997), his directorial debut, which I reviewd a couple of months back. I have also been a huge fan of the film Kids (1995) for years, but Korine only wrote the script, it was directed by Larry Clark, nonetheless a classic that highly recommend y’all check out. Since, viewing the bizarre (to say the least) Gummo I wanted to dig more into the psyche of its creator. Why does he make such strange, really distubring films? and more importantly how does he do it?! Well, reading up a bit more on Korine and seeing some hilarious interviews of him, especially on Letterman :), I discovered the man believes that film as an art is dead and that there has been very little progression in its history. Therefore, he makes films that he has never seen done before. His tactics include non linear storylines (Gummo had no real plot, but consisted of various vignettes), using non actors (often asking random folks if they wanted to be in his flick), and giving his actors (or non actors lol) different scripts, so they are confused with what they are working with, to the extent that they believe they are working on different films, as well as other unconventional methods. Two particular qualities stand out to me about his work. Once again, I have only seen Gummo , but even based on trailers of Mister Lonely (2007) and Trash Humpers (2009), you get a feel for what his films are like in general; previews are enough! Anyway, firstly, imagery is incredibly strong in his movies. Usually for me, one thing that makes a film really great is how memorable it is. With Korine you are bombarded with numerous, highly memorable images. Even if you don’t want to remember them! He simply has a knack for capturing off kilter, unsettling, images that burn deep in your brain for months and more. Even with his trailers, the images are so unusual that they are etched in your psyche for an undetermined amount of time. Every now and then I view a trailer and as time goes by, I vaguely remember what I saw. The images of goons literally humping trash and driving around wearing weird masks from his latest picture, Trash Humpers (2009) is still on my mind and will be for quite some time, I imagine. I’ve read that Korine sees his films as successful, if someone walks away with a lasting image. Well, I guess he has succeeded admirably. Secondly, I really dig the way he does not create intentional meanings behind his works. Most artists intentionally develop some morals and themes in their stories, but not old Harmony. He sees this as “belittling” to the viewer. Thus, the audience can sit back and interpret whatever they like from the mess (I mean that in the best possible sense of the word, which I suppose is ironic, considering I am now explaining my intentions on how awesome it is for an artist not to explain their intentions, go figure). Unlike, most other films, his works do not comfortably hold your hand and cross the street with you. It’s more like you’re dodging oncoming traffic during Rush Hour! Overall, if you are a fan of film, especially, unique, artsy films, then it is a must for you to see at least one of Korine’s films. But, I will give you a heads up, they are not your average “indie” flick that serves as a minor departure from the mainstream, like Eternal Sunshine (2004), which don’t get me wrong, is a great and strange film, but still maintains a mainstream quality, at least compared to Korine’s work. His movies are totally devoid of anything mainstream. Therefore, some people might be turned off by their intense, sometimes, morbid nature. Well, too bad for those poor souls cause they will be missing out on some of the most original art I have ever seen.
Hicks Vid of the Day
This is an extremely rare clip; I myself, a die hard Hicks fanatic, have never seen it!
END THE DRUG WAR!
The following is an article by John Stossel recently featured in the Boston Herald.
“I’m confused. When I walk around busy midtown Manhattan, I often smell marijuana. Despite the crowds, some people smoke weed in public. Usually the police leave them alone, and yet other times they act like a military force engaged in urban combat. This February, cops stormed a Columbia, Mo., home, killed the family dog and terrorized a 7-year-old boy — for what? A tiny quantity of marijuana.
Two years ago, in Prince George’s County, Md., cops raided Cheye Calvo’s home — all because a box of marijuana was randomly shipped to his wife as part of a smuggling operation. Only later did the police learn that Calvo was innocent — and the mayor of that town.
“When this first happened, I assumed it was just a terrible, terrible mistake,” Calvo said. “But the more I looked into it, the more I realized (it was) business as usual that brought the police through our front door. This is just what they do. We just don’t hear about it. The only reason people heard about my story is that I happened to be a clean-cut white mayor.”
Radley Balko of Reason magazine says more than a hundred police SWAT raids are conducted every day. Does the use of illicit drugs really justify the militarization of the police, the violent disregard for our civil liberties and the overpopulation of our prisons? It seems hard to believe.
I understand that people on drugs can do terrible harm — wreck lives and hurt people. But that’s true for alcohol, too. But alcohol prohibition didn’t work. It created Al Capone and organized crime. Now drug prohibition funds nasty Mexican gangs and the Taliban. Is it worth it? I don’t think so.
Everything can be abused, but that doesn’t mean government can stop it, or should try to stop it. Government goes astray when it tries to protect us from ourselves.
Many people fear that if drugs were legal, there would be much more use and abuse. That’s possible, but there is little evidence to support that assumption. In the Netherlands, marijuana has been legal for years. Yet the Dutch are actually less likely to smoke than Americans. Thirty-eight percent of American adolescents have smoked pot, while only 20 percent of Dutch teens have.
One Dutch official told me that “we’ve succeeded in making pot boring.”
By contrast, what good has the drug war done? It’s been 40 years since Richard Nixon declared war on drugs. Since then, government has spent billions and officials keep announcing their “successes.” They are always holding press conferences showing off big drug busts. So it’s not like authorities aren’t trying.
We’ve locked up 2.3 million people, a higher percentage than any other country. That allows China to criticize America’s human-rights record because our prisons are “packed with inmates.”
Yet drugs are still everywhere. The war on drugs wrecks far more lives than drugs do!
Need more proof? Fox News runs stories about Mexican cocaine cartels and marijuana gangs that smuggle drugs into Arizona. Few stop to think that legalization would end the violence. There are no Corona beer smugglers. Beer sellers don’t smuggle. They simply ship their product. Drug laws cause drug crime.
The drug trade moved to Mexico partly because our government funded narcotics police in Colombia and sprayed the growing fields with herbicides. We announced it was a success! We cut way back on the Colombian drug trade.
But so what? All we did was squeeze the balloon. The drug trade moved across the border to Peru, and now it’s moved to Mexico. So the new president of Mexico is squeezing the balloon. Now the trade and the violence are spilling over the border into the United States.
That’s what I call progress. It the kind of progress we don’t need.
Economist Ludwig von Mises wrote: “(O)nce the principle is admitted that it is the duty of the government to protect the individual against his own foolishness … (w)hy not prevent him from reading bad books and bad plays … ? The mischief done by bad ideologies is more pernicious … than that done by narcotic drugs.”
Right on, Ludwig!”- http://www.creators.com/opinion/john-stossel/end-the-drug-war.html
Naturally, because Stossel is writing for corporate thugs, his piece lacks the subversive quality of say a Kevin Booth flick. In other words, he doesn’t cite the Government as Vicious and Evil criminals, like they are. But, nonetheless, he makes some key, fundamental points here and the fact that this matter is being questioned in such Right Wing media as the Herald and Faux News, demonstrates that we are moving forward. Yippie!
Hicks Vid of the Day
Hot Femme of the Day
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Phoebe Cates, preferably circa 1982. To see more of Phoebe, check out Fast Times At Ridgemont High (1982)
Hicks Vid of the Day
This is a different segment, because it is not Hicks himself doing a routine, but rather fellow Stand Up Joe Rogan discussing his opinions on Dennis Leary stealing Hicks’ material and how the Dark Poet inspired his own career. I dig the Boston anecdote.