Tag Archives: Rap

Chris On…

Gangsta Rap and Hip Hop in General:
There are many aspects of (QUALITY) Rap and Hip-Hop that I love, but two things have always stood out to me more than anything: 1) The harshness in the lyrics, sometimes sound, and most definitely the delivery. This is what I adored in old school Gangsta Rap groups like N.W.A. and Wu-Tang Clan, amongst several others. In general, I really have an affinity for confrontational art and these artists certainly got the job done and scared all the White Folks. 2) The dark, caustic and occasionally absurdist humor that one can find in said harsh lyrics. One of the first rap songs I ever heard that hit me hard was Eminem’s “My Name Is,” I saw its video on MTV when it was “Brand Spankin’ New” at the wholesome age of 8. I then went out and purchased the entire record. I fell in love with the Slim Shady “character.” I was frightened and simultaneously amused. And the rest is history… Nowadays, I don’t like as many rap artists, especially those that call themselves “Gangsta Rap.” Now, it could just be my taste and I’m sure there are plenty of awesome underground rappers, but certainly the state of mainstream hip hop has taken a turn for the worse in the past 10-15 years or so. Modern rappers that I dig include Immortal Technique, Dead Prez, and Necro. All of those artists have been around for a while however, but they are still holding the intimidating/militant character of rap music/culture that I cherish. I’m sure there are others out there as I already said, but they simply haven’t caught my attention; rap/hip-hop is a style of music I enjoy, but makes up a small percentage of my eartime. Anyway, in mainstream hip pop the production is far too clean, commerical and the songs are just poppy dance numbers. Really wimpy, pussy shit. Even people like L’il Wayne do very little to nothing for me. ME! I’m a privileged, little, white suburbanite that knows nothing of “street life” and has no gangsta credibillity whatsover (don’t want any for that matter) and yet these supposedly tough guys on the radio do not initmidate me with their craft. There’s nothing threatening about it. I’m sure in real life they are “tough,” but with their music they have no balls. In short, for me Hip-Hop shares the same story as Rock and Roll, but in way less time and far less pleasing too my taste, albeit some very classic material. It’s like both started out as small, underground, regionally based, black music that was threatening and rebellious to white people. The style became popular and hit the mainstream, then matured (sonically, lyrically, aesthetically,etc), then slowly became more and more mainstream until there was a massive chasm between commercial and underground Hip Hop, with the former sucking massive Corporate Cock. The only thing is the Rock story lasted way longer (Early 50s- Mid 70s- started to go downhill in the mainstream) than Hip Hop (Early 80s- Early-Mid 90s). I know I know Hip Hop technically started wayyyy before then, but it didn’t really take off until the early 80s. So, in other words to the silly Mainstreamers out there in Rap and/or Rock and Roll, in the fine words of N.W.A. “EAT SHIT AND DIE!”

Songs About Wanting…Pussy!!!

This song is so generic and so straight-forward it ain’t even funny. But it’s such a grotesque novelty. The rhymes are so terrible it makes me feel like I’m the shit at rapping. While other rappers spit about actually getting with a femme and doing it, all these sad fucks can do is crave “nasty sluts.”

LISTEN @ DONE WAITING: http://www.donewaiting.com/wp-content/uploads/2010/07/The-Pack-We-Want-Some-Pussy.mp3

Classic Album Review: Revolutinary Vol. 1

Artist: Immortal Technique
Full Title: Revolutionary Volume 1
Label: Viper Records
Year: 2001
Grade: B+

Keyword: REVOULTIONARY. Many refer to themselves as revoltuionaries, whether it be a Republican Congressmen from Texas or a radical nerd on his blog, but few can back it up. Immortal Technique is part of this rare breed. He is the closest example of a musical Che Guevara, if there ever was one. Before the listener even hits play, he/she is already bombarded by tech’s intense dissidence in the cover art: masacred police officers and the hammer and sickle a la Soviet Union. But, unlike dem pinko commie fags, tech’s Revolution (at least musically) succeeds because as he says it is, “built out of love for his people and not hatred for others.” The album opens with a solid 9 in “Creation and Destruction.” It basically foreshadows everything the MC is notorious for: violent lyrics, intimidating delivery, and uncompromising politics. This continues throughout the record, while he delves into such untouchable topics as police brutality, corporate media bias for the elite (“The Getaway”), the racist, White, economic, class structure which leaves poor people, mostly blacks and latinos, but also whites, and millions in the Third World concerned only with day to day poverty rather than developing Socialista philosophy to rise out of this trap (“The Poverty of Philosophy”- Spoken Word), and the harsh and regrettable reality of thug life, (“Dance With the Devil”). The latter is arguably one of the most horrifying tracks I have ever heard. Tech’s disturbing lyrics paint a petrifying picture of rape and murder. Overall, this is a sound record one of the finest from today’s greatest hip hop star. You would be hard pressed to find another rapper with as much skill, integrity, and hardcore style. To add to this hardcore reputation, all of the raps were created while he was in prison. Take that Fat Joe, you Fake, Fat, Fuck! Not that I’m in any position to criticize, with absolutely no street credibility WHATSOEVER! But, that’s alright, at least I’m not Billy Jacobs. You’ll have to listen to this album to know who Billy Jacobs is!

VIVA LA REVOULTION!!!

Chris

Whaddup ERS @ Night

Screw that ish (although it is great music to crank after late night concerts), here is the rap/hip-hop you gotta listen to:

Beanie Siegel – “The Truth”
Blackalicious – “Deception”
Booba – “Ecoute Bien”
The Crest – “Heart Shaped Box”
Daz Dillinger“On Some Real Shit”
Enur – “Calabria”
Geto Boys – “Gota Let Your Nuts Hang”
Ice Cube – “It Was A Good Day”
Lauryn Hill – “That Thing”
Mr. Lif – “I Phantom”
NWA – “Straight Outta Compton”
The Pharcyde – “Passing Me By”

CD Review: Man on the Moon: The End of Day

Rapper: Kid Cudi
Label: Dream On
Release: 2009

Act I: The End of Day
1. “In My Dreams” – 8.7
2. “Soundtrack 2 My Life” – 9.1
3. “Simple As”9.5

Act II: Rise of the Night Terrors
4. “Solo Dolo” – 9.4
5. “Heart of a Lion” – 9.2
6. “My World”9.5

Act III: Taking a Trip
7. “Day N’ Nite”9.6
8. “Sky Might Fall” – 9.0
9. “Enter Galactic” – 8.4

Act IV: Stuck
10. “Alive”9.8
11. “Cudi Zone” – 9.3
12. “Make Her Say” – 8.8
13. “Pursuit of Happiness”9.7

Act V: A New Beginning
14. “Hyyerr” – 8.9
15. “Up Up & Away”9.6

Comments: Woah! That’s right I just decided to review a rap album. This album is more than just rap though. There’s a lot of electro, a lot of psychedelia, and a lot of mainstream hip hop. Cudi does not lack talent. He might just be the top rapper out there today. Emile, who produced four tracks, is really sharp on those tracks. Kanye West failed to meet my expectations, but still is decent on this. The two jams that feature Ratatat are the best in my opinion. Really really awesome. The last track is awesome too.

Final Grade: 9.2