Tag Archives: Boston Music

Review: Beware The Dangers Of A Ghost Scorpion! and Sun Lions @ Middle East Upstairs (3/22/14)

Beware
Bands: Beware The Dangers Of A Ghost Scorpion!, Sun Lions, Soft Pyramids, Whiskey Warpath
Date: Saturday, March 22, 2014
Venue: Middle East Upstairs (Cambridge, MA)

We missed Whiskey Warpath and Soft Pyramids. Damn, next time!

Sun Lions – I have mixed feelings about this band. They are pleasant in some respects, especially in a live setting, but I’m not going bonkers over them either. It’s just too clean and proper for my savage tastes. I need an extra kick in the gut to loosen me up a little bit. This set feels like it lasts forever too. http://thesunlions.bandcamp.com/

Beware The Dangers Of A Ghost Scorpion! – Now, here is a band more to my liking. BTDOAGS is a trippy, all instrumental surf rock outfit, a surf nut’s wet dream, if you will.

Staying true to their name, the guys bear an air of mystery to them. Dressed in black shirts and blue jeans and wearing bandannas that cover most of their faces, they never verbally interact with their audience, not once. Instead, they communicate with their music.

I am always biased when it comes to surf music. I find it hard not to enjoy it, even if it is extremely generic. Frankly, it actually all sounds the same to me, but that’s just it, it’s a sound and one that I never get tired of hearing. Still, BTDOAGS picks it up a notch with their sinister, horror punk take on the genre. Anyway you look at it, it’s fun.

Overall, a strong set, but I’ve seen better from the band. The venue is mostly filled and the crowd is digging the band, rightfully so, but I’d rather see at least one of the members leap off the stage and dance around with the audience or entice them to move more as I have seen in the past. Regardless, always a pleasure to see these dudes. BTDOAGS in a basement/underground setting, now that is something I need to see next.  http://ghostscorpion.bandcamp.com/

Dylan Ewen – “Korean Girlfriend”

I was listening to WZBC a couple of weeks ago and heard this song just as I tuned in. I was like… I’ve heard this dude before. And I did. Dylan Ewen is the man. The Boston underground music scene is filled with a lot of people doing a lot of cool things, but there aren’t an abundance of solo talents of his variety. It’s gritty, lo-fi, essentially pop music. “Korean Girlfriend” (Alt 2013, BUFU) is fulla hooks and that drum machine doesn’t hurt. Stuck in my head for days, here’s to sharing with some like-minded people:

Boston Counter Cultural Compass – JUL 11

KLYAM has a neat calendar of shows that we plan on attending or, at the very least, recommend to others. The Boston Counter Cultural Compass has an even better publication that details quite a gamut of gigs every month. A good chunk of the listings are area punk houses and basements [what we folks like to call the underground underground] so please do get in touch with the BCCC or BCCCers (new term, maybe?) for information on locales. This is a great source for local music happenings — perhaps the best. They have a constantly updated Facebook pagehttp://www.facebook.com/pages/Boston-Counter-Cultural-Compass/137506276302253?ref=ts and a website: http://www.bostoncccompass.com/.

Click here or on the picture below [to make it more readable] to see what is going on for the rest of July!

CD Review: Realism (2010)

Band: Magnetic Fields
Release: 2010
Label: Nonesuch Records

1. “You Must Be Out of Your Mind”- B+
2. “Interlude” – C-
3. “We Are Having A Hootenanny” – C
4. “I Don’t Know What To Say” – C-
5. “The Dolls Tea Party” – D
6. “Everything Is One Big Christmas Tree” – D+
7.
“Walk Alone” – C
8. “Always Already Gone” – C-
9. “Seduced and Abandoned” – B-
10. “Better Things” – B+
11. “Painted Flower” – C-
12. “The Dada Polka” – C
13. “From A Sinking Boat” – C

Comments: Realism comes off as a joke, considering the lyrical content and light instrumentation. Even at their most amateur, Merritt and crew fail to win “cute” points, if that’s what they were shooting for. Jens Lekman, oft compared to Merritt, does well in that department (which, by the way, is a musical aesthetic not a physical characteristic). Some songs succeed when the cheese level is turned down. This album isn’t utter shit, but you have to be a patient listener to appreciate it.

Grade: C (74)