Category Archives: Miami Doritos

Review: Miami Doritos, Dylan Ewen, Zebu, Fat Creeps @ JP Drive In

Two Piece
Bands: Miami Doritos, Dylan Ewen, Zebu, Fat Creeps
Date: Friday, August 16, 2013
Venue: JP Drive In

Miami Doritos – I don’t see any Miami or any Doritos, I feel like rioting, I feel like inflicting pain upon each and every one of youuuuu KLYAM readers.  Just kidding mom, I love you.

The Miami Doritos are best appreciated in a basement setting such as this JP Drive In, though I am completely full of shit because I have only seen them in basements, so I have no means of comparison anyway. I guess I just like the intimate feel, which is what typically makes two pieces special to begin with, and tonight the Doritos are kicking off this whole two piece hootenanny.

The Doritos are rough and crunchy, but not difficult to swallow, they go down rather smoothly with a watery beer and a broken heart. In terms of comparisons, well I know I say this often when I see two pieces, but they remind me of KLYAM favorite No Age, mostly in the instrumentation and odd pop sensibility.

I suppose I should also mention that the Doritos consists of Kurt (Thigh Masters) on vocals and guitar and Alex (Nice Guys) on vocals and drums, they are good dudes and if you haven’t checked out those bands then I don’t know what else to say, you better get on that shit brah. And while you’re at it, quit being a pussy and listen to Miami Doritos here: http://miamidoritos.bandcamp.com/album/scoop-dreams
And hey, also watch this vid of them at Allston DIY Fest: http://www.youtube.com/watch?v=H-GJFO_5VrY

Dylan Ewen –  Dylan Ewen, yeah you know Dylan Ewen, in a way you may just be Dylan Ewen. Every teenager and twenty something is – and maybe even some of you thirty somethings. Dylan likes to write songs about bitches and booties and sadness, all topics that have been covered a gazillion times in pop music long before any of us were even twinkles in our daddy’s eyes. Yet, with his brand of garage spunk Dylan brings back a bucket of fresh water from the old stereotypical rock & roll well.

Dylan sings/screams and rages on guitar while a fellow named Chris sings along and brutishly slams the drums behind him. Together they smash through a fuzzy set of Dylan Ewen tunes including “Lead Me On,” (watch the crazy music video here: http://www.youtube.com/watch?v=Xl-jSFP_6DY&feature=youtu.be). It’s a catchy little number that will stay with you forever like herpes. I myself was drunkenly singing this song the other night and didn’t realize it until a friend pointed it out,  it’s that powerful. The dudes also unleash a sick ass cover of one of my favorite Ramones songs, “The KKK Took My Baby Away.”

If I may slide down a slippery slopey rant for a few lines, if you would be so inclined… Dylan Ewen is like if Blink 182 sounded garagey and not like pop punk shit. It’s like all of his songs are about things that suck, but they are all fun and happy at the same time. Content wise it’s all frustration and disappointment . And that’s exactly why I dig the joy that comes out of my speakers when I listen to his bandcamp. That’s my argument against all the sad bands that sing about jerking off alone at night – or something else “dark and mysterious,” I don’t know I don’t pay attention. After a while, if I get bored I just make up my own plot. Those bands seem to be not having as much fun and make sad, sad songs. You can still make songs about sad stuff and still have fun, and having fun can be the focal point of the performance. You picking up what I’m putting down? Dylan Ewen does that like a true rock ‘n’ roller. Listen to all of his songs about youth and sex and such: http://dylanewen.bandcamp.com/

ZEBU – So, I saw these two dudes before at their Fat Creeps Split 12″ Release show at the Discovery Zone a few months back and this performance is not too dissimilar.  The pair, which consists of Ted Lee (vocals/drums) and Steve D’Agostino (vocals/guitar), put on a fairly entertaining show that really makes use of the small, intimate basement space tonight. At one point, Steve playfully waltzes through the crowd and pops a squat on a conveniently open chair in the middle of the room. He sits back and relaxes as if the song has to wait for him. It’s antics like this that makes me think a Zebu show in an above ground venue would be comparatively dull or at least lose some of its charm. Either way, their oddball take on pop music (?) is strong enough to endure in any setting.

Zebu also recently toured in Europe, which appears to be a rare feat for most artists of their underground nature. So, kudos to them. Here watch a clip: http://www.youtube.com/watch?v=c0OHC6Zmt1g
http://zebu.bandcamp.com/

Fat Creeps –  A few years from now when I am an old man, about 27, I will be standing alone at a show, nursing a Narragansett and trying to relieve myself of an ailing hangover, when some young scrawny, pimple faced lad, about 16, will approach me and ask “what were the early Fat Creeps shows like?” to which I will respond, “fuck off, get me another beer junior. Let’s go find your sister.” Fortunately, I am still young and only 70% bitter, so I will enjoy these last few years before the remaining 30% takes over.

Fat Creeps or should I say Fat Dweebz as they are calling themselves tonight round out this two piece shabang. Gracie strums the guitar and sings while Mariam takes care of the drums and sings as well. I’ve never seen them as a duo and I may never again, but it’s pretty cool, a different take on their usual three piece sound. I miss regular drummer Jim Leonard, but Gracie and Mariam do a fine job with some of the Creeps originals as well some sick covers; I swear they play The Vaselines’ “Monsterpussy,” but I haven’t confirmed this.

Both women are decked out in some eye catching spandex suits, it look likes they are competing in American Gladiators or WWF (fuck WWE, it’s still WWF to me).

Check out their tunage here: http://fatcreeps.bandcamp.com/

And while you’re at it, order their 10″ (VINYL) EP from our very own KLYAM Records! http://klyam.bigcartel.com/

Review: Snow Wite, Secret Lover, Fat Creeps, Miami Doritos @ A Basement

JULY_2013PAULWELLER 003

Bands: Snow Wite, Secret Lover, Fat Creeps, Miami Doritos
Venue: A Basement In Boston
Date: Friday, July 26, 2013

I think arriving to shows early is a very great thing. I’ve always felt this way. Going to a stranger’s basement to see a rock ‘n roll show early is even better. In that time between when the first band comes on, you can get to indulge yourself in talking to other attendees and the bands, and drink your own beers. This particular show didn’t kick off ’til much later than planned, but when domes came down the stairs, they came in bunches.

I was really excited to hear Miami Doritos, being a fan of previous performances of ThighMasters and Nice Guys…other bands of Kurt and Alex, respectively. Kurt belted out these tunes and Alex crushed drums. I remember being immediately impressed by the jams. It was like seeing the full Ty Segall Band drive forth with brief tantalizing punk tunes. These songs were really catchy – at least to ears that can readily identify hooks underneath loud loud noise. Like other fascinating duos, Miami Doritos made the most out of just a little. For local garage punk, I’d stick these dudes right up there in the ranks. I got a tape of theirs that is bound to be reviewed on this very site soon.

The KLYAM obsessed/debut KLYAM Records signees Fat Creeps played second. I haven’t reviewed them in a while as that has been the forte of Chris, rock ‘n roll’s youngest dirty old man. According To Jim. The 24th time (seeing them live) is the charm. Not to say the other 23 weren’t the charm, oh you bet they were. My eyes had not previously witnessed the Creeps in a true basement setting, Starlab not included. Seeing them at a rate now three times that of the Black Lips – an incredible feat given our steadfast devotion to those dudes – I sort of know what to expect of a Fat Creeps performance. Yet not really. There’s Gracie switching between her three guitars, by all means something we take for granted given the outrageously amazing sonics which I call tasty swells that are procured throughout the set. So you know, tonight brought all the classics of old (like on the EP), several new-ish jams that deserve their own acclaim, and a cover – ‘Sex Beat’ by The Gun Club, which brought back old memories of last summer when I heard the Creeps play it for the first time. I really dug seeing the Creeps in this setting, the unmanned PA system doing its job just as nice as any old sound guy.

Secret Lover gathers their instruments. This Worcester band is one that I’ve seen before. And I’ve listened to them after the fact as well. I can’t help but chuckle to myself as I’m standing inches away from the singer who is making rounds in and around the invisible stage. I say they’re like the Barbaras or Ariel Pink instrumentally with a spooky, Disney Rock n Roller Coaster vocalist. I’m blown away compared to the first time I saw them. I’ll take more time out of my daily regiment to recall this truly bizarre group. Even bizarre doesn’t seem like the right word, it’s just that in this day and age, rock ‘n roll combinations of Secret Lover esque proportions are rare. Maybe the closest modern comparison could be Screaming Females, if only in the singing department.

Last up is the headliner from LA. This is Snow Wite. The logistics of this band, the members more specifically, include three members of Secret Lover as backing musicians to vocalist and guitarist, Andy. Snow Wite’s an interesting character for sure. There’s a legion of what I presume are genuine fans from a distant past (one year, tops) standing at the front, gushing over Andy for the duration of the set. These folks are having what appears to be the time of their lives. On the other side of me is Chris, who is not impressed one bit by Snow Wite. My stance on this issue is sorta like how I was standing: middling. I saw all the music videos before this show and I had some suspicions. It seems too intense to be purely pretentious or jokestery so I didn’t make any superficial judgments (as I try not to). The music itself, for the most part, is a blend of late ’90s mainstream pop rock and classic guitar rock psychedelia. Don’t count me in as a meaningful fan of either of those, but I did appreciate some of Snow Wite, particularly his flashy guitar work.