Artists: Deerhunter, Real Estate, Casino vs Japan Venue: Royale Boston Date: Saturday, October 16, 2010
Act I: Casino vs Japan
This is not my kind of music whatsover, so yeah it was just unbearable electronic music to me. It always feels like these guys overstay their welcome, but maybe it’s just me. Aficionados of said music may have dug this chap, but nothing stood out to me, I have seen far more interesting purveyors of the style.
Act II: Real Estate
Not my favorite band by any means, but a good band and after Casino, they were a massive relief. I liked them slightly more this time around. They are just a chill, relaxing group with some rockin’ in them. If you like mellow music, I would recommend them.
Act III: Deerhunter
YESS! As one of my favorite bands, I was really excited for this show. Deerhunter always (in the two previous times I have seen them) blow my mind. But, before I felt a tad bit unsatisfied, just a teensy bit as they are amazing, but not this time. Sure, there were some flaws. The vocals were low, at times they were better, but much of the time they were indecipherable. Which was not that big of a deal because I feel like the vocal apsect of their music is better appreciated on record, whereas the live show is mostly concerned with the guitars. Brad, Lockett, and Josh produce shards of noise whilst still maintaing that calm, cool quality that is essential to their art. Not to mention, the pounding drums of Moses, also exquisite. In terms of the setlist, it was fantastic. Sure, I did not hear everything I wanted to, but numerous classic were dished out, mostly tracks from their latest release, the incredible, Halcyon Digest (2010). They opened with one of their best “Rock” numbers in the Halcyon track, “Desire Lines,” where Lockett carried vocal duties. For that album they also unleashed the catchy and evocative (Deerhunter can mash the two aesthetics together perfectly) “Revival,” “Don’t Cry,” “Memory Boy, “Helicoptor,” and “He Would Have Laughed,” in honor of our buddy Jay Reatard. From Microcastle (2008) we heard “Never Stops,” “Little Kids,” and “Nothing Ever Happened.” Then “Rainwater Cassette Exchange,” from the EP of the same name. “Fluorescent Grey” and other classics were performed as well. As serious of a band Deerhunter is, there is an amusing, almost goofy side to the band. Frontman Bradford Cox always seems to be cracking jokes: at one point he stops the show to ask Josh if he loves him and informs the audience that he will not continue to play until he hears Josh utter the words. Haha, stuff like that. Overall, I can safely say this is the best Deerhunter show I have seen and I really cannot wait to seem them again.
Artist: The Maine Coons
Full Title: Maine Coons
Year: 2010
Label: Spent Planet
Tracks:
1) My Kinda Luv- 9
2) I Am a Motherfucker- 9/10
3) Hey Dickhead- 9
4) Ghetto Queen- 9
5) Pull the Plug On Grandma- 9
6) Hologram (Urinals)- 7
7) Uniform Choice- 8
8) Tired and Unispired- 8/9
9) Fast and Easy Livin’- 7/8
10) Can’t Follow Thru- 7/8
Comments: This is good jerkin off music. Yeah, I said it. I figured the nature of this band fit such a description. This is truly slimy Punk Slime right here, guerrila pop art at its finest. The first five tracks serve as instantaneous catchy classics. With very little effort they seap into yer psyche and crawl around for a while. Just fast, punk ditties with that gorgeous garage rockin’/ early Black Lips/King Khan & BBQ underbelly. This album has an incredible beginning, like nothing else I have seen in a while. Rarely, does an artist hit me with a ton of bricks like these guys- from “My Kinda Luv” to “Pull the Plug On Grandma,” I’m totally hooked. I love the direct vulgarity of tracks like “I Am a Motherfucker” and “Hey Dickhead,” where fans of Garage Punk, so to speak, will find themselves chanting the lyrics everytime it blasts thru their speakers. Alas, after “Pull the Plug” I am somewhat severed from the initial appeal.”Hologram” is okay, but feels more like a filler track. “Uniform Choice” and “Tired and Uninspired” are really good songs and definitely save the second half of the album from spoiling the whole LP. The last two tracks are not terrible, but simply do not cut it, at least for my money. Overall, this is a fun, invigorating, and at times fantastic record that needs to gain more recognition. Musically, I am always fascinated by the sparse production, which is relatively easy on the ears and that is not a bad thing; the simplicity of just vocals, keyboards, guitars, percussion. Two guys run this show- one on vocals/keyboards while the other bro plinks his gee tar, commands the drums a la Mark Sultan (with his feet) and shares vocals duties with his comrade. Lastly, I missed some of my favorite MC songs in “How Long Is It Going to Take For You to Find God” and “Inside You,” both of which do not appear here and I think should have replaced some of the weaker numbers. Ohh well, if you like immediate pop hooks in the vain of Black Lips, Jay Reatard, King Khan BBQ, Box Elders, Harlem, and others usually featured on this site, then I am positive you will enjoy this motherfucker. Without a doubt, the Maine Coons are amongst my new favorite bands and I hope to see them live again soon. Peace out, I gotta go kill some dickheads and then piss on their graves.
Hopes: In my own little weird way I hope Khan does something like the above portrait or something equally (or more) outrageous. But, more importantly I wish to see an even greater performance, spectacle, if you will than I saw previously (which was one of my all time favorite concerts). I hope Gentlemen rock out even harder than the last two times I have seen them, playing all my favorites like “All I Need Tonight (Is You),” “Butterfingers,” “I Get So Excited,” and others. Lastly, I envision Red Mass to join my plethora of kick ass artists I have seen live and possibly become favorite of mine.
Expectations: This show is just as good, if not slightly better, than the last show, but lacks some of the intimacy of the Paradise setting. They put on a fun and/or entertaining show, but aren’t as “crazy” as they have been, which is more than ok as that’s not why I am going to see them (music clearly comes first). Gentlemen are just as good as last time, but don’t play all of my faves. And finally I expect Red Mass to be good, but probably not on the road to favoritism (a new word I coined).
Bands: The Homosexuals, Mark Sultan, King Khan Venue: Paradise Rock Club
Act One: The Homosexuals
Glen: The Homosexuals, or in this concert’s case Bruno Wizard and two members from the noise rock band Fiasco, started things off. Wizard, who has an affinity for saying ‘fuck’ and acting crazy as ‘fuck,’ didn’t fail at moving about the stage like an asshole. Wizard’s most notable song was “Hearts in Exile,” a lengthy and repetitive proto-punk jam that got the crowd semi-excited. He finally sang “Don’t Touch My Hair,” an obnoxious rhyme that was undoubtedly written while Wizard was under some form of narcotic. I give a lot of credit to Julian (drums) and Jon (guitar) for playing excellent music.
Chris: Well, the singer was a bit obnoxious and got really old rather quickly. Speaking of being old, he was middle aged, but tried to act like a buzz cock. Perhaps a bit more cock than buzz. His vocals and the songs themselves were average. He repeated one particular line at least 50 times. Ridonculous. With that being said, I appreciated his high energy, albeit a cliched, poor man’s Mick Jagger. Also, the guitarist and drummer had the musical chops and I suggest they find a new front man or create an entirely different group. [Editors Note: They are a part of Fiasco, which has a different lead singer. They were just filling in, bud.]
Act Two: Mark Sultan
Glen: Mark Sultan, or as the guy standing next to me said “the man they call B-B-Q” was very impressive. Complete with a makeshift drum kit and an old-school electric guitar, Sultan provided the audience with vintage rock n’ roll sounds. For me, Sultan’s highlight was “Waddlin’ Around.” The crowd really got into this song in particular. It was too bad Sultan only played for 30 minutes. That wasn’t the last of him though…
Chris: Mark Sultan or BBQ- Impressive. That’s the first word that comes to my mind when I think of his performance. For all ye musicians out there that merely play 1 instrument (I play none!), the BBQ has you beat! Simultaneously Sultan commands the microphone, plays the chords, and bangs the drums with the assistance of some handy dandy foot pedals. Sultan gave the audience a nice, little balance between slow, doo-wop echoing, love numbers and kick ass rockers you could rock your head and bop around to. A notable set to say the least.
Act Three: King Khan and the Shrines
Glen: I witnessed the soulful Supreme Genius! I actually noticed King Khan an hour before the show. I yelled “King!” and he stopped and gave Chris and I handshakes. Seriously, though, he puts on an amazing show. It couldn’t be done, though, without the help of the eight other members of the band. The cheerleader — unnecessary, yet unbelievably necessary — sprinkled glitter all over us in the pit. Her fine dancing was a great adjunct. The saxophone players don’t get as much credit as they deserve. They were instrumental (literally). The guitarists were fun, often interacting with the crowd (by jumping off stage). BUT it was the King who got everyone going. The minute he walked onto the stage, everyone just smiled, clapped, and knew that one hell of a show was in store. King’s swagger on stage is unprecedented. His gimmicks are vast and varied. Lying on the ground, sticking his head out to the front row, dancing over the cheerleader, whatever, you name it. His energy simply never relented. God bless him. He performed classics such as “I Wanna Be Your Girl,” “Welfare Bread,” and “Shivers Down My Spine,” before delving into a Gospel track — a brand-new 5+ minute epic that involved intensive crowd participation. King Khan came back on stage (thanks in large part to a certain energetic Shrines percussionist) after saying “this is our last song” and performed my personal favorite “Took My Lady To Dinner” followed by a few others, including a never-been-done-live-before song with Mark Sultan. Unfortunately, the experience had to come to an end. The keyboardist was doing crazy shit with his keyboard and having one hell of a time as he tackled it (which probably rendered it unusable). After slightly more than fifty minutes of moshing, sweating, and smacking King Khan’s helmet (yes, I got the privilege), the King, his underwear and animal teeth necklace, and his Shrines walked off the stage. The lights in the club turned on. We bounced.
Chris: I did not truly comprehend just how supreme the genius of King Khan and the Shrines was until Thursday night. Rarely have I ever seen such a build up to a band arriving on the stage. The Shrines, all in their black Shrine uniforms, began playing their various instruments, increasing the overwhelming anticipation of King Khan and his lady. Finally, our hero, accompanied by his ever-grinning cheerleader (pom poms and all!), hit the stage all decked out in his white suit and ready to go!. The crowd immediately danced into the “Land of the Freak,” which the Paradise Rock Club had transformed into by this point. The sensational opener was followed by even more notorious numbers including “How Do I Keep You (Outta Harm’s Way),” “Sweet Tooth,” “Shivers Down My Spine,” “Welfare Bread” (one of my favorite moments during the concert; the cheerleader sprinkled glitter all over herself and us!), “I Wanna Be A Girl” (I’d say the tune earned the biggest crowd response, at least from me anyway), “No Regrets,” “Took My Lady to Dinner,” and “Live Fast Die Strong.” The last 3 were performed as the encore in which the King appeared in his traditional golden cape, mask, and nothing but underwear!
Final Comments:
Glen: King Khan and the Shrines probably put on the best show that I’ve seen yet. It wasn’t quite a religious experience, but it was a genius experience. I’ve never gotten the privilege to see eight amazing musicians (plus one cheerleader) perform so amazingly together. I didn’t really listen to King Khan too much before the show, but now I’m absolutely hooked. But seriously this show has to be in its own category because of that. With the Black Lips and No Age, I pretty much recognized all their live music and that made seeing them so great. Bottom line: I absolutely can’t wait to see King Khan and the Shrines again!
Chris: Grade: A. Stage diving, crowd surfing, pogoing, and heartfelt singing insured one of my top 3 greatest concert experiences.
This was a poem I wrote for my Creative Writing class describing the Shrines show I saw on 6/7/09.
How Do I Keep You Outta Harm’s Way? (King Khan)
Soulful Supreme Genius spread in the air
The King came decked out in his white suit and slicked back hair
Accompanied by his lady, an ever-grinning cheerleader
And eight Sensational Shrines in their black Shrine Uniforms
The King ordered his minions to give him
A Loud and Proud response
They Roared
Unsatisfied, he Demanded again
This time the King was blown away
He and His Shrines exploded right into “Land of the Freak”
An apropos title for this setting
The fanatics hopped up and down
Side to Side
On the Stage
Off the Stage
The blissful cheerleader sprinkled glitter into the pit
As a cute little complement to the soulful music and funky dancing
As soon as the performance ended
Excessive crowd response ensued
Just when you think it’s over…
ENCORE!
Kids Like You & Me (KLYAM) 