Category Archives: Film

Summer 2009 Blockbuster Comparison

The following essay was for my Cultural Studies class, therefore it’s not of the same quality as my other material. Read it anyway lol.

Inglourious Transformers
I see a few newly released films each year and sadly most are of average quality. Last Summer, I saw two movies in particular that stood out; one was quite exceptional and the other was pure garbage with some mild entertainment. The former was Quentin Tarantino’s war film, Inglourious Basterds and the latter was Michael Bay’s Science Fiction film, Transformers: The Revenge of the Fallen. Both pictures are similar in some ways and at the same time, there is a world of difference between them. In terms of culture, Inglourious Basterds is of much higher art than it’s counterpart, Transformers because director Quentin Tarantino has far more “cultural capital” than his rival, Michael Bay.
Both Inglourious Basterds and Transformers are action films in their own unique ways, but Basterds does not rely solely on special effects and fun filled mayhem to dazzle it’s audience. There are various similarities between the two movies and it should be noted that each obtained well beyond it’s fair share of box office/commercial success. Both had gun shots, explosions, “good guys, “bad guys,” gorgeous females in leading roles, and a healthy chunk of humor. Without seeing both features, a cultural theorist may rush to rule both films as equally “mass art,” merely manufactured products to be gobbled up by millions of dumb Americans as Matthew Arnold would contend. Of course major corporations financed both films and as I previously mentioned each profited quite well at the box office, but it seems clear that there is much more to IB than simply “action” that makes up most of Transformers. IB focuses on World War II and particularly the fall of the Third Reich at the hands of the “Basterds,” a band of Jewish American soldiers. Of course this is not historically accurate at all, but it still gives the film more depth than a light hearted flick about robots. IB also features various references to older, spaghetti western films and obscure war films as well as other aspects of both American and European culture. Tarantino’s cultural capital certainly adds to the “higher quality” of the film.
As I previously explained, both movies can fall under the action genre, but the styles of action displayed in each film makes one high art/culture and the other low art/culture. In Inglourious Basterds, scenes are built up with suspense and clever dialogue. This suspense then erupts into bloody battles and shoot outs and so on. In contrast, in Transformers, the action is not stylized and is mostly non-stop, relying on special effects and very little suspense. The film utilizes most of the conventional techniques Hollywood blockbuster/popcorn movies usually employ, but no substance to balance out the mindless mess. The old phrase, ” a spoon full of sugar makes the medicine go down” comes to mind. In this case, there is no medicine and moviegoers are being inundated with pounds and pounds of sugar, mentally consuming as much junk as they purchase in movie snacks. Clearly, if Arnold was alive today he would use Transformers as a chief example of low/mass art.
In short, although both films, Inglourious Basterds and Transformers: Revenge of the Fallen can be seen as action movies and worthy of commercial success, Basterds definitely is of higher art/culture than Transformers. Writer/Director, Quentin Tarantino effectively used his cultural capital of historical and cinematic knowledge to make a greater film. The action was entertaining, but carefully balanced with extraordinary acting, memorable dialogue, and superb character development. Michael Bay, on the other hand, merely made a big special effects movie, he knew people would rush to the theaters to see, enjoy, and never ponder over anything meaningful to the human experience.

Chris

Malcolm X’s Final Scene

This is the final scene in the epic, Spike Lee film, Malcolm X (1992), one of my all time favorite movies. Sorry, to give away the ending ahhahaah. I highly recommend watching the ENTIRE film, reading his Autobiography and Malcolm X Speaks , watching his sppeches, as seen on Youtube, etc.

Chris

Film Review: Edge of Darkness

Full Title: Edge Of Darkness
Director: Martin Campbell
Year: 2010
IMDb Rating: 7.3/10 (Way too high!)
My Rating: C-
Here’s Why: Ok, so briefly, let me give you a synopsis of the flick before I dissect it into teeny tiny pieces. Thomas Craven (Mel Gibson) is literally craving to kill anyone that was involved with his daughter’s bizarre murder, which he has taken the liberty to personally (and illegally, since he is a cop himself) conduct his own investigation. As he stumbles upon more and more information he discovers that his activist, daughter, was a “potential terrorist threat” because she and other activists were uncovering the ins and outs of a major corporation, whom unbeknown to the people were making nuclear weapons for the government. She and her colleagues illegally attempt to reveal this information to the general public, but members are excuted one by one. The film utilizes the whole, cliched, government conspiracy cover up deal to death. Initially the plot is somewhat suspenseful and there is some decent scenes of action and thrills ( I actually did jump at one scene, if you have seen the film, you know which one I am speaking of and you probably jumped too lol), but overall it’s pretty average, nearly below average. I’m glad I only shilled out six singles for it, if it was twelve I would have been as vengeful as the main character.

P.S. The thing I hate about these kinds of “Big Brother” government films is that the big “crime” committed in reality is not secretive at all and is right out in the open in actuality. In the movie, some big coporation is secretly making nukes for the government. Ok… That’s no secret, that happens all the time. I don’t get it. The producers are trying to make it seem as though this kind of thing is sooo far fetched and far from the truth. Whatever.

Chris

Film Review: Avatar

Full Title: Avatar
Director: James Cameron
Year: 2009
Grade: B+

If you are thinking of seeing this in any other venue then IMAX, then you need your head examined and then chopped off and kicked down the street like a soccer ball a la George Bush Sr. for you Bill Hicks fans :) But, seriously, it’s worth shelling out the extra smackers to experience this 3D Sci Fi mega blockbuster in an IMAX theater. The sound is simply exquiste. Of course your 3D glasses make the film all the more epic and exciting i.e. people running past you, objects thrown in your direction, and my personal favorite, being chased by an enormous, ferocious animal about to tear you to shreds as you pathetically attempt to foil his monstruous ability to jostle you to and fro. Now, I must admit, I am biased here, in the sense that I am not the biggest fan of Sci Fi, War, Action, or any sort of “epic” film, for the most part. Perhaps if this was an off colour comedy with some young, chic, unconventionally beautiful actress and her hipster, male co star with a soundtrack dominated by my low fi favorites I would probably rate it higher than this even if it was of lesser quality. So, keep that in mind while I disect the film for the remainder of the review. To begin, of course it was visually goregous and the action was entertaining. The story was sound and actually unexpected, at least for me. Briefly, the plot concerns a young jarhead marine named Jake Sully, who is sent on a mission in which he becomes part of an entirely foreign world called Pandora, literally becoming like this new species: blue, tail, etc. As his tenure on the planet continues he questions the military’s motives for his mission and their future plans with the planet. Soon, he finds himself at home and decides to follow a new path. SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS! SPOILERS!

I must say that I really dig the way Jake joins his new blue comrades and does the right thing by helping them fight off their oppressors/occupiers: the American Military. Kinda subversive for such a mainstream film! It would be like an American soldier in Vitenam, who is sent on a mission to be a Viet Cong informant and then he “betrays” the yankies for his new KONG brothers. That would be cool sorta ahah.

Overall: Once again, I don’t typically get boners over these kinds of films, but it was a decent flick, certainly worth seeing at least once. All in all, overrated, with that being said, the story was solid, the acting was nothing special, but worked just fine, and well you know in terms of visual/special effects and what have you, it was top notch.

P.S. Jay Reatard- Turning Blue should have appeared on the soundtrack. What did they expcect Disco? Boring fucks…

Chris

My Top Five Favorite Sequels


Shot of young Vito Corleone (Robert De Niro) gaining his first taste with murder as he is about to shoot public enemy Don Fanucci in the Godfather Part II

1) Terminator 2: Judgment Day (James Cameron, 1991)- Perhaps the greatest action flick of all time and certainly a milestone for special effects. An overall fun time by all!

2) The Dark Knight (Christopher Nolan, 2008)- One of the greatest (summer) blockbusters of modern times. You couldn’t turn your head without hearing a patron poorly imitating the Joker’s, “why so serious?” Action was entertaining, characters were well developed, dialogue was memorable, and the story closely followed the original comics. All in all, far more enjoyable than it’s predecessor. RIP Heath Ledger

3) Clerks II (Kevin Smith, 2006)- Quite frankly, I was shocked this film was so marvelous! Being a huge fan of the original Clerks (1994) (# 3 on my list of all time favorites), I honestly did not anticipate Smith’s sequel to the live up to the first film’s greatness, but I was dead wrong. The unlikely duo of Dante (Brian O’ Halloran) and Randal (Jeff Anderson) are just as funny and pathetic (perhaps more pathetic!) in their 30s as they were in their 20s. Smith maintains the witty raunchiness we love in our View Askew joints and simultaneous creates a heartfelt masterpiece.

4) The Godfather Part II (Francis Ford Coppola, 1974)- How do you top The Godfather (1972) arguably the greatest film in cinematic history? Well, you can’t! On the other hand, audiences fell in love with this sequel and many fans favor it over numero uno. In fact, it was awarded Best Picture at the Academy Awards, I believe the only sequel to do such a thing. Anyway, this picture continues the disturbing story of Michael Corleone and follows him into his darkest hour. By the end of the film, Michael is truly all alone with his sinister self.

5) Star Wars Episode V: The Empire Strikes Back (Irvin Kirshner, 1980)- The darkest and for many the greatest of the original Star Wars Trilogy. There are no victories, no happy endings and no cuddily ewoks. This time the good guys don’t win, but it leaves we, the viewers lingering for more, like any good story should. With the introduction of the incredibly small, but sagacious Jedi Master, Yoda, the shocking revelation that Darth Vader is actually Luke Skywalker’s papa, and the badassness of Boba Fett, Empire is Fantasy Drama at it’s finest.

Note: Technically, Kill Bill Volume 2 (Quentin Tarantino, 2004) should be number one, but I do not think of it as a sequel, rather I view both Volume 1 and 2 as an entire, epic masterpiece.

Chris