All posts by G. Gordon Gritty

CD Review: Gimme Some [2011]


Band:
Peter Bjorn and John
Release: 3/2011
Label: Wichita Recordings

1. “Tomorrow Has To Wait” – A
2. “Dig A Little Deeper” – A
3. “Second Chance” – A-
4. “Eyes” – A-
5. “Breaker Breaker” – A
6. “May Seem Macabre” – B
7. “(Don’t Let Them) Cool Off” – A
8. “Black Book”- B+
9. “Down Like Me” – A-
10. “Lies” – A+
11. “I Know You Don’t Love Me” – A

Comments: Peter Bjorn and John have been around for more than a decade and, after many a pop song, have established themselves as an upper-echelon independent band. Their big break as you all may remember was Writer’s Block from 2006 which won ubiquitously positive reviews. It’s a personal favorite of mine. On that record was their biggest hit, the whistle hooked “Young Folks.” Their experimental follow-up came in 2009 with Living Thing, which was reviewed in the mainstream with far less enthusiasm and much more mixed feeling than Writer’s Block. My feeling is that critics weren’t expecting the band to make as much of a departure as they did from standard rock and roll. I actually really enjoyed Living Thing, which was still PB&J at its core, just with a bunch of electronic stuff thrown in the mix. Gimme Some is not really a return to their old style of songwriting, but more of an evolution towards unchartered territory. On this album, backing vocals and involved guitar riffs and parts are more dominate than ever before I’d say. I wouldn’t have expected PB&J to veer into a garage-pop/punk direction, but they do pretty nicely on “Breaker Breaker” and “(Don’t Let Them) Cool Off”. The power-pop of “Lies” is real good! If they have another brush with b-level ‘fame’, I’d like to think it will be because of this song.  Pretty sure I just said this, but they really never have played as fast as they do here! It’s awesome. Gimme Some initially lacks that ‘oohhh shit!!’ element that Writer’s Block has. That was almost a concept album, though. It ran the gamut of musical emotions. This is more of a variety platter, but one that has a little bit of all of the ‘good stuff’. It’s like ordering a pu pu platter that comes with a bunch of tasty items like chicken wings, fingers, and ribs and some other stuff that is edible, but not the greatest by any stretch.

Grade: A- (92)

CD Review: Unlearn [2011]


Band:
Fergus & Geronimo
Release: 01/2010
Label: Hardly Art

1. “Girls With English Accents” – B+
2. “Wanna Know What I’d Do” – B+
3. “Powerful Lovin” – B+
4. “Baby Boomer/Could You Deliver” – B
5. “Michael Kelley” – B
6. “Baby Don’t You Cry” – B+
7. “Where The Wall Are Made of Grass” – C
8. “The World Never Stops” – B-
9. “Forced Aloha” – B
10. “Could You Deliver” – C
11. “Unlearn” – B

Comments: This, the debut by Texans Fergus & Geronimo, is an odd one. The vocal monotony is pretty bearable and at times enticing. The songs, however, are not as monolithic. There’s some white-man soul (“Powerful Lovin”) in addition to rock and roll and doo-wop. A promising characteristic of F&G’s music is that it doesn’t sound forced. In some cases, it sometimes feels as if bands try to sound weird just to sound weird. This group is innately weird. It works to a degree, but the album remains a bit of clusterfuck if I’ve ever heard one.

Grade: B- (83)

CD Review: Stay Home [2011]


Band:
The Beets
Release: 1/2011
Label: Captured Tracks

1. “Cold Lips” – A-
2. “Dead” – B
3. “Hens and Roosters” – A-
4. “Watching T.V.” – B
5. “Pops N’ Me” –  A-
6. “Floating” – A-
7. “Eat No Dick 2” – C
8. “Let It Dim” – B-
9. “Knock On Wood” – B-
10. “Just A Whim” – A-
11. “Your Name Is On My Bones” – A-
12. “Young Girls” – B+
13. “Flight 14” – A-

Comments: The Beets of Queens, New York (word to Queens — the best borough in NYC), a staple in the NYC DIY community, have followed up their first collection of songs with Stay Home, thirteen new songs about staying home. The coy, stripped down nature of these tunes are typically inviting and catchy. Stay Home is definitely meritorious of better acclaim than it will probably get. The more ‘professional’ music personalities will most likely brush this to the side given its home recording quality. The songs themselves have a Beat Happening feel to them, driven by neat vocal harmonies (“Floating”) and puerile topics (“Hens and Roosters,” “Pops and Me”). What separates The Beets from the rest of them is the singer Juan Wauters…his accent and delivery, specifically.

Grade: B (86)