Haha, it’s funny how this looks like it could be a scene from one of his films (perhaps a bit more conventional here) and yet still passes as a commercial you would see on regular television. Does anyone know what year? I’m guessing early double ohhs.
I usually can’t stand when TV shows throw in silly, random stuff (with the exception of the first few seasons of “Family Guy”), but this is so classic, I have to forgive the writers, whom admitted, as it is obvious to anyone that has seen this episode (“Cape Feare”- Season 5) that this gag was purely intended to fill up the show’s time requirements. What’s great here is that at first it’s funny, basic slapstick humor: he’s already a bumbling, hapless criminal, and nothing ever goes right for him to begin with, then he steps on the rake, rake smacks him in the face, then he makes that funny, frusturated voice. We laugh. He does it again. We laugh some more. One more time, still funny. We laugh again. Then it’s overdone, we get the point, not so funny. But, it still continues, he keeps stepping on the rakes and they keep slapping him in the face, grunting ensues. The greatness here lies in the fact that they extend the joke so far beyond any rational amount of time necessary for such a silly jab. So, by the end it becomes funny again. Laughing at others misfortunes is always fun.
So, what does this have to do with my love for KLYAM? Well, sir glad you asked. It doesn’t. It bears no relevance whatsoever to anything improrant on this day. I just found this funny and posted it. Simple as that. That is exactly what is fantastic about KLYAM and independent web sites in general. Which, by the way, I know we use the blog format and in the simplest terms, in the most convenient definitions;) we are such, BUT! if you KLYAM readers out there are telling your fellow chums about this cool blog you checked out thee other day, please insert web site where blog is because we feel that the word blog has negative connotations of which we agree and want no association or connection with. We DO NOT shit on bands, build them up and then tear them down or abandon them or try to follow this or that hype, buzz, whatever… and we certainly DO NOT encourage gossip. Though, I have to say that having this “blog” format has its benefits. We serve as our own bosses and post whatever we feel like and this post is a clear example of that.
This is easily one of my all time favorite rap songs; it has everything- incredible delivery, danceable beats, dark, violent, but simultaneously amusing lyrics, flawless flow, and best of all you can sing along to it, it’s very interactive in that almost Fugazi way. You know what I mean?
And this is when y’all should be nodding your head and saying “nigga you ain’t got to explain shit…”
I love the build ups on Weirdo Rippers (2007), No Age’s first LP (well sorta…). Everything is purposeful, in other words, I get exactly why they do everything, or at least I think I do. The anticipation, the quiet is made all the more exceptional when they finally explode into the heavier half of the song and include vocals as well. For a lot of artists, I can’t get into their build ups, they just seem to be creating dead space and wasting my time, which is probably not the case, but it seems that way. In any case, a great tune and this video perfectly captures it. Now, all I need is to get No Age to play in my basement…
Full Title: 1981 Director: Ricardo Trogi Year: 2009 Comments: This film is truly delightful, a word I rarely use to describe a film. The movie is a semi-autobiographical account of Ricardo Trogi’s family life as Italian immigrants in Quebec in 1981. The plot takes place when Trogi is twelve years old and therefore the film itself is (brilliantly) seen through the eyes of a twelve year old. Though this flick deals with several serious issues such as immigration and the resulting prejudices that come with it, it is overall a light hearted, amusing work, and as I said earlier, delightful. Trogi uses 1981 as a character; the young Ricardo Trogi needs to keep up with the fast paced times and all the new gagets and hoodwinks (stylish jackets, trapper keepers, video games, etc) and what have you that every cool twelve year old must have or they ain’t shit. Since, Ricardo is the new kid with a funny accent, it makes all of these “necessities” all the more important and in fact, it would be the end of the world if he didn’t have them. The adult Trogi, the filmmaker, uses these humorous adolescent anecdotes to highlight the more serious, social perils, anxieties, if you will, of being working class and not being able to afford everything everyone else (seemingly) around you has. Ultimately, being happy. Over the course of the film the boy grows up…. a little and he learns that at the end of the day, sometimes the world is just a phony place.
Anthony gives us a solid ten minute review- interesting thoughts as always; I can’t believe I had never conjured up The Ramones sound on “Raw Meat,” indeed I hear it now haha.