HAIR by Ty Segall and White Fence. Released in 2012. For a frame of reference: Ty and White Fence both are familiar names in the garage rock revival. Puke. I called it that, because it’s seven years later and that whole ‘prolific’ solo movement is a real thing, even though we knew it was at the time.
I remember thinking of it like this: White Fence was the more psychedelic of the two – a little rougher around the edges. But Ty, with a growing reference to not just the 1960s, knew how to make things weird, too. And they both adored the faux British accent. Put them together and this album is the dream album for a young person learning how to play rock ‘n roll. This album ranges from shorter back to the basics Easy Ryder/Crybaby punk to all out adventures of jamming out brilliance. How these guys were able to pull this one off? I – to this day – pretend that it’s Ty Segall & White Fence & G. Gordon Gritty. It’s easy. I pick up any instrument and play along to this album. I appreciate it more by being an honorary member. I’d like to think that this wasn’t really that much of a thought-out effort on the part of Ty & White Fence. But that’s what I would like to think. I don’t care. There are just so many different tones, leads, notes, effects, noises. It’s an album that makes fun of bands that try too hard just as much as it makes fun of slacker bands. Without a doubt one of the most influential records on my playing and recording.
Ty and White Fence are coming to The Sinclair in Boston on Thursday and I am super excited to see them work through some stuff that I’ve become pretty obsessed with over the years. HAIR holds up. Ya it does.