These reviews are more reactions considering I need multiple days of listening before I develop a pretty accurate opinion. Even then it’s hit or miss.
Album: Interpol [9/2010]
Comments: The verses are standard fare for Interpol/Julian Plenti. There’s the small guitar parts and the overwhelming bass line. The chorus is rather uplifting and dance-esque with creative strumming and outstanding drumming. After the first chorus, the song keeps up a nice pace. I have to say Banks is a characteristically depressing song-writer. I hate to stereotype, but damnit just when you try to have a little fun listening to this song, you realize this is a downer. Just think of barricades themselves. These aren’t entrance ways or revolving doors. These are cut-off points. Is there anything fun about that? I do like this track.
Band: The Walkmen
Album: Lisbon (9/2010)
Comments: Anyone whose been following The Walkmen for the past 10 or so months will realize that this song has been kicking around in their live repertoire for a while. Some avid fans initially dubbed it “Starry-Eyed” because Ham sings that phrase. As Ham said to NPR, this is probably more apropos on You and Me — it being horns heavy, down tempo, and vocal-centric. This comparison might be totally off — and please forgive me — but don’t the horns parts sound like the Christmas classic “Silver Bells”? At any way this is a big song. A masterpiece of a work. I prefer a lot of heavier Walkmen material, but songs like this amaze me.