By Glen Maganzini [Written for College Writing]

In our modern age, or at least since the twentieth century, art has been defined on broad terms. Interpretations of what art really is supposed to be are, for sure, more than what is necessary for a subject that seems to have endless bounds. Putting limits on what one perceives as “art” is as comparably and fundamentally fraudulent as putting limits to free speech. To even remark on art, be it performance, drawing, or anything really, is to endeavor to repress whatever the original author intends to convey even if the critic speaks of the work in an affirmative manner. A simple introductory example would be noise music.
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