“If we wanted to blow this place up we could.”
Man, I gotta hear these fucking badass amps! WHOO! This interview exemplifies the KLYAM spirit, this is real rock and roll, custom made baby.
“If we wanted to blow this place up we could.”
Man, I gotta hear these fucking badass amps! WHOO! This interview exemplifies the KLYAM spirit, this is real rock and roll, custom made baby.

Artists: Fat History Month, ONSLO, Big Mess, Fat Creeps
Date: Friday, April 13, 2012
Venue: O’Brien’s Pub (Allston, MA)
Comments:
Seeing a show at O’Brien’s Pub has been on the KLYAM to do list for roughly two years now. Yes, it is true, this is our first time at O’Brien’s tonight as I imagine it sounds like blasphemy to some of you. Well as Glen always points out, there is a first for everything. Before even entering OBs I did a little research which translates into me looking at the site’s archives. I’m an archives aficionado, so I literally read every event from the present all the way back until the first show documented at OBs back in 2006. Over the past six years, this Allston venue has been committed to both local (and national)independent music and various KLYAM favorites have graced the pub with their prescence: Box Elders (3 times in ’09!), Maine Coons, Colleen Green, Growlers, Mika Miko, and tonight’s headliner Fat History Month (with shows dating as far back as ’07). The venue is small, but there is plenty of room. Upon entrance we meet Chett, who checks our IDs, and gives us those little hand stamps. Per usual Glen has his barrage of questions, and to a lesser extent so do I, which Chett happily answers. We discuss the ins and outs of booking and promoting shows, and the prospect of a Kid Like You & Me Presents! show at OBs, which will hopefully happen in the near future as soon as we get everything straightened out, cool. Doug, the “sound guy,” tells us a little more about his plesant experience at OB’s, playing in and booking local bands, and just a general overview of how things work in such settings. This is not all new to us, but it is certainly helpful. Thanks for the info guys, much appreciated. By this point, I am knocking back a few PBRs, thanks Jim! and I am ready to hear some fine rock and roll music. Just like you are probably wondering why I have not said anything yet about the music, if you have made it this far. Well, back to what I said earlier, we have had our eye on O’Brien’s Pub as a notable host for excellent, KLYAM oriented bands, for about two years now, and for various reasons (mainly us being underage until recently) we have not had a chance to see any of the shows we have recommened on KLYAM, but now is our time. April 13, 2012, I am going to go out on a limb and say this is the best Friday the 13th I have ever had. Fat History and Big Mess, my two local favorites, on a bill with two other, highly visible, Boston bands (Fat Creeps and Onslo) for six bucks in a self-described “cozy” bar in Allston, I’ll take it. So, finally let’s get to the show.
Act I: Fat Creeps– “When I walked in it looked like something out of a Quentin Tarantino movie,”- Cory Bell from SKIMASK, a band you should check out if you have not already. That might be parphrasing, but that is the gist of Mr. Bell’s sentiments. And, I agree with him. Though, I myself do not instantly conjure up an image related to a Tarantino flick, I think I know what he means. There is something visually striking about the Fat Creeps. Green hair aside, they are kinda weird and their music and overall presentation seems to distinguish itself from other bands. This is the first time I have seen the Fat Creeps and I honestly never checked out their music until a few hours before the show, but I have noticed that their name has popped up a lot recently in local listings and recommendations. So, going into this performance I am excited. They have a new drummer and he is pretty tight, almost a contrast to the other two members. But, I don’t mean that in any negative way. I think their lack of musicianship (if you want to call it that) is part of their charm. It is the Fat Creeps’s imperfections that make them unique. For example, when the band begins their set they have a few false starts, but when they get it right, they kill it. The songs are great, the riffs are simple, but strong and definitely catchy. And the vocals, damn! Probably my favorite part of their music is the vocals. Sometimes they sound whiny, almost cranky, but it fits perfectly with their music. I remember Cole Alexander from the Black Lips once said that kids need to hear NOT American Idol voices in music. Kids need to hear Fat Creeps! Their energy and attitude is always present. I recognize some of the songs, which I want to point out as another trait that separates Fat Creeps from most bands I see: their songs are easily recognizable. I only had to hear some of the songs once for me to remember them tonight, a rare quality indeed. I will definitely pay attention to Fat Creeps from now on and I plan on seeing them again the next time I get a chance. Check out their band camp page! http://fatcreeps.bandcamp.com/
P.S. they are pretty easy on the eyes ;)
Act II: Big Mess– I listen to Big Mess a lot these days, so it is always a pleasure of mine to see the band in action. In fact when they begin playing I start to realize how much I miss seeing them live; it has been about five weeks and I am going through withdrawal. The recordings are sound, but Big Mess live is a whole other beast. The songs focus heavily on volume and since they are instrumental you pay attention more to the sonic side of music or at least I do because I typically do not listen to strictly instrumental music. Live, the songs hit you harder, and well come alive. Having seen them several time now, I know their set, but with this performance they really switch it up and play around with their songs, while still unleashing the classics. They open with a nice little jam before smoothly kicking into “The Hook.” It just gets me more pumped up for the song and their entire set even more than usual. Also, on this evening bassist Josh Tracy provides some sick vocals, which is new to me. If you have not seen Big Mess yet, then you FAIL AT LIFE. They have been together since 1993! You’ve had your whole FUCKING life to think things over. You can redeem yourself by listening to their Band Camp page. Do it! http://bigmessma.bandcamp.com/album/big-mess
Act III: ONSLO– Onslo keep the energy high with a fun, loud, rocking performance. All of the members look like they are having a lot of fun, laughing amongst each other and cracking jokes about the lack of females in the audience, at some moments as little as three! Overall, Onslo is a decent band, but they just don’t do a whole lot for me. I really cannot put my finger on it, but I guess for my money they are not as distinguishable as the other three bands this evening. But, don’t take my word for it, see for yourself. Here’s their band camp page: http://onslo.bandcamp.com/
Act IV: Fat History Month-When Fat History Month hit the stage more people come up front, practically standing over the band, making it feel more like a show at a basement venue, which is where I usually see Fat History Month. The band opens with Fucking Despair classic “No Safe,” which has a great Pavement flavor to it. Short, but sweet and gets me pumped up for the rest of their performance. Fat History are one of the finest live acts I have seen in the past year and their performances are always intimate. I honestly cannot imagine seeing them on a big stage, that would be a real buzzkill. I love standing inches away from Mark’s drum kit. Mark (not Jeff contrary to popular opinion) is a steady drummer, always keeping his head low and keeping in touch with the music. The duo quickly run through Fat History anthems “Old Lady Smokers” and “Things I Enjoy,” which always bring a smile to my face. I think these particular songs sound better on record, because the “hooks” are not quite translated live. But, that’s the thing, Fat History is not the kind of band that gives you what you expect or perform the songs as they sound on the record. And I am glad for that, that would be boring, after all. They are performed well live, let’s not mince words here, but it is certainly different. With that being said, if you saw them live and have not listened to their music, seriously pick up Fucking Despair and/or watch some of their amusing music videos. They also play some new material or perahps old material I have not heard yet? They close the set, asking the audience what they want to hear. It seems like most (including myself) want to hear “Nature,” especially the ladies (the very few of them!). They play “Nature,” and as always it is invigorating. I love the build up from the repeated line “It gets better” to “and then it gets WORSE.” There is something really cathartic about that line, especially hearing it live. Five Fat History Month shows deep, for me it never gets worse. http://fathistorymonth.bandcamp.com/ Check out Fucking Despair as well as their other releases Gorilla and the Safe and Sound 7″
Also, here’s a link to an awesome Dig Boston interview from February 8, 2011: http://digboston.com/listen/2011/02/gimmie-shelter-fat-history-month/

Cole Alexander- Rolling Stone
Here’s a link to an article by the Christ Wire that I find very suspect, but nonetheless entertaining in classic, Black Lips mythological fashion. http://christwire.org/2012/04/coachella-lineup-2012-the-black-lips-cole-alexander-whips-out-twiddle-rompus-plays-guitar-with-it/
ALSO here’s an interview with 91X at Coachella: http://www.youtube.com/watch?v=4CCc_LHWnJE

Fat Creeps are a sweet band from Boston I saw Friday night at O’brien’s Pub. It appears they have been making a name for themselves and playing numerous shows around these parts, including one with Bundles of Joy, a band with Wakefield roots (Wakefield, MA is KLYAM’s hometown!) Fat Creeps are not the most conventional rock band, but they crank out some really catchy, inspiring tunes. I highly recommend this band to fans of unique pop music that places a stronger emphasis on passion over musicianship; so basically good music.
Here’s a video of the Fat Creeps playing at the Dirty Douglas in Lowell on Novermber 22, 2011. I’m kicking myself now for not attending this show. I procastinated as usual and had to write a Psychology and Women research paper. The irony is that Fat Creeps would have fit perfectly with my researach on women in music!
Fat Creeps @ the Dirty Douglas Lowell, MA from Brendan Brown on Vimeo.
“Fat Creeps full set. Live from the cigarette fumes and spilled beer smelling Dirty Douglas at UMass Lowell 11/22/11”- Brendan Brown
and while we’re at it, here is the Creeps’s kickass music video for “Nancy Drew.”

Hollywood
Hunx and His Punx, Nobunny(solo), Natural Child, and Hollywood played at The Wind Up Space in Baltimore, MD on Easter Sunday, April 8, 2012. Here are some pics from the show taken by Valerie Paul Sgrove: http://www.imposemagazine.com/photos/hunx–his-punx-nobunny-solo-natural-child-and-hollywood-at-the-wind-up-space– Impose Magazine
Damn, wish I could have been there!
According to Hunx the customer is NOT always right…
This is from a little while back, when Billy Hayes was still with the group. Looking good Billy! Definitely one of my favorite Wavves numbers, unfortunatley the studio version has been taken down, so here’s a live cut from their performance at Amoeba Records on August 18, 2010. Also, here’s a link to the full set and interview: http://www.amoeba.com/live-shows/videos/wavves.html

Artists: Hunx and His Punx, Heavy Cream, Radio Control
Date: Monday, April 2, 2012
Venue: Great Scott (Allston, MA)
Comments:
Act I: Radio Control– The show begins with Radio Control, a rock duo from Somerville consisting of Matt Studivan on vocals and guitar and Kristina Otero on vocals and drums. Radio Control are excited to play as are their supportive fans in the front row (just a couple folks, but nonetheless ultra supportive of their bros). As the set moves along more and more people show up, which is good because they deserve it. I have never heard of Radio Control before this evening, but now I wish I had at least checked out some of their music before entering the Great Scott. They rock pretty hard and the sound is solid. I admire their musicianship and in fact they are one of the tightest bands I have seen as of late. I do not know if it is just me, but I seem to have a thing for two pieces, maybe because I see them so often. Overall, I can hear a lot hooks in their songs and I am positive that if I knew their material beforehand, then I would be singing along to them. Here’s a link to their glorious band camp page: http://weareradiocontrol.com/

Act II: Heavy Cream– I have been hearing a lot of good things about this Nashville band recently, so when I saw that they were playing with Hunx and His Punx it gave me all the more reason to be hysterically pumped up for this show. Alas, I have only had a small taste of Heavy Cream, but based on what I have heard I know they will not disappoint me. And of course, they do not. Heavy Cream definitely has their shit together, both sonically and visually. Singer, Jessica MacFarland is wearing an eye catching leopard skinned outfit and it is hard not to keep your eyes off her especially with her seemingly endless charisma and occasional spitting to boot. I honestly only know one song from their repertoire and that is 2010’s classic “Watusi,” which is accompanied by one helluva music video. The song is quite catchy and sounds terrific live, making the kids move and shake a little. I also see a familar face in bassist Seth Sutton, whom I saw way back in October ’09 when he played side by side with the late, great Jay Reatard in the kickass, guitar driven powerhouse known as Useless Eaters. Mr. Sutton isn’t the only Seth I have not seen live since October ’09, but I will get that later, back to Heavy Cream. I do not want to pin the group down to one sound or style, but fans of bands such as fellow Nashville rockers, Those Darlins, Nobunny, Bleached, and Mika Miko will probably enjoy Heavy Cream. I also hear a lot Runaways/ Joan Jett in their music and performance as well. Just like Radio Control, they are pretty damn tight and in terms of overall attitude, I cannot think of too many better bands to play before Hunx; they share the same Rock and Roll aesthetic, that is thee best aesthetic.
Act III: Hunx and His Punx– HUNX AND HIS PUNX!!! HOLY SHIT!!! Yes, they truly deserve all of those exclamation points. I am a humongous fan of Hunx and His Punx, so this show means a lot to me. Unfortunately, I have not seen the band since the Boston Shattered Records Tour show at Harpers Ferry on October 2, 2009. Yes sir, Jay Reatard, Nobunny, Hunx and His Punx, Box Elders, and Useless Eaters. To this day the greatest bill I have ever witnessed. At the time, I did not know who or what Hunx and His Punx was, so it was an exciting and bizarre experience that will stick with me forever. Flash forward a few months and Hunx is on my iPod every single day, and that has continued for the past two years. Due to some poor scheduling, lack of money and transportation I have missed the past two Boston Hunx shows, but today is my day. The Great Scott has never seemed so wonderful, and I have seen my fair share of Great Scott shows: Wavves, Harlem, Handsome Furs, all great, but none of them compare to Hunx at this moment. When the band hits the stage, I am harder and higher than ever and I am about to explode (INSERT DRAMATIC EFFECT). Tonight the band opens with the recent Hunx solo effort, “Hairdresser Blues,” and not being a hairdresser myself, I cannot say I have actually experienced these blues, but Hunx sings with so much passion I can tell he has. Next up is “Private Room,” another hit from the new record, and definitely one of the catchiest. Too bad there does not appear to be any gay dudes in the audience for Hunx to share a private room with, and in general the crowd is a bit reserved. No need to worry though, the band brings their A game and they truly rock the place. I was discussing watching YouTube videos of live performances versus actually being present for the shows with a fine gentlemen earlier in the evening and we both agreed that sometimes it is just not the same if you were not there. Tonight is a great example of this. I have seen Hunx vids before, but honestly they do not do justice to the live act. The band is extremely tight and every song just fucking hits you like a hurricane. It brings me back to the old days of Jay Reatard, but with a smiley face. Hunx is one of the greatest performers I have seen. He simply has a contagious personality, a persona that rivals the likes of King Khan, Nobunny, and Bradford Cox, all of which I admire greatly. The whole group is fantastic: Shannon Shaw (also of the fabulous Shannon and the Clams) belts out incredible vocals on “If You’re Not Here” and “The Curse of Being Young” amongst others. Shaw is one of my favorite singers right now, truly only on par with some of today’s greatest such as Mark Sultan. Erin Emslie (also of The Foxx) is a sick drummer, her drumming is simple on the surface, but she has undeniable skill and finesse. She keeps the beat at a fast, steady pace the whole show and there is a lot of physicality and power to her performance. Then there is that creepy, mystery guitarist to the right of Hunx. The songs would not be the same without him though, but he surely is one creepy motherfucker. JK! Often you think of “garage” as sloppy, but as far as I am concerned Hunx and His Punx has their shit together, much like the first two bands tonight. Every song hits you hard and the set consists of so many classics from both records, Gay Singles and Too Young To Be In Love. My favorites are “Cruising” and “U Don’t Like Rock and Roll.” I am just in my own world when they play these songs. I love them to death so much, when I hear it live I am in near cardiac arrest! The show concludes with “Lovers Lane,” and the band departs the stage for the errr dresser room (or lack thereof), but not for too long. “Good Kisser” is unleashed and all is well. Heavy Cream join the band on stage for the final song, which is a cover of a Pleasure Seekers tune: “What A Way To Die”. All in all, a great time is had by all. Hunx and His Punx is real Rock and Roll and it is KLYAM’s mission to bring Rock and Roll into the high schools, middle schools, elementary schools, and if we have time, the pre schools of America! Instead of an Easter Bunny, kids can come and sit on Nobunny’s lap! I can see the lovely mall riots in my mind. God bless America! I am a patriot, I hide in trees.
Set List:
Hairdresser Blues (from Hairdresser Blues)
Private Room (HB)
Cruising (from Gay Singles)
Bad Boy (from Too Young to Be in Love)
Gimmie Gimmie Back Your Love (GS)
Too Young To Be In Love (TY)
Let Me In (HB)
The Curse of Being Young (TY)
U Don’t Like Rock ‘N’ Roll (GS)
If You’re Not Here (I Don’t Know) (TY)
Do the Make Up (GS)
Lovers Lane (TY)
*ENCORE*
Good Kisser (GS)
What A Way To Die (Pleasure Seekers Cover)

Two years ago today was one of the greatest experiences in my whole life and possibly the best show I have ever attended. On March 25, 2010 KLYAM and friends and hundreds of others at the Middle East witnessed the greatness of our favorite band The Black Lips as well as the somewhat short lived, but nonetheless phenomenial Box Elders. It was indeed an amazing show, local mainstays, Movers and Shakers opened the show as well. Good times. Great times actually.
Here’s a link to the epic KLYAM review: https://klyam.com/2010/03/30/concert-review-black-lips/

Village Voice photo
Here’s an interview with L.A. Record entitled “HUNX: SIR, YOU HAVE TO LEAVE”: http://larecord.com/interviews/2012/03/20/hunx-sir-you-have-to-leave
Also, check out Hunx’s forthcoming love advice column: http://blogs.villagevoice.com/music/2012/03/hunx_love_advice_column.php
Hunx and His Punx will be making a stop in Boston on Tuesday, April 3 at the Radio in Somerville. New (solo) album is called Hairdresser Blues out on Hardly Art.