All posts by G. Gordon Gritty

CD Review: Post-Nothing

Band: Japandroids
Release: 2009

Comments: Sounding like a noisier, less polished Weirdo Rippers, Japandroids have put themselves alongside other noise rock greats with Post-Nothing. With just a guitarist and a drummer, the duo looks like and produces music very similar to the prolific L.A based No Age. Fast guitar riffs and hard drumming result in a noisy-power-pop combination that not only makes your ears bleed, but makes you want to dance. Continue reading CD Review: Post-Nothing

Cambridge Gets Publicity!

Christian Science Monitor Reporting…

Atlanta –
The arrest of an African-American professor at his home near Harvard University gives a rare view into racial tensions in a seemingly unlikely place: America’s ivory tower and its liberal environs.

At least in the popular mind, flare-ups between police and minorities tend to occur in the ‘hoods and barrios of poverty-ridden American cities. But the liberal bastion of Cambridge, Mass. (per capita income: $31,156; black population: 12 percent), the home of Harvard and the Massachusetts Institute of Technology, has its own complex encounters with racial attitudes. Continue reading Cambridge Gets Publicity!

CD Review: Bitte Orca (DP)

Band: Dirty Projectors
Album Name: Bitte Orca
Release: 2009

Comments: I believe there’s a point when indie-pop bands try too hard to be both indie and pop at the same time. Swedish artists like Peter Bjorn and John and Jens Lekman haven’t had much difficulty in accomplishing both. The Dirty Projectors, an all-American band from New York, wrote an album in Bitte Orca that wants to be European, but isn’t at all. The light melody of “Temecula Sunrise” is refreshing. The scattastic artsy offering “The Bride” has annoying written all over it. The “I’m more indie than inner city black girls” of “Stillness is the Move” gets old quickly. On a positive note “Two Doves” is a perfect WERS song — sexy female voice in front of orchestral background music — and for that reason it happens to be the album’s effortless strong suit. The jangly electropop of “Useful Chamber” is Veckatimestastic. “No Intention” is kind of awesome. “Remade Horizon” seems like it would get a lot of college radio station airplay . There’s certainly some room for improvement, but it’s generally pretty good…if the constant “yay-I-wanna-blah-blah-remade-horizon” doesn’t piss you off, that is. “Fluorescent Half Dome” is a chill aged ending. The last one minute is flat out greatness. I think this album is going to take a few more listens for me to appreciate. It has potential, though probably not as much as Pitchfork [9.0 rating] makes it out to have.

Grade: 8.2

How Awesome Is Crack Box?

Band: Animal Collective
Release: 2009
Recorded: 2000-2003

Crack Box is very much like when you were a little kid taking a stroll to the graveyard/forest to record every ominous sound you could. You, still very much a youngster, decided that the recording simply was not enough. You needed to make little noises, surely unintelligible, on top of all the nonsense. You, through whatever means, spawned a drum kit and keyboard.

The Crack Box is comprised of six sections…three tracks  in each, except for the last. That one has five. Anyway, the disc manages to be awesome even if the entire musical composition is just Avey Tare whispering, a soft acoustic guitar playing, and two notes on the keyboard being tapped. A strong spot is the soft twee of “Hey Friend,” track C2 for all you following along. In “De Soto De Son,” I’m sensing some plagiarism on the part of the band Grizzly Bear. Call this claim far-fetched because, well, it is. Listen to “All We Ask” by Grizzly. Sure it’s faster and more reminiscent of “pop,” you got to admit something is there. Actually I’d reckon Crack Box is a fucked up Veckatimest. The base structure of the songs is totally there, but it’s far from complete. Far from musically bearable (that is to the average listener), these songs need just a push. So what the group did was say F U to most of the songs on Crack Box and add a little bit something extra to their new songs. The change to having a fully integrated album didn’t occur until 2008 when the group started playing songs that later were released as Merriweather Post Pavillion. “Do The Nurse” is hilariously screwed up if the title doesn’t already give that away. “I wish he would just get a boner. Do the nurse.” Seriously, Avey? They were young. “Ice Cream Factory” tells us that when you “black out you feel much better.” Heed those words. Or don’t. “Hey Light” you know from Here Comes the Indian. Crack Box version is quite lo-fi and only 2 minutes 35 seconds, a sign of the times. Listen real closely to “Don’t Believe the Pilot” and you can hear birdies chirping. Also this original version of “Who Could Win a Rabbit” pretty damn sweet. For obvious reasons it doesn’t have any polish. But sometimes things are left best unpolished. And finally, any better way to end the disc than with “We Tigers?” Probably. The original has awful sound quality.

Overall, I don’t think that I will ever again be able to manage listening to this from start to finish. There are some real gems, but most of the stuff is just too archaic and weird for me. Makes for some good relaxation music, possibly.

Grade: 8.0

Our Society Fails!

Because we choose*:

1. Impulse over deliberation
2. Feeling over reason
3. Play over work
4. Instant gratification over long term satisfaction
5. Egoism over altruism
6. Narcissism over sociability
7. Entitlement over obligation
8. Individualism over community
9. Ignorance over knowledge
10. Speeding things up, accelerating vacations, and quick-fucking over taking things slowly, prolonged vacations, and committed relationships.

*The majority of the ideas expressed above come from the book Consumed by Benjamin R. Barber.