Comments: The first two songs on this record are no less than incredible. Interesting way to start a review, huh? All the chips fall into place quite easily. It’s like they’ve got control of that Pixies loud-quiet-loud thing, but only if the lead singer of Clap Your Hands Say Yeah was born in Alabama. On “Born Again,” there’s a pulsating rhythm and some Fat History Month esque guitar picking. The sparsity of this song (no drums) makes me feel like I’m out in the woods or something. It’s comforting. “Piss of the Century” returns to the form of the first two, but with a big kick in the nuts. I like the contrast between this and the prior. The production of “Piss” stands out too, turn those amps up and mic those drums real well – check! The references to previously mentioned bands seem to come from individual parts of Kal Marks, not really the whole. I could toss some more out like The Loon era Tapes ‘n Tapes, but God only knows the familiarity they might have with them. “Maybe if I didn’t know my body/well maybe I know my self-worth” did I hear that right on “Fake Tits”? Haha, this is a funny one, at least to me. It is well-done and I knew it’d be interesting to give a lil attention to the words. The closer is a cool cumulative visitation to prior sounds previously given the light of day, but with some added features that collide perfectly toward the ending of the song, which kicks ya in the privates (for the second time). There’s some feedback/effects that blindsided me (in the good way) – anything’s possible with Kal Marks, right? I’ll stand by “Out in the Deep” as my favorite on here, because 1) it captivates me 2) it sounds terrific and somewhat familiar 3) the ending, man. It’d be unreasonable not to ask you to spend some quality time with this record. If you’re from the Boston area, it seems, too, that it would be a great tragedy to miss out on what these dudes are doing.