Classic Album Review: The Final Solutions – Disco Eraser (2003)


Artist: The Final Solutions
Year: 2003
Label: Misprint
Tracklist:
1) Deep Six
2) Bottom Of The Chain
3) I See You On A Path
4) Eat Shit, Hologram
5) No Final Solution
6) Need Me
7) I Can’t Sing Through My Fuzz Pedal
8) Electrofied
9) Disco Eraser
10) Russian Interpreter
11) Not Good
12) You Make Me Laugh
13) Die In The City
14) 40 Licks

Comments: Expecting Disco? You boring fucks! Well yes sir, Disco Eraser that is. The 2003 LP released by Jay Reatard side project- The Final Solutions. I bet you weren’t expecting a review in 2012 however. Why now you may ask. Well, this week KLYAM and friends will be attending the Boston screening of the Jay doc Better Than Something and I want to see everyone there! And if you are not a Boston denizen then hit up a local theater when the flick hits your town. So, in honor of this great event I decided to review a Jay record and with this being my most recent listen, why not? Here it goes…

I have always been one to judge a book (in this case an album) by its cover. Here we see five gentlemen standing outside a brick building just hanging around pounding back some Busch Lights. And that’s the feel of this record for me.  It’s very much a “let’s get shitty and jam” kinda record. No real female touch involved.  There’s an odd masculine (not macho) presence throughout most of Jay’s work and I certainly see it here. Just a bunch of dudes having fun and getting rowdy, but with instruments. Jay under the psudonym “Jimmie Jewlz” and his cronies (Quinn, Tommy, Justice, and Zac) mix together the raw, trashy sound of The Reatards with the more experimental, synth heavy style of the Lost Sounds (in fact fellow Lost Sound Alicja Trout co-produced the album with Jay). This is a fine piece of punk slime, the punk slime we champion on this site. Final Solutions definitely fill your little bellies with dark, vicious jam after jam. Nearly each song is under the two minute mark. The band cuts out any hint of filler, which truly makes the listener have a hard time hating this thing. And if you’re like me you already get a stiffy anyway when you hear most Jay recordings. Purchasing this record is the sonic equivalent of paying for a scantily clad woman to toss you around the room for twenty minutes, beating you mercilessly with each punch representing a new song. The opening track, “Deep Six” certainly wraps its noose around your neck and sets the tone for the rest of the record. Fast, futuristic, and instantly stuck in your skull. It smoothly translates into “Bottom  Of The Chain” a powerhouse song that is extremely catchy and diabolical, leading us to the LP’s greatest moment, “I See You On a Path.” The latter is a true pop gem, and though this album has loads of hooks, this track is a standout that foreshadows Jay’s incredible talents as a pop musician (however Tommy is actually the main songwriter on this song). The “oohhhhhoohwoooo” vocals are insane! coupled with the simple drum work, it doesn’t get any better. Then of course there’s classic Jay mantras in songs such as “Eat Shit, Hologram” where lead vocalist Zac Ives constantly declares “EAT SHIT!!!” Poor Hologram. One of my favorite tracks is the humorous, “I Can’t Sing Through My Fuzz Pedal,” which kicks off with some poorly recorded vocals that are naturally fitting. Not every song is a knock out, but like I said earlier these numbers are so brief, there’s not enough time to dislike them, you just go a long for the ride. There’s nothing earth shattering on this record and it pretty much sticks with the same sound/style, but it’s a fucking awesome sound and the whole band destroys.  I will make one exception actually. The final song “40 Licks” feels pleasantly out of place- it’s like an 80’s pop song. It’s really cool though – not a pussy song – I assure you no wavers out there. I have a burning desire to sync it up with that club scene in  The Terminator when Arnold finally finds Sarah Connor and he pushes through all the dancers in slo-mo! So yeah, a solid album from The Final Solutions – absolutely one of Jay Reatard’s greatest musical contributions, not quite as amazing as his later output, but certainly worthy of (high) recommendation. This shit has incredible replay power; I’ve listened to it three times while writing this review!

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