Tag Archives: Lasthaus

Show Review: URSULA, Feral Jenny, Trophy Knife @ Lasthaus (12/13/14)

Last
Bands: LAST FEST featuring: Speedy Ortiz, IAN, Couples Counseling, Dent, The Sulk Scouts, URSULA, Feral Jenny, Trophy Knife, Ellen-Siberian Tiger, Trashbaby
Date: Saturday, December 13, 2014
Venue: Lasthaus (Allston, MA)

There was an all day music festival held on this day known as LAST FEST organized by Casey Herz among others. These are the bands that KLYAM saw at the fest…

Trophy Knife – Trophy Knife is Mona Maruyama on “vocals n floor tom” and H. Rose Parry on “guitar n loops.” Mona wears a ski mask and shrieks and smashes the floor tom while Rose shreds each chord. Together, the sound is harrowing and deranged, appropriately complementing the music’s disturbing subject matter. All or most of the songs seem to be in reference to sexism, rape, and general violence against women.

At one point in the set Mona initiates the whole crowd in chanting the word “YES.” She goes on to say “That is the sound of affirmative  consent. This next song is about Bill Cosby.” She often sings and speaks directly to audience members and the set as a whole is equally exciting as it is uncomfortable. The band is locked in the performance and they have the people under emotional arrest. This is also one of their first shows I believe (correct me if I’m wrong) and I look forward to seeing where they go from here. http://ttrophyknife.bandcamp.com/releases

Feral Jenny – I was recently having a conversation with my good buddy Anthony about our favorite current bands and Anthony mentioned Feral Jenny, a band I had never heard before. He saw them play a show at Church with IAN (who is playing their last Boston show later tonight), Flat Swamp, and Gracie a little while back and was apparently blown away. Soon thereafter, co-KLYAMER Glen started listening to Feral Jenny and echoed Anthony’s notions, so I finally said let’s give it a go. Needless to say, I’ve been listening to the Feral Jenny bandcamp ever since, anticipating seeing the band for the very first time tonight.

I’m glad my first time seeing Feral Jenny is at a house space such as one right here at the Lasthaus. Feral Jenny’s set helps give off those warm, fuzzy feelings that I often feel in this kind of atmosphere. The band itself features Jenny on vocals and guitar and she’s backed by two other chums on bass and drums. They have some garage rock leanings with a fair amount of dream pop. It’s like if Elliott Smith, Jay Reatard, and Bradford Cox had a baby. Wow, that would be an interesting night.

I’m still somewhat of a newbie to the Feral Jenny, but I’m really digging “Say The Word” and “Law  & Order,” both of which are played tonight. For the last song or second to last song, I can’t remember, the band does a switcheroo and everyone trades instruments, with Jenny on the drums. Check out Feral Jenny here: http://feraljenny.bandcamp.com/
Set-List:
“Do Right By Me”
“Say The Word”
“You Let Me Fall”
“Let It Rot”
“Law & Order”
New Song
“It Makes Me Sick”

URSULA – Glen and  I are massive URSULA fangirls. It’s hard to describe our excessive fandom, it sometimes freaks out lame people. URSULA comprises of Sonam on drums and Caity on vocals and guitar. Thus far, we’ve seen them only in Boston basements, such as this place and I’ve seen them here three times now. The pair tear through a sheering, slimy set filled with songs about watching Home Alone and something about your fucking mother. I particularly adore Caity’s ravenous yalps. Always get me.

Sonam gets everyone singing MOTHERFUCKER MOTHERFUCKER MOTHERFUCKER from their monster hit “Cavegrrl.” Motherfucker, that’s a funny word when you think about it. Like goldfish and Milwaukee.

There’s an odd, off kilterish vibe to their music. It’s sort of simple and rough around the edges, but that’s part of the charm. It’s minimal and messy. They’re a young band and you can feel the magic (which I usually can’t) and the ambition you can only find when a project is in its infancy. It’s exciting. http://ripursula.bandcamp.com/

Hey some videos shot by the man himself Ethan LLoonngg: