
… and the glorious Black Lips are back in Boston at the Paradise Rock Club! IF YOU’RE NOT THERE THEN YOU BETTER BE DEAD OR IN PRISON
AND IF YOU’RE IN PRISON, BREAKOUT!!!!*
* A paraphrase of a quote from The Simpsons episode, “Bart the Daredevil.”

… and the glorious Black Lips are back in Boston at the Paradise Rock Club! IF YOU’RE NOT THERE THEN YOU BETTER BE DEAD OR IN PRISON
AND IF YOU’RE IN PRISON, BREAKOUT!!!!*
* A paraphrase of a quote from The Simpsons episode, “Bart the Daredevil.”

1) Atlas Sound-Artifical Snow-
2) Abba- Waterloo
3) Tandoori Knights- Into Her Arms
4) BBQ- Threw My Girl a Party
5) Dum Dum Girls- Blank Girl
6) The Barbaras- Heaven Hangs
7) The Beets- Broken English
8) GG Allin- I want to Kill You
9) GG- I Wanna Fuck Myself
10) Natural Child- Crack Mountain
11) Vomit Squad- Burning Beezzlebub
12) Fear- I Don’t Care About You
13) Fear- New York’s Alright…
14) Johnny Cash and June Carter- Time’s a Wastin’
15) Maine Coons- Inside You
16) Maine Coons – How Long…
17) White Wires- Girl Girly Girly
18) Wavves- Wavves
19) Wavves- Friends Were Gone
20) Antsy Pants (kimya dawson)- Tree Hugger
21) Adam Green- What Makes Him Act So Bad
22) Girlfriends- Good to Be True
23) Hunx- Too Young to Be In Love (old version)
24) Black Lips- Go Out and Get It
25) Jay Reatard- You Get No Love
26) Lost Sounds- Memphis Is Dead
27) Glassjaw- You Think You’re John Fucking Lennon
28) Atlas Sound- Atlas Shrugged
29) Ohio Players- Love Rollercoaster
30) Nation Of Ulysses- Spectra Sonic Sound
31) Dum Dum Girls- Bang Bang, I’m a Burnout
32) DDG- Jail La La
33) Funstix- Funstix Party
34) Whitest Kids You Know- Hitler Rap
35) GG Allin- Expose Yourself to Kids
36) Ramones- Chinese Rocks
37) Girlfriends- I Was Here, But I Disappear

Not all titles may be correct (I got kinda lazy here), but I just made up this wonderful playlist of completely random, but highly impressionable and catchy ditties. A fun way to procrastinate I suppose.

Full Title: Faat Kiné
Director: Ousmane Sembène
Year: 2000
Comments: Faat Kiné is a Senegalese woman, who runs a successful gas station- a rare feat in the male dominated, oppressive world of Senegal. Kiné’s character is seen as a heroine in her community, having suffered and struggled most of her life to give her kids (whom she had out of wedlock) the education and privileged life she never had. One of the film’s main themes is the repudiation of the old generation. The movie makes itself clear that the former traditions of Senegal are slowly dissipating. As a whole, I thought this message was communicated well and I would say for a movie, this is informative in terms of learning about Senegalese culture. With that being said, it was overall pretty average and did not floor me in any way. There is enough to be appreciated, but not enough for it to stand out as anything of significance. Some parts were mildly amusing, some things were shocking, but the running time without a doubt could have been trimmed, much like most American films. If you read this site’s film reviews, you know we don’t really cover too much foreign material (for no particular reason other than not coming across them and/or not making any effort to come across them either), but I don’t feel like my lack of enthusiasm for this feature has anything to do with a language/culture barrier; I treated this review like any other one. All in all, I would only recommend this to someone that wants to learn about Senegal (and/or how it has changed in somewhat recent years) via entertainment.
Grade: 4/10

Speaking of show alerts and Neil Young, the legend himself is coming to town on Tuesday, April 19 at the Wang Theatre in Boston. I may or may not be in attendance depending on my schedule and what have you, but this is definitely KLYAM recommended.

Now y’all can experience what Boston has been bragging about…
3/10 @ Silent Barn in Ridgewood, NY w/ The Honey Dos
3/11 @ Comet Ping Pong in Washington, DC w/ Junkers
3/12 @ The Get Down in Asheville, NC w/ Drums Like Machine Guns, Signals, Noose
3/13 @ The Poplar Lounge in Memphis, TN w/ Total Drag
3/14 @ Rubber Gloves in Denton, TX w/ Beware the Dangers of a Ghost Scorpion
3/15 @ The Where House in Ft Worth, TX w/ Beware TDOA Ghost Scorpion
3/16-3/20 @ SXSW (TBA ASAP
http://www.facebook.com/event.php?eid=107406026005382
http://www.facebook.com/l.php?u=http%3A%2F%2Fgirlfriendstheband.tumblr.com%2F&h=fe22d
Okay so, I was a humongus fan of the video for Hunx and His Punx’s “Too Young to Be in Love” and I truly adored the song that went along with it. Now, this here is the same song, and yet it’s totally different. It’s much slower and that’s a personal qualm for me, but it does place a neat emphasis on the vocals and they are better appreciated on this version. I think this will grow on me in time. Either way, I can’t wait for this new record! Long Live Hunx…

Trent Reznor (above) and Atticus Ross won Best Original Score for The Social Network (2010)
Best Performance by an Actor in a Leading Role:
Colin Firth for The King’s Speech
Best Performance by an Actress in a Leading Role:
Natalie Portman for Black Swan
Best Achievement in Directing:
Tom Hooper for The King’s Speech
Best Performance by an Actor in a Supporting Role:
Christian Bale for The Fighter
Best Performance by an Actress in a Supporting Role:
Melissa Leo for The Fighter
Best Writing, Screenplay Based on Material Previously Produced or Published:
Aaron Sorkin for The Social Network
Best Writing, Screenplay Written Directly for the Screen:
David Seidler for The King’s Speech
The rest can be found here: http://www.imdb.com/
This year turned out to be pretty much what I expected, no real surprises. I’m glad The Social Network, Toy Story 3, and Christian Bale’s performance in The Fighter got the credit they deserved. I really didn’t see too many films this year, but specifically I saw eye to eye with the acamedy for those three films and their respective awards.

Happy thirty-first birthday sir!

http://www.furious.com/perfect/oblivians.html
“I loved the racket so we did the record, and I’ve been a fan of everything he’s done since. He’s a pretty amazing kid.”- Eric on Jay Reatard (2000)

I heard he has scored with over 50,000 femmes… they love to suck his Dicktator.