Tag Archives: K

Classic Album Review: You Turn Me On


Artist: Beat Happening
Full Title: You Turn Me On
Label: K/Sub Pop
Year: 1992
Track List:
1) Tiger Trap– 9
2) Noise– 9/10
3) Pinebox Derby– 10
4) Teenage Caveman– 10
5) Sleepy Head– 9/10
6) You Turn Me On– 9
7) Godsend- 8
8) Hey Day– 8/9
9) Bury the Hammer– 9

Comments:
Right off the bat, this is definitely my favorite Beat Happening album and one of my all time favorite albums altogether. From the first chords of “Tiger Trap,” you know you are in for something special. The song is nearly seven minutes long, much longer than previous BH tunes and yet the simple, endearing, and always fascinating quality to their music is reatained. Most of the tracks here are longer than their previous LPs, but they don’t drag and you never feel bored. I take that back, “Godsend,” is wayyyy longer than necessary. It’s a great song…. for the first few minutes. 9:28 is too long! Besides that, I have nothing bad to see about this record. It is fantastic and proves that Beat Happening can utilize cleaner production to their advantage. Overall, the music sounds better than ever (though this was not the first cleaner sounding album), but specifically the vocals are phenomenal. Heather’s singing is the best, better than Calvin’s; “Noise” and “Sleepy Head” showcase her talent. Calvin’s classic baritone is prominent in catchy numbers like “Pinebox Derby,” “Teenage Caveman,” and “You Turn Me On.” On Teenage’ when he holds the “oneeeeeeee” in alone, it is easily one of the greatest musical moments ever recorded. For me, this album simply conists of amazing pop songs, what would be hits in another universe where earnest and quality music is appreciated on a grand scale. On first listens, that’s all I heard. I really had to pay attention, to notice the lo-fi, primitive nature of the music that was more obvious in other BH records. They did not feel like simple, Daniel Johnston esque, musically limited creations (not to say there is anything wrong with that stuff). My point being: the power of this album is in its presentation. I just hear a fabulous pop record with songs that hit you as complete ideas. I have to make a real dedicated effort to key in on that lack of musicality, which is clearly there, no doubt, but these songs are so damn excellent that it becomes of little concern. Though You Turn Me On may not be as seminal as their earlier work, it certainly continues that very same spirit and demonstrates the consistent awesomeness in their catalog.

Grade: A/A+

Classic Album Review: Dreamy

Artist: Beat Happening
Full Title: Dreamy
Label: K/Sub Pop
Year: 1991

Track List:
1) Me Untamed- 8
2) Left Behind- 8
3) Hot Chocolate Boy– 10!
4) I’ve Lost You- 8
5) Cry For a Shadow– 9
6) Collide- 6
7) Nancy Sin- 8
8) Fortune Cookie Prize- 8
9) Revolution Come and Gone- 8
10) Red Head Walking– 9

Comments:
Beat Happening strikes again with their fourth album, Dreamy, their most polished sounding record yet. But, don’t worry it’s still the same minimalist, amatuer sounding Beat Happening you know and love. With this release, it seems like BH matured a bit in their subject matter, especially with tunes like “Me Untamed,” (a far cry from Johnson’s usual coy, lovey dovey lyrics) “Cry For a Shadow,” and “Revolution Come and Gone” (as Michael Azzerad cites, a clear reference to the sudden, apparent, demise of the underground movement). With that being said, there’s plenty of fun, adventerous (at least lyrically), creative, and ultimately joyful numbers. Chiefly, “Hot Chocolate Boy” fits this category; it is by far my favorite in their catalog and one of my all time beloved songs! Just, simple, but enthusiastic playing. If I had to choose one BH number to show to newbies, it would absolutely be HCB; it has nearly everything that made BH excellent. I really dig the line “He’s a sensation, Hot Chocolate Nation.” Overall, I like this album, but I do not favor every track. “Collide” is too repetitive and I often like repetitive songs, even for BH, but this time it’s just annoying. This album is filled with good songs, but only a few great ones. The higher quality production ameliorates the recording, but clearly isn’t the most important ingrediant in audio magic. As I said before, this is a good album, it just lacks an album feel to it, but all in all it is certainly KLYAM Recommended.

Grade B/ B+

P.S. if you go bonkers for Calvin Johnson’s deep, baritone voice, then you will most likely love his vocals here, as they are baritone as fuck…. or you will think he has a stomach ache like my mother says.