Category Archives: Art

Watch Hunx- “Let Me In” Live Super 8 Vid


Shot and edited by Sally Cinnamon. This is excellent live footage from last year’s Hairdresser Blues Tour, specifically from Hunx and His Punx’s show at the Silver Dollar (Toronto) on March 31, 2012- just two days before the Boston Great Scott show KLYAM attended! A review of that show can be read here: https://klyam.com/2012/04/04/concert-review-hunx-and-his-punx-great-scott-4212/

Black Lips 2012 Halloween Mix Tape/Interview @ ACL Fest

http://soundcloud.com/vicemusic/sets/black-lips-haloween-mixtape
Damn, that’s some spooky shit!


“Keep a dry lip and clean pecker”-Jared Swilley
Listen to the man kids, he knows what he’s talking about he worked with a Grammy award winning producer.

And here’s another one while we’re at it, in which Jared and Ian discuss their recent tour of the Middle East and their plans for the future “A few top tens.” http://www.youtube.com/watch?v=QB4uFTEyRqM

HAPPY HALLOWEEN!!! :)

Since, this is KLYAM, thee honoraries get first billing! Watch, these ghoulish, vintage vhs! vids of The Spooks (Black Lips ghost rock band) and the Black Lips themselves playing Candler Park on Halloween 2002! Damn, that was 6th grade for me.

Part II:


Part II: http://www.youtube.com/watch?v=T2Dfs1fwKEA&feature=relmfu

Alright, alright, and a couple of classics…

LP Review: Barbaras 2006-2008

Artist: The Barbaras
Release Date: October 30, 2012
Label: Goner
Track List:
1) Day At the Shrine
2) Heaven Hangs
3) Grief Touches Everyone
4) Topsy Turvy Magic
5) Superball
6) Only One
7) Breathing Underwater
8) Devour the Jungle Deer
9) Grey Eggs
10) Flow
11) Why Should I Love You?
12) Bluebirds
13) How Many Times
14) Summertime Road
15) Annual Botanical

Comments: Two years ago my ears had the pleasure of hearing both The Barbaras and The Magic Kids for the first time. The latter gained national attention/critical acclaim with the release of their debut LP Memphis, but sadly few have ever heard of the former. Which is a shame because the Magic Kids are basically the product of the Barbaras, at least that’s one way to look at it. In the time since then, I have often YouTube’d Barbaras songs and viddied thee old live clip or two. I fell in love with these songs, the few of them that were available, but I wanted more. Now in 2012, the Barbaras album I and so many other weirdo Memphis pop creeps have been anticipating has finally arrived. I honestly never thought I would see the day.

Okay, let’s get to the record itself. It’s beefed up that’s for sure. In my mind, I envision members Billy Hayes, Stephen Pope, Will McElroy, Bennett Foster, and Alex Gates hopping on stage with tremendous, roid induced muscles- like pro wrestlers.  That’s what this LP is- Barbaras beefed up. Anything you’ve heard before, it’s bigger – with the help of  producers Jay Reatard and Alicja Trout, I must add. And you can definitely see where Jay’s production style plays a role in this record.  Songs like “Day At The Shrine,” “Grief Touches Everyone,”  and “Devour the Jungle Deer” possess that fast paced, hard hitting drum quality. It’s honestly like hearing another Jay record at some moments. Oh and I should mention, for you sad folks that are unaware, Billy is the former drummer for Jay Reatard’s live backing band and former drummer for Wavves; Stephen is the former bassist for Jay live and current bassist for Wavves. These aren’t mere accomplishments for the resume, oh no, they are all intertwined.

On this record, you can hear the similarities in all three bands. In particular, in the eccentric songwriting of Billy Hayes. Tracks like “Grey Eggs” and “Why Should I Love You?” are reminiscent (for me as a listener) of Billy’s main songwriting contributions on Wavves’ King of the Beach (2010) – “Convertible Balloon” and “Baby Say Goodbye.” Billy creates his own world with these songs,  and I’m constantly reminded of old school Nintendo video games,  just lying around with a Nintendo in my room. In general, Billy’s vocals play a big role here, but he is certainly not the only one. Pretty much all the guys lay down some nasty vocals, and the singing is probably the highlight for me. This is where I best hear the Beach Boys/Phil Spector references everyone makes. Of course, you really can’t not listen to this and not walk away with those feelings. Specifically, some of my favorite moments are when the band unabashedly mimics a 60’s favorite. The very Beach Boys esque  “buh bub bub buh” in “Topsy Turvy Magic,” the girl group stylings of “Breathing Underwater,” the doo woppy vocals in “How Many Times,” or the epic, insanely layered, psychedelic Beatles 1967 ode “Annual Botanical” that closes the album.

So yeah, Barbaras are obviously heavily influenced by the music of the 60s, but they take this music and subvert it with their own bizarre, demented personalities, which is a key factor in why this band outshines most of their contemporaries. They are derivative, yet they carve out their own distinct character and in that way no one can say they sound like anyone else, past or present.

This Day In KLYAM History…


October 29, 2009– Wow, feels like ten years ago! The KLYAM witnessed the fabulous King Khan & BBQ Show @ The Middle East Downstairs. Here’s the review: https://klyam.com/2009/11/05/belated-concert-review-king-khan-bbq-show/

and

October 29, 2011– Hell At the Hall! Black Lips Halloween Show @ Webster Hall (NYC). Here’s a review: https://klyam.com/2011/12/01/hell-at-the-hall-concert-review-black-lips-webster-hall/

Check out this live vid below

Concert Review: Sic Alps, Fat Creeps, Bent Shapes, The Migs @ Radio (10/25/12)


Bands: Sic Alps, Fat Creeps, Bent Shapes, The Migs
Date: Thursday, October 25, 2012
Venue: Radio (Somerville, MA)

This is a Bodies of Water (B.O.W.) Show- http://bowaac.blogspot.com/
Way to go Dan and Sam, you fine, heavenly gentlemen.


Act I
: The Migs– Performance wise, this is easily the best Migs show I have seen and Glen concurs. Five Migs shows deep, you know what to expect, but it never gets old. Migs Keven, Lukas, Craig (and special guest Travis Hagan on drums!) have a real solid presence on (and more appropriately off) stage. It’s nice to watch Keven, Lukas, and Craig playfully fight for control of the stage, practically knocking one another off- they appear to be having more fun than everyone else, which is awesome. Like, I said a real presence every rock ‘n’ roll fan should see; if these guys expand their cross country voyages they could take America by storm! I don’t know, maybe I’m crazy, maybe I’m not.  What I do know is that this band has that classic, soul/blues psych/garage yeah, yeah, yeah (even I get sick of using these words to describe music, seriously if you counted up the amount of times we have said the words “rock ‘n’ roll,” “punk,” “garage,” in this year alone you could fill up a fucking dictionary, but let it be known here, exclusively, for the record that I mean it from the bottom of my heart and I/we don’t use those words lightly) – they got that whole damn sound, we’ve all come to know and love, down pat. They got it. But, what is more significant about The Migs is that they take that lovely, orgasmic sound and turn it up to eleven. Like every great band, The Migs possess an infectious personality- these are dudes you could shotgun a beer or six with and/or take home to mom and dad. I know my dad would love The Migs. Hell, “You and Me,” one of the band’s finest offerings and a personal highlight tonight, is such a sweet ballad that it could make my dad’s limp dick plop right up and pace around the room. YEESH. On that horrifying note, I think the sound system definitely amplifies the group’s rocking performance, fleshing out the tunes even more. All in all, another show for the books. Not as fun as my preferred Migs setting: a dirty, beer reeking basement, but equally impressive.

P.S. Keven remember to wear a shirt (not a sweat shirt) when you play on stage, it gets hot up there. And if it’s chilly, wear a sweater. I don’t want you to catch a cold son. I want my Migs happy and healthy.

The Migs may or may not have played the following songs, well they certainly played some of them, but I’m not sure on a few.

“Cosmonauts 1/2”
“We’re The Migs” written as ” “We Dah Migs” and “We’re The Pigs”
“666’s Request”
“You & Me”
“Rock N Roll Stole”
“When She Says My Name”
“Fuzzy Sun”
“Follow Me Home” also written as “Follow Me Dome”
“Gravestone”
“Take 3”
New Song?!#$

Yo, have you heard this sheeet? http://themigs.bandcamp.com/


Act II
: Bent Shapes– If some tourist yahoo asked me to name the best bands around Boston, the three opening acts on this bill (The Migs, Fat Creeps, and Bent Shapes) would definitely appear on that list. In fact, Bent Shapes were probably the first local band I really got into, about a few years back now. It’s not hard to see why this trio sticks out- they are able to blend Weezer/Blink 182 esque pop punk with garage rock. The thinking man’s garage perhaps. Haha, actually that reminds me of something Glen said earlier in the evening, that Bent Shape have this “college” quality to them. I agree with him on this point, and that’s funny because their music to me shares a similarity to another jangely pop, “college” band: The Pains of Being Pure At Heart. Both bands unleash simple, catchy songs with strong pop hooks. Personally, what I love about bands like Bent Shapes is that a lot of the music they seem to reference (pop punk) is not particularly to my liking, yet I seriously dig these guys. I kind of like it that way, I almost have a greater appreciation for them. Regardless of tastes, all three members are exceptional. If you’re reading this and haven’t heard of this band, click the link here, Do iT! http://bentshapes.bandcamp.com/

Set List:
“Boys to Men”
“Public”
“Leave It Till You Need It”
“Bites”
“Brat Poison”
“Wut?”
“Behead”
“Big Machines”


Act III
: Fat Creeps– Fat Creeps rock right into “Blitzkrieg Bop,” which I totally don’t expect. The leather jackets should have given it away. A couple of weeks ago, the Creeps delivered a killer set of Ramones covers at a Rosebud Halloween show, here’s a review, if you missed it: https://klyam.com/2012/10/16/concert-review-halloween-show-featuring-fat-creeps-earthquake-party-fedavees-fagettes-rosebud-101312/ and tonight they are reprising their roles again as the seminal punk band aka greatest band of all time.  Admittedly, I am craving some original numbers, but with that being said, the band is still captivating with their Ramones set as they were before. My favorite cover is definitely “I Don’t Want to Walk Around With You,” I especially love Gracie’s vocal parts in this tune. Overall, a fun set per usual.

Set List (not sure of the exact order):
“Blitzkrieg Bop”
“Beat On The Brat”
“Judy Is A Punk”
“I Wanna Be Your Boyfriend”
“Havana Affair”
“Loudmouth”
“I Don’t Want To Walk Around With You”
“53rd and 3rd”
“Today Your Love, Tomorrow The World”

Check out Fat Creep’s music here: http://fatcreeps.bandcamp.com/


Act IV
: Sic Alps– San Francisco’s Sic Alps are garage/psych legends and it is a pleasure to finally get to see them on this wonderful evening. You can tell, these dudes are veterans when they play. Despite the wacked out, chaotic nature of their brand of rock ‘n’ roll, they have an undeniable finesse to their craft that only a seasoned pro could produce. I’m sure this is said all of the time, but it is worthy to note that the Sic Alps have lineage with Mr. Ty Segall or Ty Segall has lineage with Sic Alps. I mention this for two reasons. Firstly, if you regularly visit this site, then you know how much we love Ty Segall, he is one of our top guys. So, seeing his musical kin in a live setting is an extra treat. Secondly, you can see a lot of Ty’s music in the Sic Alps’s performance, leaning more towards the extensive jam quality of his sound and less concerned with pop influence. At times, this is not always my bag, but I can still dig it. Also, I need to be more familiar with their songs, so I can truly appreciate their set in the future. In any case, I recommend you give em’ a listen here: http://www.sicalps.com/