All posts by Chris DeCarlo

LP Review: “Zoo Traffic” (Yankee Power)

Artist: Yankee Power
Release Date: August 21, 2012
Track list :
1) Adopted Love Doll
2) Swing
3) Wrong Kind
4) Given Into Contrary
5) Dr. Daisy
6) Fuzz Minisery
7) Because It’s Hard
8) Stray
9) Real Folk
10) Modern Change
11) Shiver Of Sharks
12) Dear Old Friend
13) Two Quarters
14) Open Breast

Comments: I met half of Yankee Power in the year Two Thousand and Six. Mr. Tom Calvert (guitar/vocals) and Mr. CJ Kanouff (drums) were WHSTV production icons, legends. So, when I heard that these dudes were unleashing some jams, I had to see what all the fuss was about. Now, we are in the year Two Thousand and Twelve, and just recently I had the pleasure of meeting Mr. Jeff Gallagher (guitar/vocals), who is nothing but a straight shooter, a real charming man. I have yet to meet Mr. Mark Fallon (Bass/Vocals), but I am confident he is an upstanding gentlemen.
Okay now, I listen to a lot of music, way too much music. In fact, as I am writing this, my ears are splitting because I have been blasting tunes on my ipod and from my computer all day. I can’t live without it, and with this I have come to accept that I will be deaf before I’m fifty (hopefully, hopefully not thirty), but I’m optimistic that by that time technology will bring all sorts of fun gadgets to keep my musical intake flowin’. Working on this site, I certainly come across TONS of bands, but few are as diverse as Yankee Power. That’s not a stock line, that’s the truth.  Zoo Traffic is a colorful album filled with all sorts of styles, it constantly switches up its sound, yet maintains an overall distinct character, unique to Yankee Power.

The opener, “Adopted Love Doll,” (which is accompanied by a hilarious video that can be seen below) is a savage, powerhouse, quasi-heavy metal pop song that brings to mind everyone from Andrew W.K. to Alice In Chains (especially in some of the vocals) to many of the garage/party rock bands we champion on this site. Point being, ‘Love Doll’ is a fast rocker, guaranteed to get you headbanging and fist pumping or else you’ve sniffed too much glue and should perhaps stay at home next Saturday night. Definitely a contender for my new alarm clock; the song just has that let’s get up and go! motivational quality to it. I also can’t forget to mention the outstanding drum work of CJ Kanouff – simple, but the song’s driving force for sure.

The next number, “Swing,” is a dramatic change of pace in which the band slows things down a bit.  On “Swing,” we hear a much more folk/country oriented sound for the band, which appears frequently throughout this album. I truly appreciate the vocals of Jeff Gallagher, the dude has an amazing voice, but what I really dig is his range. Just like the band’s overall sound, Jeff’s vocals are never quite the same – track by track. He is able to scream and shout, like on the album opener, and yet on other songs, such as “Dear Old Friend,” his voice is soothing and soft, drawing comparisons to John Lennon and Paul Simon, at least to me.

But, Jeff isn’t the only top notch singer here. Often fellow guitarist Tom Calvert delivers some fantastic vocals as well. My favorite song with Tom’s lead vocals is the country fueled ballad, “Real Folk,” which I find equally humorous and sincere, and I mean that in the best possible way. It reminds me of Ween in this manner, which is awesome because Ween is incredible. Two great moments on Zoo Traffic include dual vocals from Jeff and Tom on “Wrong Kind” and “Stray.” In a sane world, the latter would be a top 40 hit. But, that’s whatever… music charts are silly and irrelevant. “Stray” is a beautiful pop song and one of the catchiest I’ve heard all year. Just further evidence of how powerful these songs really are. I must have listened to “Stray” at least forty or fifty times by now, maybe more (time I could have spent selecting the president and other political scum, completing homework assignments, wacking off [well, moreso anyway], among other wholesome activities.) But, NO! this song just hooked me in and won’t let me go.

Another cut that runs deep, so deep, so deep, puts her ass to sleep, is “Because It’s Hard,” sung by bassist Mark Fallon.  This ditty is a total stand out and is the unofficial Amish Anthem. Whenever I hear this, folksy, Celtic  Poguesian tune, I picture images of Amish men and women, and children smiling, laughing, working, and reflecting the light they have come to know. This year, I am blasting this song on repeat during Thanksgiving Dinner, just for the Amish. Amish Rock. Amish Core 2015, get on that bro.

I can’t recommend Yankee Power’s Zoo Traffic enough; I have had a real pleasure excessively listening to and reviewing this puppy. I can truly say this album opened up my tastebuds, which is a rare feat as some miscreants have noted in the past. This LP is definitely a twenty twelve gem and continues the trend I’ve noticed with other twenty twelve favorites of mine (Fat Creeps, The Barbaras, etc.) which is basically creating such strong songs that when you listen to the music it feels more like a greatest hits compilation than simply one album. My next mission in life is to see all the Yankee Power hits on the live stage! To quote the Sneaky Pinks, I can’t wait.

Check out their music here! http://theyankeepower.bandcamp.com/

New Vid: The Barbaras- “Day At The Shrine” Live @ Goner Fest 5


Are you guys as hysterical about the new Barbaras record as we are?! Check out this clip of the band performing “Day At The Shrine” at Goner Fest Five (2008) and definitely LISTEN to The Barbaras 2006-2008 (Goner) or you’re missing out, you poor soul.

Watch Hunx- “Let Me In” Live Super 8 Vid


Shot and edited by Sally Cinnamon. This is excellent live footage from last year’s Hairdresser Blues Tour, specifically from Hunx and His Punx’s show at the Silver Dollar (Toronto) on March 31, 2012- just two days before the Boston Great Scott show KLYAM attended! A review of that show can be read here: https://klyam.com/2012/04/04/concert-review-hunx-and-his-punx-great-scott-4212/

Black Lips 2012 Halloween Mix Tape/Interview @ ACL Fest

http://soundcloud.com/vicemusic/sets/black-lips-haloween-mixtape
Damn, that’s some spooky shit!


“Keep a dry lip and clean pecker”-Jared Swilley
Listen to the man kids, he knows what he’s talking about he worked with a Grammy award winning producer.

And here’s another one while we’re at it, in which Jared and Ian discuss their recent tour of the Middle East and their plans for the future “A few top tens.” http://www.youtube.com/watch?v=QB4uFTEyRqM

HAPPY HALLOWEEN!!! :)

Since, this is KLYAM, thee honoraries get first billing! Watch, these ghoulish, vintage vhs! vids of The Spooks (Black Lips ghost rock band) and the Black Lips themselves playing Candler Park on Halloween 2002! Damn, that was 6th grade for me.

Part II:


Part II: http://www.youtube.com/watch?v=T2Dfs1fwKEA&feature=relmfu

Alright, alright, and a couple of classics…

LP Review: Barbaras 2006-2008

Artist: The Barbaras
Release Date: October 30, 2012
Label: Goner
Track List:
1) Day At the Shrine
2) Heaven Hangs
3) Grief Touches Everyone
4) Topsy Turvy Magic
5) Superball
6) Only One
7) Breathing Underwater
8) Devour the Jungle Deer
9) Grey Eggs
10) Flow
11) Why Should I Love You?
12) Bluebirds
13) How Many Times
14) Summertime Road
15) Annual Botanical

Comments: Two years ago my ears had the pleasure of hearing both The Barbaras and The Magic Kids for the first time. The latter gained national attention/critical acclaim with the release of their debut LP Memphis, but sadly few have ever heard of the former. Which is a shame because the Magic Kids are basically the product of the Barbaras, at least that’s one way to look at it. In the time since then, I have often YouTube’d Barbaras songs and viddied thee old live clip or two. I fell in love with these songs, the few of them that were available, but I wanted more. Now in 2012, the Barbaras album I and so many other weirdo Memphis pop creeps have been anticipating has finally arrived. I honestly never thought I would see the day.

Okay, let’s get to the record itself. It’s beefed up that’s for sure. In my mind, I envision members Billy Hayes, Stephen Pope, Will McElroy, Bennett Foster, and Alex Gates hopping on stage with tremendous, roid induced muscles- like pro wrestlers.  That’s what this LP is- Barbaras beefed up. Anything you’ve heard before, it’s bigger – with the help of  producers Jay Reatard and Alicja Trout, I must add. And you can definitely see where Jay’s production style plays a role in this record.  Songs like “Day At The Shrine,” “Grief Touches Everyone,”  and “Devour the Jungle Deer” possess that fast paced, hard hitting drum quality. It’s honestly like hearing another Jay record at some moments. Oh and I should mention, for you sad folks that are unaware, Billy is the former drummer for Jay Reatard’s live backing band and former drummer for Wavves; Stephen is the former bassist for Jay live and current bassist for Wavves. These aren’t mere accomplishments for the resume, oh no, they are all intertwined.

On this record, you can hear the similarities in all three bands. In particular, in the eccentric songwriting of Billy Hayes. Tracks like “Grey Eggs” and “Why Should I Love You?” are reminiscent (for me as a listener) of Billy’s main songwriting contributions on Wavves’ King of the Beach (2010) – “Convertible Balloon” and “Baby Say Goodbye.” Billy creates his own world with these songs,  and I’m constantly reminded of old school Nintendo video games,  just lying around with a Nintendo in my room. In general, Billy’s vocals play a big role here, but he is certainly not the only one. Pretty much all the guys lay down some nasty vocals, and the singing is probably the highlight for me. This is where I best hear the Beach Boys/Phil Spector references everyone makes. Of course, you really can’t not listen to this and not walk away with those feelings. Specifically, some of my favorite moments are when the band unabashedly mimics a 60’s favorite. The very Beach Boys esque  “buh bub bub buh” in “Topsy Turvy Magic,” the girl group stylings of “Breathing Underwater,” the doo woppy vocals in “How Many Times,” or the epic, insanely layered, psychedelic Beatles 1967 ode “Annual Botanical” that closes the album.

So yeah, Barbaras are obviously heavily influenced by the music of the 60s, but they take this music and subvert it with their own bizarre, demented personalities, which is a key factor in why this band outshines most of their contemporaries. They are derivative, yet they carve out their own distinct character and in that way no one can say they sound like anyone else, past or present.