Defending The Orwells: I Remember When


As the first person to ever write about The Orwells, I have the overwhelming responsibility to defend them. From what, from who? Nevermind. When they were 15/16 years old, they were writing catchy rock ‘n roll. The production was what you would expect from some suburban kids in their basement. By this time, I was the biggest fan of the Black Lips and they were too. This was back in the days when some good bands would e-mail us (themselves), send some links, offer words of appreciation of what we were doing. A kinship. I thought these dudes were doing shit at a much higher level than their older peers and there was some video floating around of them playing a huge show in Chicago. They seemed big, but I figured they were too young to tour. And maybe they were because it took until 2013 for them to come through Boston.

I remember that show like it was yesterday. At the now dead TT The Bears with some local band called Nice Guys whose first 7″ we would later put out. The Orwells were shooting some pool in the back of the empty club and I come through and say “Yo dudes whassup, you know who I am?” Maybe a little cocky but most likely not. I say yo I wrote about you first. ‘OH shit, Kids Like You and Me?’ Yeah dudes. Lamenting about not being able to drink — a few years away — the Chicago White Sox, and groupies? “Nah dude, not at all” – Mario. They had fresh stacks of Remember When at the merch table, though this record was old news to me, as it had a much lower key self-release (like their first two albums). So when the press narratives say that this Terrible Human Beings is their third studio album, that is not a lie, but it terribly deceives the public, those individuals who might like the hot and dirty material known as THE EARLY DAYS. Put them in their parents musty basement or put them in a studio with the guy who produced the Arctic Monkeys – I’m not really sure it makes a difference. They’ve always been a cleaner outlet to weenies or rational thinkers who think The Strokes were garage-punk. I give ’em shit for not knowing the Oblivians. But as I noticed a few years ago, these five weren’t back from the Grave like The Count Five or any nefarious ‘teen punkers’ but they are not some borderline pop punk, Melodic generics, either. And it is funny that they always seem to play with not exciting, ROCK acts.

On Terrible Human Beings, the best way I can put it is they are still Being The Orwells. They are not Trying To Be The Orwells, which is never a good look, something that usually comes from the creativity lacking depths of veteran bands. From a lot of bands, I usually think it is pretty shitty when they say they are evolving. Forced and gross. But yeah with these guys, they seem to still be coasting, and not changing their innate formula for catchy songs. It is humorous how hot spot, big time get-paid-to-write-about-bands publications make a big deal out of shit like the D chord, precision drumming, floaty bass. Draw conclusions and frame things. I don’t have to worry about The Orwells not delivering. They give a decent amount of material for the music journalists of the world – to talk bout their small forays into Indie Rock and Psychedelia. And they do, it’s no lie. They are a fun listen for tweenies and that older gentleman who comments on every of their YouTube video. How you connect or do not connect is up to you. Research the past or stay locked in the 2017 stuff. Both maybe. They fulfilled their dreams of sharing a bill with the Black Lips and now they are going to consistently sell out The Sinclair. Props my dudes.

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