11/01/2011 Leave a comment
Black Keys – “Lonely Boy” – Not the first “Lonely Boy” (King Khan & BBQ Show, among recent others, had one), but we’ve certainly have one heck of a memorable tune here. From the guitar riffs to steady drum beat down to the catchy synthesizer, this might be the most intriguing pop-rock song I’ve heard in a few years. I doubt it will make itself to Top 40 airwaves (with its definitive rock and roll edge…damn ‘electro-rock’ these days), but it certainly should keep fans — devout and marginal (like myself) — happy.
Ty Segall - “Spiders” – This is a song that surely makes noisy sound quiet. In an interview with Prefix earlier this year, Ty said he wanted to do a noise rock record. Whether this is literally the noise rock 7″ that he was hinting at or whether it’s a piece of a larger puzzle is something I guess we’ll have to figure out later.
Thee Oh Sees - “The Dream” – Like a whole bunch of Oh Sees songs, this one keeps you on your toes. It’s a classic mix of throwback pop and distortion. The great thing about Thee Oh Sees and just mentioned understudy Segall is how well they engage listeners throughout the course of a song. Thee Oh Sees tend to go the long route, Segall prefers the short. Random screams here, random guitar clinging there, EXPLOSIVE finish; it’s all awesome. Random to only me and you…maybe.
Bad Sports - “Just Can’t Be Friends” – A nice power-pop/punker that will tickle your fancy if you’ve been digging fellow current Dirtnap bands like White Wires and Steve Adamyk Band and older stuff like Exploding Hearts. Simple and catchy. Typically, just how I like it.
The Energy - “Thinking Cameras” – Not as fast as ‘hardcore punk’, but it punches just as hard as that form of music. This is in your face punk rock. You better wear protective covering because the raw energy (pun sort of intended) on display here might just melt your clothes.
No Pilot - “Energy On” – This is a highly dancey noise/electronic offering coming via one-man band in France. With several layers of effect laden guitars and natural hand-claps as percussion, it’s easy to get lost in the music. That’s exactly what makes it so impressionable.