Classic Film Review: American: The Bill Hicks Story

07/23/2011 by Leave a Comment

Full Title: American: The Bill Hicks Story
Director(s): Matt Harlock and Paul Thomas
Year: 2009
Comments: Bill Hicks has been my personal hero since I was young enough to act out Goat Boy and it wasn’t sketchy. Well, that’s not true, Goat Boy was always sketchy. But, horniness aside, American does an amazing job of recreating Bill’s world for all of his fans to appreciate every nuance that made Bill Bill. Using a cut and paste style of animation (really something I and several other viewers have never seen before), the movie literally recreates the special events of Bill’s life. The whole documentary is actual stills of the people, places, and perceptions that mattered the most to Bill. Over these images we hear the voices of the characters that shaped our hero’s story the greatest. Everyone from best friend/music and film collaborator Kevin Booth to Bill’s mother the proper, sweet Mary Hicks. I think that’s what separates this documentary from others; the fact that it is so personal, with all the interviews coming from people who knew Bill very personally, instead of just random celebrities. Despite the caustic, dark, and savage comedy of Mr. Hicks, with this film we see Bill’s true vision to its greatest potential, we realize how amazing and unique Bill was (like we didn’t already?). This film and the people in it articulate Bill’s message of love, laughter, and the truth in some ways better than he ever did. This is a rather affectionate documentary and honestly, as a fan, I couldn’t ask for more. I’m so glad to see the “Dark Poet” get so much respect and admiration. At the end of the day, while I totally enjoyed this feature, very little of it was new to me, but that’s not so much a flaw of the film, but more of a case of my excessive fandom. I’d seriously recommend this to fans and non-fans alike, but for die-hards, I’d say from my experience Kevin Booth’s autobiography, Agent of Evolution (2004) is the most detailed account of Bill’s life. In general, watch and/or listen to Bill’s comedy itself- it’s life altering, life affiriming, and best of all just plain fucking hilarious.

In the spirit of Bill.

Grade: 9/10

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Mini Classic Film Reviews: True Romance…

06/17/2011 by Leave a Comment

Full Title: True Romance
Director: Tony Scott
Year: 1993
Comments: First up is Tony Scott’s classic True Romance. TR is a film geek’s film. And whadya know, the geekiest film geek wrote the screenplay: none other than Quentin Tarantino! This is one of Tarantino’s earliest screenplays and one of his finest. His didja get it? nerdy comic book, obscure Kung- Fu flick references are splattered all over this drug/crime thriller. In brief, the story concerns a quirky, young couple- an ex call girl, Alabama (Patricia Arquette) and a comic book store owner, Clarence (Christian Slater) in a fast paced race to sell a shit ton of uncut cocaine following the murder of bama’s psychotic, off kilter, wigga gangsta (Gary Oldman), the rightful owner of the blow. Now, his men are after the dynamic duo and hellbent on reclaiming their narcotics. I’m not going to lie this movie isn’t flawless and often I wonder what would a Taratino directed version be like. For sure, Scott’s direction is vastly different from anything we’ve seen from Quentin and this definitely makes TR appear to be more like your average action flick… but it’s not. Not at all. It’s not the strongest crime film, but it is a fun ride with elements of comedy, drama, and even “CSI” esque televison. I don’t know if that’s just me, but I get those vibes, I often feel like I’m watching a high quality television program. Certainly, the star here is the screenplay, from the first few moments anyone even slightly familar with Tarantino’s style can identify that these are his menacing words. Though let’s not forget the many sound performances here; there is an all star cast that includes Dennis Hopper, Christopher Walken, James Gandolfini, Samuel L. Jackson in a hilarious cameo, Chris Penn, Bronson Pinchot, and Brad Pitt as a pleasant stoner almost of the Hurricanes of Love variety my heavenly brothers. And yes the action is exquisite, very fun, very badass, I think most action fans will dig it and will be able to easily digest thee other more intelligent matter floating in between all the blood and bullets. Don’t worry fuckheads, this is pure high quality action, not too much to think about, but not D U M B dumb either. By the way, the exchange between Christopher Walken and Dennis Hopper (link below)  is one of my all time favorite pieces of dialogue and appears to be quite popular amongst cult film fanatics. That’s one thing I will say about this movie that stands out, the individual scenes. Several of the scenes themselves I enjoy more than the whole feature. Don’t get me wrong it is a very good film and there’s a feeling completion when the credits roll, but overall I’d say I prefer some of the scenes as opposed to the whole cinematic experience. To wrap things up I hope people really do check out this cult classic because it seems like no one has seen it and that’s a damn shame!

Grade: 8/10

http://www.youtube.com/watch?v=tqccyUpnZwA

Full Title: Blue Velvet
Director: David Lynch
Year: 1986
Comments: Ahh another Dennis Hopper film. Dennis Hopper don’t let him mark ya, it’s so much darker don’t let him touch ya. Don’t fill a KLYAMer up with dread.  Okay, if you don’t know the song “Spidey’s Curse” by the Black Lips then you must be saying WTF?! to yourself, and more imporantly you are a fool! You deserve the ambiguity. But, enough of that for now. Let’s talk about David Lynch’s masterpiece. For twenty-five years now people have dissected the shit out of this picture and with great reason. Lynch sets you up with the wonderful, colorful, suburban, American Dream in the form of the town Lumberton, only to rip the heart out of that idyllic image and flush it down the toilet. Lynch offers us a view of a world most of us have never been close to and pray that stays the same. We see that beneath the pleaseant, peaceful town of Luberton lies a seedy world of gangs, hardcore drugs, and rape. Enter the movie’s villian and one of my favorite characters in all of film, the nitrous inhalin madman, Frank Booth (Dennis Hopper). Lynch mixes campy comedy with extremely distubring imagery of the gothic tradition and the result is one of the 80s’ greatest films.

Grade: 9/10

http://www.youtube.com/watch?v=-CSoWg3nBeU- Roy Orbison- “In Dreams” scene


E-I-E-I-OMG, California, this is your Governor, excuse me, Governator.

Full Title: Kindergarten Cop
Director: Ivan Reitman
Year: 1990
Comments: Okay, this is clearly not a good movie in the traditional sense, but I loved it as a kid and I still enjoy watching it now. I think it is silly to slap a grade on this kind of movie, but I have to say for what it is worth the story is decent and it mixes the action, comedy, (cop)drama, and kids/family entertainment genres fairly well.

Grade: N/A

And check out this video!

http://youtu.be/F8AJdfzCw3U

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Classic Film Review: 1981

06/11/2011 by Leave a Comment

Full Title: 1981
Director: Ricardo Trogi
Year: 2009
Comments: This film is truly delightful, a word I rarely use to describe a film. The movie is a semi-autobiographical account of Ricardo Trogi’s family life as Italian immigrants in Quebec in 1981. The plot takes place when Trogi is twelve years old and therefore the film itself is (brilliantly) seen through the eyes of a twelve year old. Though this flick deals with several serious issues such as immigration and the resulting prejudices that come with it, it is overall a light hearted, amusing work, and as I said earlier, delightful. Trogi uses 1981 as a character; the young Ricardo Trogi needs to keep up with the fast paced times and all the new gagets and hoodwinks (stylish jackets, trapper keepers, video games, etc) and what have you that every cool twelve year old must have or they ain’t shit. Since, Ricardo is the new kid with a funny accent, it makes all of these “necessities” all the more important and in fact, it would be the end of the world if he didn’t have them. The adult Trogi, the filmmaker, uses these humorous adolescent anecdotes to highlight the more serious, social perils, anxieties, if you will, of being working class and not being able to afford everything everyone else (seemingly) around you has. Ultimately, being happy. Over the course of the film the boy grows up…. a little and he learns that at the end of the day, sometimes the world is just a phony place.

Grade: 7/10

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Classic Film Review: Away We Go

04/20/2011 by Leave a Comment

Full Title: Away We Go

Director: Sam Mendes

Year: 2009

Comments: Sam Mendes blew my mind before with the 90s classic American Beauty and though this film does not live up to that fine piece of cinema, it is without a doubt a smart film worthy of praise.  Away We Go centers around two thirty-somethings about to bring a baby into the world, uncertain of where they should raise their newborn; the couple spends the rest of the film scouting for new locations for their future family life. On the way, they encounter various, amusing, often bizarre characters that either promote or deter their search, usually the latter. This most definitley keeps the film interesting and entertaining, it is always moving forwards and doesn’t linger on irrelevent details like most movies do. At the same time, despite the sharp writing and direction of AWG, I can’t say I love this film and I have to admit, I find nothng about this moive particularly memorable. In terms of quality, it is without a doubt above average, bettet than most hip, “indie” flicks, the acting, the screenplay, plot, etc. is decent. But, for me there really isn’t much to make this feature stand out from the next “big thing.” I feel like this movie tries to be both Garden State and Juno, but lacks the sentiment and the joy of both, respectively. All in all, a good film, but not in the league of the best of the “indie” films of the Double Ohhs.

Grade: 7/10

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Classic Film Review: Faat Kiné

03/19/2011 by Leave a Comment

Full Title: Faat Kiné
Director: Ousmane Sembène
Year: 2000
Comments: Faat Kiné is a Senegalese woman, who runs a successful gas station- a rare feat in the male dominated, oppressive world of Senegal. Kiné’s character is seen as a heroine in her community, having suffered and struggled most of her life to give her kids (whom she had out of wedlock) the education and privileged life she never had. One of the film’s main themes is the repudiation of the old generation. The movie makes itself clear that the former traditions of Senegal are slowly dissipating. As a whole, I thought this message was communicated well and I would say for a movie, this is informative in terms of learning about Senegalese culture. With that being said, it was overall pretty average and did not floor me in any way. There is enough to be appreciated, but not enough for it to stand out as anything of significance. Some parts were mildly amusing, some things were shocking, but the running time without a doubt could have been trimmed, much like most American films. If you read this site’s film reviews, you know we don’t really cover too much foreign material (for no particular reason other than not coming across them and/or not making any effort to come across them either), but I don’t feel like my lack of enthusiasm for this feature has anything to do with a language/culture barrier; I treated this review like any other one. All in all, I would only recommend this to someone that wants to learn about Senegal (and/or how it has changed in somewhat recent years) via entertainment.
Grade: 4/10

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Classic DVD Review: Dinosaur Jr Live in the Middle East

01/16/2011 by Leave a Comment

Full Title: Dinosaur Jr: Live in the Middle East
Director: Philipp Virus
Artists: Dinosaur Jr: J Mascis- Vocals, Guitar. Lou Barlow- Vocals, Bass. Murph- Drums
Year: Filmed in 2005, released in 2006
Set List:
1) Gargoyle
2) Kracked
3) Bulbs of Passion
4) Little Furry Things
5) Lose
6) Forget the Swan
7) The Post
8) Budge
9) The Lung
10) The Wagon
11) Raisans
12) Sludgefeast
13) Mountain Man
14) Chunks
15) In a Jar
16) Repulsion
17) Just Like Heaven

Comments: I’ve seen Dinosaur Jr live and without a doubt they are a tour de force, one of the most powerful live bands in the world. This concert in particular is special for two reasons: 1) It was not too long after their reunion, sixteen years after the demise of the original line up. 2) This concert is shot at the Middle East in Cambridge, MA (for the most part) the home state of Dinosaur. The venue is a small, comfy place and gives the band/DVD a certain character. It makes the performance feel homey and intimate. Typically, most Concert DVDs you see feel the total opposite. Since, the Middle East is my favorite venue, I also felt a greater connection and it seemed like Dinosaur was right at home. Overall, I enjoyed the performance and the band were incredible as usual, playing mostly 80s, You’re Living All Over Me (1987) material, which naturally added its own vibes and made the concert/DVD feel all the more like the good old times of the original Dinosaur years. With that being said, the band really carries this DVD. In other words, the DVD offers very little beyond filming the band and a few crowd shots, not much more. It is akin to a youtube video and for me this is surely not enough. In terms of bonus features, we have some treats: interviews with Thurston Moore, Kim Gordan, Steve Albini, Mike Watt, Mat Dillon, and others. They provide great insight and clear appreaciaton for the group. Here, we also see the lack of dedication for this DVD, for the footage itself is given little treatment and poor audio/lightning, but once again the content saves the viewer from running away. We also see a few performances from the band and a radio station performance/interview, which are decent.

Grade: 7/10- Great band, great show, but not a great DVD per se. Still if you’re a big fan I’d recommend it, I will watch it and enjoy it over and over again, because I’m just one of those kinda guys.

Filed under Art, Film Review, Music, pictures, Punk, reviews, Video Tagged with , , , ,

Film Review: The Fighter

01/12/2011 by Leave a Comment

Full Title: The Fighter
Year: 2010
Director: Davd O. Russell
Comments: From the very first shot of Marky Mark (“Irish” Micky Ward) and Christian Bale (Dicky Eklund) in a private, documentary, interview I had a feeling I was in for something special. Which, in retrospect seems retarded, but I just had the feeling and it turns out my gut was right. Since the film was set in Lowell it was nice being able to recognize the scenery and really makes the city a character. Overall, I enjoyed this film very much, much more than most movies I see, for two main reasons: 1) It’s heart. It sounds cliched, a boxing movie with heart, but the emotion here is real. It feels real. When Dicky reaches his worst bouts as a crackhead it’s more than painful to watch. I don’t want to give away too much, but in one particular scene we watch Dicky and his family as they watch a documentary about Dicky on what it is like to truly be addicted to crack. This is easily the most chilling part of the film. Which goes into my second point. 2) The flawless acting of Christian Bale. Bale is not himself. He is 100% Dicky, it’s scary how well he plays the part. In many ways he is the film, or at least its backbone, but considering this is supposed to be a biopic on Micky Ward, Walhberg’s character that takes this flick down a few notches. Walhberg and the crew do a decent job, but they pale next to Bale; his performance criticizes everyone else’s acting. I’d be suprised if he didn’t win the acamedy award for Best Supporting Actor or at least the nomination. With that being said, it’s just not the Dicky situation lol, it’s also the film’s structure itself. It tries too hard to do too many things. In other words, it should stick to emulating Raging Bull (1980) or emulating Rocky (1976), neither of which it comes close to. At some points it seems like they are tossing a love story at us, but this storyline is never quite pursued. And most significantly, the character of Micky isn’t developed enough for me to really care as much about him as say Dicky, whom I’m far more concerned with. Considering this is the main character in the film this should be noted. With all of these shortcomings one might think The Fighter
is a bad film… no way! Far from it. This movie is better and more entertaining than most flicks you will see at the show and I’d go as far as to say this is probably one of the better films of twenty ten, certainly amongst the best I’ve seen. So, in spite of it’s somewhat shambling screenplay, I really enjoyed this film and I highly recommend it. All in all, not an “excellent” film, but an above average film filled with some moments/scenes of excellence. I’ve heard some reviewers say the film should have been about Dicky instead of Micky, after reflecting on the movie myself, I share the same sentiment.

Grade: 8/10

Here is the link for High On Crack Street: Lost Lives in Lowell, the actual documentary on Dicky Eklund and crack addiction in Lowell, MA. http://www.snagfilms.com/films/title/high_on_crack_street_lost_lives_in_lowell/

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Classic Film Review: Punch Drunk Love

01/03/2011 by 2 Comments

Full Title: Punch Drunk Love
Director: Paul Thomas Anderson
Year: 2002
Comments: Ever since I was a little kid I have been a fan of Adam Sandler as a comedian, but after watching this film I have gained more respect/appreciation for him than ever before. For years people told me to see this film and I put it off for whatever reasons (now, I’m kicking myself in the teeth for waiting so long!). I have seen Sandler in “serious” roles in Reign Over Me (2007) and Funny People (2009), but neither of these films convinced me that Sandler was (or could be) a terrific actor. PDL has done just that for me and so much more. Firstly, the story tells the tale of Barry Egan (Sandler), a businessman that suffers from severe social issues and has yet to make any real connection with anyone in his life, particularly a romantic relationship, which he clearly desires. Soon, he finds his sister hooking him up with a sweet friend from her work, Lena (Emily Watson), whom oddly takes a liking to Barry (and vice versa) and attempts to understand his peculiar, little world. Now, it is time for the timid, introverted Barry to obliterate his defense mechanisms and for once actually live his life. All in all, this is a top notch flick, Paul Thomas Anderson is a master raconteur: the story is slow, but purposefully slow, if that makes any sense. It revels in its characters, letting them develop, so when they finally ACT it is all the more meaninful. Also, the music is incredible and nicely complements what is happening on screen. We hear a loud, pounding score that perfectly corresponds to the mayhem occuring in the paranoid, disturbed brain of Barry’s. Without a doubt, one of the finest films of the last decade. I plan on revisiting this in the future.

Grade: A- (9/10)

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Chris’s Top Films of Twenty Ten

12/28/2010 by 4 Comments

So, I’m back with another list of my “Tops of Twenty Ten.” This time it is films. It should be known up front, I have only seen a few films released this year and by no means am an authority on what “The best” films of 2010 are. This is simply a list of my favorites from this year and I do think they are each unique in their own little way. Here we go!

5) Machete:

Director(s) : Ethan Maniquis and Robert Rodriguez
Comments: This is vintage Rodriguez here. Nothing more than campy, B-Movie, exploitation fun! Boobs, bullets, and buckets of blood make this the greatest action flick all year.
Grade: 7/10

4) Trash Humpers:

Director: Harmony Korine
Comments: Okay, I’m cheating a bit here, because this is a film from last year, but it is still garnering attention and being screened this year and I just saw it a month ago, and above all this is my list! so, it will stay. In any case, old Harmful is back with another unique, shocking, and arguably groundbreaking film. At its best it conveys a haunting beauty and at its worst it looks just like a snuff film. Either way, I find it impossible to not have some sort of emotional reaction. In the end, the trash humpers are us, they just have the courage and freedom to fuck in public.
Grade: 8/10

3) Toy Story 3:

Director: Lee Unkrich
Comments: Wow what a list! To go from Trash Humpers to Toy Story 3! Anyway, I rarely develop an emotional connection with kids or animated films, but I can honestly say the Toy Story series is an exception. I had a feeling this would be at least decent, but I was surprised at how exceptional it really was for a third installemnt. Without a doubt, the Toy Story saga is one of the best trilogies in all of cinema. I seriously hope they don’t make a sequel, with this film the story feels complete.
Grade: 8/10

2) Shutter Island:

Director: Martin Scorcesse
Comments: Scorcesse brings us another suspenseful, character driven film. The performances here are near flawless, as I said in my review earlier this year, oscar nominations and wins for that matter are well deserved for at least two or three actors. Shutter isn’t one of Scorcesse’s best, but a second rate Scorcesse film is a first rate Hollywood creation and an excellent time at the movies. WAYYY BETTER THAN INCEPTION! There I said it.
Grade: 8/10

Note: 2 and 3 are basically interchangable.

1) The Social Network:

Director: David Fincher
Comments: Wow, I’m still feeling the residual effects of this film’s awesomeness. I acutally went to the theater twice to see this, which I almost never do. Of all the great features of this film, chiefly the screenplay reigns supreme. This is a dialogue drenched work of art, in fact most of the movie is simply people talking and yet it’s one of the most entertaining films I have ever seen. Definitely one of David Fincher’s finest and one cannot forget Trent Reznor’s terrific soundtrack. With no hyperbole, I concur to the claim that this is a generation defining film. How can it not be?
Grade: 9/10

Just For Fun, here is a list of the top five films I saw for the first time this year though they are not “new” releases.

1) Gummo (Harmony Korine)- 1997
2) Welcome to the Dollhouse (Todd Solondz)- 1996
3) Over the Edge (Jonathan Kaplan)- 1979
4) Platoon (Oliver Stone)- 1986
5) From Dusk Till Dawn (Robert Rodriguez)- 1996

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Film Review: Trash Humpers

12/27/2010 by Leave a Comment

Full Title: Trash Humpers
Director: Harmony Korine
Year: 2009
Comments: Humping. Shagging. Forincating. Fucking. Whatever you wish to call it; it is a perpetual aspect of our American lifestyle. Trash: our ubiquitous used condom, the leftover, the thrown away, the skeleton of us. What happens when these two social phenomenas meet? The latest work of director, Harmful Korine. Being a massive fan of Korine’s first motion picture, Gummo (1997) I greatly anticipated seeing this film, in fact this was arguably the highest anticpated film for me in ages and certainly of this year. Having missed out on the various screenings of Trash from the past two years I put forth a valiant effort to order it from Amazon (it has been banned from Netflix!) and after a lengthy process it finally arrived. Quietly, I locked myself in my room and zoned out for a good hour and half (or whatever the running time is). As viewers we are presented with an “artifact,” as Korine has called it, this found footage, old school, raw, analog, VHS looking piece of work. And yes, right from the beginning, we watch thee miscreants hump trash like there’s no tomorrow. With no real dialogue or explanation we see non-linear scene after scene of the trio’s pastime, which include, but are certainly not limited to partying, setting off firecrackers, coercing their “slaves” to eat certain things and entertain for them, and of course murder. Of course. As can be expected with old Harmful’s cinematic experimentations, convential movie standards are obliterated and when we get any sense of insight about who these people are what their story is, this insight is severed. The film is completely chaotic, but amidst this bedlam, real emotion is communicated. As wildy and wacky as Trash can be, Korine manages to connect with his audience and even feel for the savage stars on screen with a unique finesse, unmatched in the undeground or aboveground film circuit. I honestly don’t know what it is sometimes. I mean, don’t get me wrong, Korine is clearly talented, but I feel like in someone else’s hands, I would view this as, well nothing more than trash. But, instead he takes the lowest of the low and transforms this filth fest into a genuine artistic expression, albeit a harsh, relentless, visual and audio assault on the viewer. This is extreme, fringe cinema; out of all the found footage films I have seen, this one has struck me the hardest. It looks very real (though it is totally ficticious) and never lets up. Not once does it feel like a film… ehhh, one or two exceptions, but I don’t want to delve into those scenes in this review. I will say, I am hesitant to call it a masterpiece, just yet, but it is an original, challenging, piece of art that is easily one of the most thought provoking films I have ever seen. With comparison to other Korine films, let me say I don not enjoy this nearly as much as Gummo. I found that to be far more entertaining and I loved the way it swtiched things up constantly, with never a dull moment, even mixing the conventional with the unconventional. Now, I do prefer Trash over Mister Lonely (2007), Korine’s last film, which moved closer in the direction of a more mainstream/conventional film. Trash is akin to Harmful returning to his old form, so I’m glad about that. With that being said, at times I feel a bit bored, or like the film has run its course. This only happens a few times, but that’s enough to note. The film simply lacks the constant barrage of lurid images that Gummo contains. Don’t misconstrue me, it has a plethora of nasty, shocking, and definitely impressionable images, but not consistent enough for my taste. I feel like the film’s length could use a little truncating. But, it really doesn’t matter what I think, Korine made his film, the Great American Movie. If you are intrigued by the art of trash humping, I recommend it.

Grade: To slap a letter grade on this is kind of pointless, considering the criteria I usually require for films, by and large, cannot be applied here. So, I will judge it on an emotional level (and it certainly is filled with emotion- the last fifteen minutes is one of the most unsettling scenes/endings my eyes have ever witnessed). In the words of Anthony Fantano, I am going to give this a strong 7 to light 8, probably leaning more towards 8.

“I TOLD YOU I’D KILL IT!” For one of the KLYAMers, this is one of the best scenes in all of film. I agree it is great and it is definitely one of the funniest/most disturbing scenes in the the feature and perhaps of all time for that matter.

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