“A Decade of Debauchery: Die Slaughterhaus Hits the Double Digits”


Old King Cole YOUNGER!-  Photo by  Adam Bruneau. JHONI JACKSON’s archives: features, reviews and more

This is a year old, but I just found this to be far too informative and fun not to share it with you punk slimers out there. Here’s a great article by Jhoni Jackson about the Die Slaughterhaus’s tenth anniversery. The Die Slaughterhaus was a house venue turned label that began in 2001 in Atlanta, GA, showcasing the likes of some of the greatest rock and rollers of our generation in the form of the Black Lips, Deerhunter, the Carbonas, and more. This article/interview focuses mostly on the role of label head, Mark Naumann and how his particpation in this moment in time helped paved the way for similar artists/labels/venues in the Atlanta punk music scene(s) and beyond. Here’s the article: http://jhonijackson.blogspot.com/2011/07/feature-decade-of-debauchery-die.html

Birthdays: Bradford and Frank! (5/15/12)

Tuesday, May 15, 2012. A glorious day. A day we get to celebrate the lives of two heavenly brothers.

Bradford Cox

Happy 30th Birthday Bradford!

Frank Hurricane

Happy 25th Birthday tru gangsta!

Flashback: Bradford Cox Interviews No Age & Dan Deacon CMJ 2007

I love this video for a number of reasons. Firstly, I love Deerhunter and No Age (Dan’s a cool cat too!), but there’s more to this video then most other random Deerhunter, No Age you tube videos. Notice the time period: October 2007. Both artists are on the rise, just beginning to feel the “hype,” that is thrusted upon them. Deerhunter by this point has experienced some of it, but this is probably new to No Age. Bradford is an old friend of the band, I believe Deerhunter even played shows or possibly toured with Dean and Randy in their Wives days. Yes? No? So, that for me is notable. It’s not just one “indie” rocker to another, these dudes are friends. I also love Bradford’s interviewing style, he’s equally humorous and informative.

“Will you put that shirt aside for me. Charge it to MTV.” Haha! I’d do the same.

It looks like it was a great show at the Bowery Ballroom (NYC), where we saw the Black Lips and Night Beats last July. I really love the little segment toward the end in which Bradford writes a letter to No Age. “When the sun sets on the 21st Century the feedback and delay patterns our bands are creating will have decayed into a barely audible hiss… I hope the best for you and will miss you on the coming storm of hype that will surely ensue.” This is fascinating considering that is exactly what happens for both bands. But, really No Age stays as the same No Age and Deerhunter is just as rad, actually no better! Lastly, I think it’s good to note the fact that they are played the extended version of “Calvary Scars” here, which would not be released for another year on Weird Era Cont. (2008)
P.S. Dean looking good in that Mika Miko shirt!

SOTD: The Duprees- “You Belong To Me” (1958)

This is a classic that has unforntuntely slipped through the cracks over the years. This song was brought to my attention by none other than Atlas Sound aka Bradford Cox, through his own cover version. If radio stations really played classic rock, then songs like this would be on it, at least through my perspective. Instead Classic (Corporate!) Rock stations play the likes of Guns N Roses and Foreigner or whatever the fuck they are calling classic rock these days. Then again they play some solid stuff too, but it’s not the same, it’s not the same rock and roll as this. Oh well, at least we have each other. Enjoy.

P.S. below is the Atlas Sound cover from the Altitude Sickness EP.
http://www.youtube.com/watch?v=eUwYMznTFQM

“Atlas Sound’s Bradford Cox Encounters His Younger Self at Bimbo’s”

http://blogs.sfweekly.com/shookdown/2012/02/live_review_22512_atlas_sounds.php

Above is a link to one of the best live reviews I have read in a while and I am extremely grateful I stumbled upon it. The blog is called SF Weekly and with his review of Atlas Sound @ Bimbo’s 365 Club in San Francisco on February 25, writer Nathan Mattise has documented a great rock and roll moment between Bradford Cox and a thirteen year old fan in the audience (CLICK TO WATCH):
“There’s an extended break after “My Angel Is Broken” as Cox waits for his acoustic to be restrung. Someone shouts, “We want to live, Bradford!” He responds, telling us playfully he’s not here to hurt us while strumming softly. “I won’t hurt you. I won’t hurt you…

“Anyone know that one?”

I sure as hell didn’t; assumed it was a made-up riff with some jokey lyrics. But someone in front of the stage quietly responded with exactly what Cox was looking for. Not only the correct band — The West Coast Experimental Pop Art Band, by the way — but from the absolute right place: a thin 13-year-old boy with shaggy brown hair and a nondescript hoodie. Cox initially offered his mystery responder the beer from his lips before pausing when he finally saw him.

“How old are you?”
“Thirteen.”

He later called what happened next “a transcendental fucking journey.” Cox invited the boy on stage to play maracas as a more parental-guardian-friendly prize, but stopped in his tracks immediately when the kid hit the stage. Fuck. The boy stood there awkwardly, Cox paced around frantically covering his mouth. “Can’t you see it? I saw that face everyday when I brushed my teeth.”

Bradford Cox had just met Bradford Cox, the spitting image of his 13-year-old self at least, in front of a live audience. No matter that when his guitar was properly restrung, we weren’t getting another song quickly.

This moment lasted 20 minutes. During this exchange, the boy forever became Matt Doppelgänger to those in attendance. Cox spent several seconds simply searching for words to describe what he was experiencing. Ultimately, he sat Matt down and offered life advice both genuine (“Spend more time with your parents”) and slightly less than (“Avoid heterosexuals”). There was a hug; there were awkward jokes about masturbating. When Matt Doppelgänger said he knew the song because he saw Thee Oh Sees cover it, Cox flipped. Naturally, he too knew it because Cox saw Stereolab cover it when he was 13. Eventually, the two regrouped to finish the night with a duet of “Terra Incognita,” with Doppelgänger instructed to guest on percussion “whenever it feels right.” It was genuinely moving.”

Wow, if you’re 13 and you listen to Atlas Sound and Thee Oh Sees, you are the coolest kid on the planet! Way to go Matt, way to go Bradford.

Atlas Sound will be hitting up the Paradise Rock Club on Thursday, March 8. Can’t wait!

*SHOW ALERT* ATLAS SOUND @ PARADISE!

That’s right folks, the one and only Bradford Cox aka Atlas Sound is making a stop at Boston’s Paradise Rock Club on Thursday March 8! Just like Smith Westerns, who I will be seeing this Sunday, Atlas Sound is one of the top current artists that I am dying to see live. Pitchfork just released the tour information today:

02-04 Binghamton, NY – Underground Coffeehouse at Binghamton University
02-19 Tokyo, Japan – Hostess Club Weekender
02-24 Los Angeles, CA – Eagle Rock Centre for the Arts
02-25 San Francisco, CA – Bimbo’s 365 Club
02-28 Seattle, WA – Neumo’s
02-29 Vancouver, British Columbia – Biltmore Cabaret
03-02 Minneapolis, MN – Cedar Cultural Center
03-04 Cleveland Heights, OH – Grog Shop
03-06 Toronto, Ontario – Lee’s Palace
03-07 Montreal, Quebec – Cabaret
03-08 Boston, MA – Paradise Great way to end the tour!

http://pitchfork.com/news/45251-atlas-sound-announces-tour/

Here’s a live video I recently viewed of my favorite Atlas Sound song, “Artificial Snow.”  I know I’m a little behind and I’m sure Christmas is the last thing on everyone’s mind, but nonetheless this is a great performance from Bradford.

 

Quote of the Day: Moses on Pete and Pete

“I’m not sure if it’s nostalgia or if it’s actually good—I’ll go out on a limb and say it’s good. I love it.”*- Moses Archuleta, drummer for Deerhunter on “The Adventures of Pete and Pete,” but inadvertantly explaining how I feel about the 90s in general.


Indeed it was a great show and I love it too!

* This quote is taken from L.A. Record’s interview with Moses/Deerhunter. Here’s a link: http://larecord.com/interviews/2007/04/12/deerhunter-there-was-noise-and-it-was-cool

Best of 2011- Chris’s Favorite Albums

10) Girls- Father, Son, Holy Ghost (True Panther Sounds): This is undeniably the most ambitious album on this list, probably one of the most ambitious pop records of the year, and I would say definitely the most ambitious sophomore effort I have heard in a long time. Album (2009) was/is one of my favorite records and this LP definitely shares a similar sense of outstanding pop features. With that being said, I do not love this album and in fact I think it is a bit too epic, too diverse, too much. At least for my taste, I am sure there are plenty of people out there that will love every second of it. I really enjoyed this record, but more imporantly I have a lot of respect for the band for making it. Girls really pushed themselves, exploring all sorts of areas of the music world; it really feels like a gigantic, classic rock record, especially with tracks like “Vomit.” If you have heard this, you know what I mean, when it explodes into the “looking for loveee” part(s) of the song. Good stuff. I would have prefered shorter songs, but that’s alright, this list is supposed to be devoted to praise anyway, so nevermind me. “Honey Bunny” is an essential, fucking amazing pop ballad.

9) Fat History Month- Fucking Despair (Sophomore Lounge): Fat History Month is representing Boston (KLYAM’s hometown) and the Boston underground on this list, and if you don’t know anything about any bands from this area, then Fat History Month is an excellent place to start. I myself only know some bands, but FHM is the cream of the crop and Fucking Despair showcases everything that is awesome about this duo. It is often hard to describe their music and it seems like everyone comes up with their own little, weird interpretations, so I’ll leave it up to you, because I have faith in you. “Old Lady Smokers” and “Things I Enjoy” are constantly racing around my psyche, seriously these suckers are having fun being stuck in my head. They are short, but sweet, you just want them to never end, kind of like an orgasm. So, yeah it’s a musical orgasm.

8) Atlas Sound- Parallax (4AD): Bradford Cox is the best songwriter of our generation, at least in my book. Parallax is a great pop record, not the best from Bradford, but that is like asking Scorcese why one of his films is not as good as Taxi Driver; they cannot all be amongst the greatest records of all time, but that does not take away from the fact that this an above average album. “The Shakes,” is my favorite song. I know it sounds extremely cheesy, but I literally am shaking when I hear this song. It is so damn powerful as with nearly all of Bradford’s material. His songs just have that emotional effect that a lot of other artists lack. He can make things sentinmental witout making them come off as lame. Rock and Roll is alive and well.

7) Natural Child- 1971 (Infinity Cat): I just mentioned about rock and roll being alive and well, Natural Child is a further testament to this. Another artist, I cannot promote more. Seriously, if you dig this “garage” revival kind of stuff like the Black Lips, Ty Segall, Nobunny, etc, then Natural Child is up your alley. But, even if you do not dig those artists and you are one of those bastards that only listens to rock and roll that was created at least twenty-thirty years before you were born and you scoff at others that drink PBR, while you yourself are only drinking Bud Light, well then Natti Child can and will serve a dish you cannot refuse. The name of the record is 1971, just think of it that way. If you really love the Stones, I do not see why these Nashville boys deserve any less of your attention. It’s only rock and roll.

6) Ty Segall- Goodbye Bread (Drag City): Need I say more? Okay fine. Ty Segall expands upon the reputation he has built up thus far as a fun, frat rockin’, psychedelic artist. Per usual, the record is sonically amazing, and just engulfs the listener. Strong pop hooks ensue.

5) Smith Westerns- Dye It Blonde (Fat Possum): Here is a band I really started getting into this year and rightfully so; Dye It Blonde is fantastic pop record, an ode to pop music. Each song is a carefully constructed, melodramatic ballad. Listening to this album is like shooting up pop music, you get that instantaneous pop sensation rumbling through your body from the first few moments of “Weekend.” I can picture Smith Westerns lyrics being plastered all over the facebook walls of bratty, depressed teenagers all across America. “I should’ve realized life is such a joke, it makes me wanna choke,(“Smile”). Mmmm gotta love them at that age!

4) Mark Sultan- Whatever I Want (In The Red):
I am big fan of Mark Sultan’s past two LPs, The Sultantic Verses (2007) and $ (2010), but I think this LP is even greater, exemplifying Mark’s strengths as a songwriter. The hooks are stronger than ever especially on tracks like “Axis Abraxas,” “Just For a Moment,” and “Song In Grey.” “Axis Abraxas” is an incredible opener and just gets the listener pumped for the whole record. I wish more opening tracks were like this. Definitely one of the year’s finest and one of the most underated.

3) Shannon and the Clams- Sleep Talk (1-2-3-4 Go!): One of my new favorites from twenty eleven. Another truly kick ass rock and roll band that is totally underated. I remember hearing this about six months back and thinking this would probably end up on my list and I was right, not much can top it. First and foremost, Shannon Shaw is a fabulous singer, one of the best living today. Secondly, the band are masters at creating (or recreating) early 60s esque rock and roll both in songwriting and in sound quality with really nice, clean, analog. They also add an extra umpph to several of their songs, giving them an old school punk sound as well. All in all, there is not much you can hate about this band/album, they just represent what is great about the music I enjoy. Alas, you will not see this record on any of the major magazines’s or web sites’s end of the year lists like several other underappreciated records on this list.

2) Hunx and His Punx- Too Young to Be In Love (Hardly Art): If Sleep Talk has a companion twenty eleven LP then it is Too Young to Be In Love. Shannon Shaw provides vocals in both bands and just like on Sleep Talk, she sings with incredible force and control. In general, all of the girls shine more on this album than the band’s debut, Gay Singles. That is probably the best part of this record, the fact that the band sounds fuller and more complete. Admittedly, I am a bigger fan of the first record, but I adored and still cotinue to greatly adore this record. In many ways, it is completely different: slower, more serious, and more 60s based. If you dig 60s girl groups, I highly recommend this album as it is quite reminiscent of that era. “Lovers Lane,” the opening track is a great example of this and my favorite from the whole record. Hunx’s lead vocals are better than ever and the girls’ backng vocals nicely complement his. Hunx and His Punx are doing something truly unique and unlike anyone else today.

1) Black Lips- Arabia Mountain (Vice):
What do you expect? Of course, Arabia is number one. Of course, Black Lips are number one, they always are! I have to say though I am not a robotic fan or anything like that, they are not an automatic number one for me by any means. This year they simply released their greatest studio album in my eyes. Like Glen and other punk slimers, I greatly anticipated this release, probably more than any other album in my life. When I heard Mark Ronson was on board, I was not sure what to make of it, but knowing the Lips, I felt we were in good hands. They stayed true to themselves and simply used Ronson’s skill to enhance what already made them great. I see this record as a salute to what makes the Black lips a kickass band: Cole’s weird, raspy vocals (sounding better and clearer and more effective than ever) on “Family Tree,” the band’s simple committment to fun in “Go Out and Get It,” indeed an incredibly simple, but catchy tune, and overall a striking personality that no other band can match. Personality is what makes bands memorable and the Lips have mythologized themselves into the greatest rock and roll band currently in existance.

Best EP of 2011?


Still never going stop him… and his band from appearing on my lists!

Wavves- Life Sux EP (Ghost Ramp)

Yep, there should be no surprises here. We spend the whole year yapping about our favorite artists, so when it comes to these year end lists, it should all look familar.

SOTD: Atlas Sound- “Only Love…” Neil Young Cover

Atlas Sound- “Only Love Can Break Your Heart” (2007) cover.

I love dem Atlas Sound covers!

Best of 2011- Chris’s Favorite Songs

I like what Glen did for his end of the year song list, so I am following in this new direction.

Atlas Sound- “The Shakes,” “My Angel Is Broken,” and “Parallax”
The Beets- “I Think I Might Have Built A Horse”
Big Mess- “The Hook,” “No Good Time,” and “Gueule de Bois,”
Black Lips- “Family Tree,” “Spidey’s Curse,” and “Don’t Mess Up My Baby,”
Colleen Green- “Dance the Night Away”
Fat History Month- “Old Lady Smokers,” “Things I Enjoy,” and “Free As A Cat”
Girls- “Honey Bunny,” “Magic,” and “Saying I Love You,”
Hunx & His Punx- “Lovers’ Lane,” “Too Young to Be In Love,” and “Keep Away From Johnny”
Mark Sultan- “Just For a Moment,” “Axis Abraxas,” and “Song In Grey”
Natural Child- “Easy Street,” “Hard Workin’ Man,” and “White People”
The Orwells- “Halloween All Year”
The Pains of Being Pure At Heart- “Belong,” “Heart In Your Heartbreak”
Peach Kelli Pop “Eeenie Meenie Minie Moe,” “Do the Eggroll,” and “Doo Wah Diddy”
Shannon and the Clams- “The Cult Song,” “You Will Always Bring Me Flowers,” and “Sleep Talk”
Saralee- “Circle of Hands,” “Ceiling,”
Silhouette Rising- “Don’t You Hear Me Calling”
Smith Westerns- “Smile,” “All Die Young,” and “Weekend”
Those Darlins- “Screws Get Loose,” “Be Your Bro”
Ty Segall- “Comfortable Home,” “Goodbye Bread,” and “California Commercial”
Wavves- “Nodding Off (Featuring Best Coast),” “Bug,” and “I Wanna Meet Dave Grohl”

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